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Narrative histories highlighting organization, combat experiences, and casualties of each division Lists of constituent units and division commanders Sources for further reading on each division This is the first of 3 definitive volumes that cover the German ground forces that swept across Europe with such ruthless efficiency in 1939 and 1940 and battled the Allies around the globe until the bitter end in 1945. Taken together, these volumes are the most comprehensive and accessible reference available on the Germany Army in World War II, unmatched in the information compiled on each division from inception to destruction. Volume One covers the 1st through 290th Infantry Divisions.
John Joseph Steward fought in the Great War, from the Battle of the Somme to the final offensives of 1918, and he was an acute, unflinching observer of the conflict he took part in - of life and death on the Western Front. He was a writer, too. He recorded his experiences in accurate detail and later in life he wrote a graphic fictionalized account of his wartime career - the story of his war, his comrades and his platoon. His narrative is published here for the first time, edited, annotated and with an introduction by Andrew Robertshaw and Steve Roberts. Their research into Stewards story is a fascinating example of how such work can be used to give a vivid insight into the experiences of a Great War ancestor. About the EditorsAndrew Robertshaw is Curator/Manager of The Royal Logistic Corps Museum in Deepcut, Surrey. For the past twelve years he has been coordinating a group conducting an archaeological dig of British trenches and other sites on the Somme. He frequently appears on television as a commentator on battlefield archaeology and the soldier in history. His publications include A Soldiers Life, The Somme 1st July 1916, Digging the Trenches (with David Kenyon) and Ghosts of the Somme (with Alastair Fraser and Steve Roberts).Steve Roberts is a retired police officer and an ex-regular soldier. He has a keen interest in military history and as a result of his grandfathers service a particular passion for the Great War. He specializes in researching the individuals who served during the period and has worked in this field on a number of television projects. He is a founder member of the Great War archaeology group No Mans Land and also a battlefield guide regularly taking groups to France and Belgium. He has previously co-authored Ghosts on the Somme (with Alastair Fraser and Andrew Robertshaw)
A concise and unique reference work central to any serious examination of the Army2s involvement in World War I. Reproduced in 5 volumes, the original volume numbering and consecutive pagination remain unchanged to assist researchers using citations to the first printing.
This book looks at several troop categories based on primary function and analyzes the ratio between these categories to develop a general historical ratio. This ratio is called the Tooth-to-Tail Ratio. McGrath's study finds that this ratio, among types of deployed US forces, has steadily declined since World War II, just as the nature of warfare itself has changed. At the same time, the percentage of deployed forces devoted to logistics functions and to base and life support functions have increased, especially with the advent of the large-scale of use of civilian contractors. This work provides a unique analysis of the size and composition of military forces as found in historical patterns. Extensively illustrated with charts, diagrams, and tables. (Originally published by the Combat Studies Institute Press)
The definitive reference on the German Army in World War II, covering the organization, combat history, and commanders of each division.
What is War Artist An artist who documents first-hand experiences of war through any sort of illustrative or depictive record is referred to as a war artist. This artist may be commissioned by a government or newspaper, or they may chronicle their experiences on their own initiative. Artists who work in the field of war investigate the visual and sensory aspects of combat, which are frequently lacking from written histories and other narratives of warfare. How you will benefit (I) Insights, and validations about the following topics: Chapter 1: War artist Chapter 2: Imperial War Museum Chapter 3: Australian and New Zealand Army Corps Chapter 4: Military art Chapter 5: History of the Great War Chapter 6: William Orpen Chapter 7: Will Longstaff Chapter 8: Anna Airy Chapter 9: QF 13-pounder gun Chapter 10: Arthur John Ensor (II) Answering the public top questions about war artist. Who this book is for Professionals, undergraduate and graduate students, enthusiasts, hobbyists, and those who want to go beyond basic knowledge or information for any kind of War Artist.