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For fans of I Dissent and She Persisted -- and Jane Austen fans of all ages -- a picture book biography about the beloved and enduring writer and how she found her unique voice. Witty and mischievous Jane Austen grew up in a house overflowing with words. As a young girl, she delighted in making her family laugh with tales that poked fun at the popular novels of her time, stories that featured fragile ladies and ridiculous plots. Before long, Jane was writing her own stories-uproariously funny ones, using all the details of her life in a country village as inspiration. In times of joy, Jane's words burst from her pen. But after facing sorrow and loss, she wondered if she'd ever write again. Jane realized her writing would not be truly her own until she found her unique voice. She didn't know it then, but that voice would go on to capture readers' hearts and minds for generations to come.
Every devoted reader feels that, in some way, they know Jane Austen. But how can we make sense of her extraordinary achievements? At a time when most women received so little formal education and none could obtain a place at university, how did Austen come to write novels that have commanded the attention of some of the most brilliant minds ever since? Why were hers the books that Darwin knew by heart and Churchill read during the Blitz? In this graceful introduction to the author's life and works, Fiona Stafford offers a fresh and accessible perspective, discussing Austen's six astonishing novels in the context of their time. Newly updated, Jane Austen: A Brief Life offers a rich and sympathetic insight into a writer who was just as much the Romantic genius as Keats, Shelley or Byron - full of youthful exuberance, intensely creative once she had found her individual voice, and dead before she reached middle age.
Hardcore bibliography meets Antiques Roadshow in an illustrated exploration of the role that cheap reprints played in Jane Austen's literary celebrity—and in changing the larger book world itself. Gold Winner of the 2019 Foreword INDIES Award for History by FOREWORD Reviews In the nineteenth century, inexpensive editions of Jane Austen's novels targeted to Britain's working classes were sold at railway stations, traded for soap wrappers, and awarded as school prizes. At just pennies a copy, these reprints were some of the earliest mass-market paperbacks, with Austen's beloved stories squeezed into tight columns on thin, cheap paper. Few of these hard-lived bargain books survive, yet they made a substantial difference to Austen's early readership. These were the books bought and read by ordinary people. Packed with nearly 100 full-color photographs of dazzling, sometimes gaudy, sometimes tasteless covers, The Lost Books of Jane Austen is a unique history of these rare and forgotten Austen volumes. Such shoddy editions, Janine Barchas argues, were instrumental in bringing Austen's work and reputation before the general public. Only by examining them can we grasp the chaotic range of Austen's popular reach among working-class readers. Informed by the author's years of unconventional book hunting, The Lost Books of Jane Austen will surprise even the most ardent Janeite with glimpses of scruffy survivors that challenge the prevailing story of the author's steady and genteel rise. Thoroughly innovative and occasionally irreverent, this book will appeal in equal measure to book historians, Austen fans, and scholars of literary celebrity.
Perfect for fans of Amélie, this is a charming story about the power of friendship, love and pink polka dots to turn rainy days into sunny ones and sadness into joy. When it's bright outside, Adele is the heart of her community, greeting everyone who comes into her café with arms wide open. But when it rains, she can't help but stay at home inside, under the covers. Because Adele takes such good care of her friends and customers, one of them decides to take care of her too, and piece by piece leaves her little gifts that help her find the joy in a gray, rainy day. Along with cute-as-a-button illustrations, The Pink Umbrella celebrates thoughtful acts of friendship.
Jane Austen is one of the most influential and best-loved novelists in English literature. Austen's genius was her cast of characters—so timeless and real that readers today recognize them in their own families and neighborhoods. Her book's universal themes—love and hate, hope and disappointment, pride and prejudice, sense and sensibility—still tug at heartstrings today in cultures spanning the globe. Austen wrote about daily life in England as she knew it, growing up a clergyman's daughter among the upper class of landowners, providing readers with a window into the soul of a lively, imaginative, and industrious woman in an age when most women were often obscured. Jane Austen for Kids includes a time line, resources for further study, places to visit, and 21 enriching activities.
