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The year 1916 witnessed two events that would profoundly shape both politics and commemoration in Ireland over the course of the following century. Although the Easter Rising and the Battle of the Somme were important historical events in their own right, their significance also lay in how they came to be understood as iconic moments in the emergence of Northern Ireland and the Irish Republic. Adopting an interdisciplinary approach drawing on history, politics, anthropology and cultural studies, this volume explores how the memory of these two foundational events has been constructed, mythologised and revised over the course of the past century. The aim is not merely to understand how the Rising and the Somme came to exert a central place in how the past is viewed in Ireland, but to explore wider questions about the relationship between history, commemoration and memory.
Because oral history interviews are personal interactions between human beings, they rarely conform to a methodological ideal. These reflections from oral historians provide honest and rigorous analyses of actual oral history practice that address the complexities of a human-centered methodology.
Restored to print--in an expanded edition--the pivotal text in working-class studies.
Oral memoirs of a cross section of American women of African descent, born within approximately 15 years before and after the turn of the century.
The Master of Seventh Avenue is the definitive biography of David Dubinsky (1892—1982), one of the most controversial and influential labor leaders in 20th-century America. A “character” in the truest sense of the word, Dubinsky was both revered and reviled, but never dull, conformist, or bound by convention. A Jewish labor radical, Dubinsky fled czarist Poland in 1910 and began his career as a garment worker and union agitator in New York City. He quickly rose through the ranks of the International Ladies’ Garment Workers’Union (ILGWU) and became its president in 1932. Dubinsky led the ILGWU for thirty-four years, where he championed “social unionism,” which offered workers benefits ranging from health care to housing. Moving beyond the realm of the ILGWU, Dubinsky also played a leading role in the American Federation of Labor (AFL), particularly during World War II. A staunch anti-communist, Dubinsky worked tirelessly to rid the American labor movement of communists and fellow-travelers. Robert D. Parmet also chronicles Dubinsky’s influential role in local, national, and international politics. An extraordinary personality whose life and times present a fascinating lens into the American labor movement, Dubinsky leaps off the pages of this meticulously researched and vividly detailed biography.
Contains chapters on the discipline of oral history, especially as it relates to public history; starting an oral history project, including funding, staffing, equipment, processing, and legal concerns; conducting interviews; using oral history in research and writing, including publishing; videotaping oral history; and more.
How is an oral historian to react when the unexpected emerges, whether in field research or interview analysis? Answers tend to be scattered throughout the scholarly literature or confined to backstage conversations. This book brings the unexpected to the center of the scene and promotes a collective reflection about ways of dealing with uneasy encounters, surprises, and interviews that seem to have gone off the rails. The contributors come from a dozen countries, especially Brazil, where a classic piece about a “great liar” paved the way for this discussion. Rather than eccentric descriptions of unusual situations, these chapters evoke a dense web of reflections about dialogue, the production of oral sources, and the complexities of personal narratives. Theoretically informed but written in an engaging language, the book presents readers with fascinating case studies of the eruptions of the unexpected that occur in oral history research.
Steven French suggests a radical new approach to the understanding of quantum physics, derived from Husserl's phenomenological philosophy. In 1939 two physicists, Fritz London and Edmund Bauer, published an account of measurement in quantum mechanics. Widely cited, their 'little book' featured centrally in an important debate over the role of consciousness in that process. However, it has been fundamentally misunderstood, both in that debate and beyond. Steven French argues that London, in particular, approached the measurement process from the perspective of Husserlian phenomenology, which he had studied as a student and which he retained an interest in throughout his career. This casts his work with Bauer in an entirely novel light and suggests a radical alternative understanding of quantum mechanics in which consciousness still plays a role but one that is fundamentally different than previously conceived. Most interpretations of the theory approach it on the basis of the so-called 'analytic' tradition in philosophy. However, there has recently been a surge of interest in 'continental' approaches and this book offers a significant new contribution to such developments. Intertwining history and philosophy, it presents London's background in physics and phenomenology, together with an outline of the latter as developed by Husserl, Gurwitsch, Merleau-Ponty and others, as well as a detailed analysis of the work on measurement with Bauer. The book concludes by comparing the London and Bauer understanding with that afforded by Fuch's QBism, Everett's 'Many Worlds' interpretation and Rovelli's Relational Quantum Mechanics. It is hoped that this exploratory work will open up new avenues of thought with regard to one of our most fundamental physical theories.
A new, redesigned edition of Gay Block's classic photobook documenting those who risked their lives to rescue Jews from the Holocaust First published in 1992 to widespread acclaim, Rescuers: Portraits of Moral Courage in the Holocaust is a landmark photobook on the commemoration of the Holocaust. Featuring photograph portraits, archives and interviews, it was the first book (and exhibition) by Houston-born photographer Gay Block (born 1942); the exhibition has been seen in over 50 venues in the US and abroad, including the Museum of Modern Art, New York. Block spent more than three years traveling in eight countries, accompanied by rabbi and author Malka Drucker, documenting testimonies from more than 100 rescuers--people who risked their lives to rescue Jewish victims from the Holocaust. The stories range from those who saved one life to those who worked in the resistance and saved thousands, always with the threat of death and torture if they were discovered. This new edition features a complete redesign and new foreword by scholar of Jewish American art Samantha Baskind.