An authoritative account of everyday life in Regency England, the backdrop of Austen’s beloved novels, from the authors of the forthcoming Gibraltar: The Greatest Siege in British History (March 2018) Jane Austen, arguably the greatest novelist of the English language, wrote brilliantly about the gentry and aristocracy of two centuries ago in her accounts of young women looking for love. Jane Austen’s England explores the customs and culture of the real England of her everyday existence depicted in her classic novels as well as those by Byron, Keats, and Shelley. Drawing upon a rich array of contemporary sources, including many previously unpublished manuscripts, diaries, and personal letters, Roy and Lesley Adkins vividly portray the daily lives of ordinary people, discussing topics as diverse as birth, marriage, religion, sexual practices, hygiene, highwaymen, and superstitions. From chores like fetching water to healing with medicinal leeches, from selling wives in the marketplace to buying smuggled gin, from the hardships faced by young boys and girls in the mines to the familiar sight of corpses swinging on gibbets, Jane Austen’s England offers an authoritative and gripping account that is sometimes humorous, often shocking, but always entertaining.
I cannot fix on the hour, or the spot, or the look, or the words. I was in love before I knew it. Witty, headstrong Elizabeth Bennet has no desire for a marriage of convenience. And when she meets the handsome, wealthy Mr. Darcy, her opinion of him is quickly set: he is aloof, selfish, and proud--the last man in the world she would ever marry. Until their paths cross again, and again, and the pair begins to realize that first impressions can be flawed . . . But as Elizabeth and Darcy become entangled in a dance through the strict hierarchies of society, will there be space for their love to bloom? Bestselling author Laura Wood brings Elizabeth Bennet and Mr. Darcy's romance to life once more in a stunning and accessible retelling of Austen's beloved classic. Union Square & Co.'s EVERYONE CAN BE A READER books are expertly written, thoughtfully designed with dyslexia-friendly fonts and paper tones, and carefully formatted to meet readers where they are with engaging stories that encourage reading success across a wide range of age and interest levels.
This book explores the aesthetics of the objects and environments we encounter in daily life. Thomas Leddy stresses the close relationship between everyday aesthetics and the aesthetics of art, but places special emphasis on neglected aesthetic terms such as ‘neat,’ ‘messy,’ ‘pretty,’ ‘lovely,’ ‘cute,’ and ‘pleasant.’ The author advances a general theory of aesthetic experience that can account for our appreciation of art, nature, and the everyday.
In 1807 genteel, Bermuda-born Fanny Palmer (1789–1814) married Jane Austen's youngest brother, Captain Charles Austen, and was thrust into a demanding life within the world of the British navy. Experiencing adventure and adversity in wartime conditions both at sea and onshore, the spirited and resilient Fanny travelled between Bermuda, Nova Scotia, and England. For just over a year, her home was in the city of Halifax. After crossing the Atlantic in 1811, she ingeniously made a home for Charles and their daughters aboard a working naval vessel and developed a supportive friendship with his sister, Jane. In Jane Austen's Transatlantic Sister Fanny's articulate and informative letters – transcribed in full for the first time and situated in their meticulously researched historical context – disclose her quest for personal identity and autonomy, her maturation as a wife and mother, and the domestic, cultural, and social milieu she inhabited. Sheila Johnson Kindred also investigates how Fanny was a source of naval knowledge for Jane, and how she was an inspiration for Austen's literary invention, especially for the female naval characters in Persuasion. Although she died young, Fanny's story is a compelling record of female naval life that contributes significantly to our limited knowledge of women's roles in the Napoleonic Wars. Enhanced by rarely seen illustrations, Fanny's life story is a rich new source for Jane Austen scholars and fans of her fiction, as well as for those interested in biography, women's letters, and history of the family.