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Explains to structural engineers some of the basic equations for analyzing and designing buildings that were devised at the end of the 19th century but were so unmanageably complex to solve that they were displaced by approximation techniques until the recent advent of electronic computer. Heyman (engineering, U. of Cambridge) warns that some of the equations turn out not to fit reality as close as future occupants of buildings might prefer, and explains how to use them and in what context. Annotation copyrighted by Book News, Inc., Portland, OR
"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--
Begun by poet Sam Hamill in reaction to an invitation to attend First Lady Laura Bush's White House Symposium "Poetry and the American Voice" on February 12, 2003 (subsequently canceled), site contains poems or personal statements from over 4,600 poets to register their opposition to the Bush administration's policies toward war in Iraq. Allows for the submission of new poems and also provides links to anti-war activities, news items and other anti-war organizations.
Begins a series presenting collections of survey articles pivoting around the notion of computation. The inaugural topics include generalized rational approximation subject to linear constraints, matrix exponential approximations in the numerical solution of differential equations, unbounded fan-in circuits, and fixpoint semantics for a Petri net model of definite clause logic programs. Each article is self-contained and all assume a high sophistication in mathematics. Future volumes may focus on a special subfield such as computational graph theory, approximation, or computability. Annotation copyright by Book News, Inc., Portland, OR
"David Orr is no starry-eyed cheerleader for contemporary poetry; Orr’s a critic, and a good one. . . . Beautiful & Pointless is a clear-eyed, opinionated, and idiosyncratic guide to a vibrant but endangered art form, essential reading for anyone who loves poetry, and also for those of us who mostly just admire it from afar." —Tom Perrotta Award-winning New York Times Book Review poetry columnist David Orr delivers an engaging, amusing, and stimulating tour through the world of poetry. With echoes of Francine Prose’s Reading Like a Writer, Orr’s Beautiful & Pointless offers a smart and funny approach to appreciating an art form that many find difficult to embrace.
Written with the help of golfing poets such as Sir Arthur Conan Doyle, Rudyard Kipling, Charles “Chick” Evans, Grantland Rice and Billy Collins. Laid out as a golf course with Holes (chapters) such as “St. Andrews,” “Agonies and Frustrations,” “Advice,” “Politics and War,” “Links with the Devil” and “The Women’s Game.” Illustrated with pictures, cartoons and photographs. The text and poems include humorous tales, historical dramas and personal accounts that will touch the hearts of golfers universally. Much of the material comes from inaccessible books and magazines published in the U.S., England and Scotland before 1930.
A Pulitzer prize-winning poet “offers a glimpse into her visionary world in her stunning 16th collection. . . . [D]eeply insightful.” (Publishers Weekly, starred review) Like magic, these succinct poems reveal multiple realities Rae Armantrout has always taken pleasure in uncertainties and conundrums, the tricky nuances of language and feeling. In Conjure that pleasure is matched by dread; fascination meets fear as the poet considers the emergence of new life (twin granddaughters) into an increasingly toxic world: the Amazon smolders, children are caged or die crossing rivers and oceans, and weddings make convenient targets for drone strikes. These poems explore the restless border between self and non-self and ask us to look with new eyes at what we're doing. “In this volume, Armantrout addresses topics familiar from her earlier work: the nature of consciousness, aging, the looming ecological crisis, the vacuousness of much of what passes for public discourse.” ―Simon Collings, StrideMagazine “Conjure offers a magic of its own, with sometimes sly and always unforgettable juxtapositions of the minute and the exceptional, elevated by the intellect, flair, and confidence of a poet at the top of her game.” ―Mandana Chaffa, Ploughshares “Unsettling, slippery intimations move just below the surface of Rae Armantrout’s enigmatic and unforgettable new collection of poems. For the record, Rae Armantrout is my favourite living poet.” ―Nick Cave
This work considers the development of the lyric form in recent American poetry of the past three decades. By concentrating on the writing of Charles Bernstein, Michael Palmer and Lyn Hejinian, the author considers the attempts of contemporary poetry to problematise the identification of the lyric as a static model of subjectivity.
A gripping, eerie, and hilarious novel-in-verse from poet Matthew Rohrer. In a Russian-doll of fictional episodes, we follow a midlevel publishing assistant over the course of a day as he encounters ghost stories, science fiction adventures, Victorian hashish eating, and robot bigfoots. Rohrer mesmerizes with wildly imaginative tales and resonant verse in this compelling love letter to storytelling. this night they all seemed asleep for a while the stark shadows held me only my mind moved wildly behind my eyes until I heard a tiny song coming from the driver song of a bandit’s broken heart, song of his betrayal I slept and dreamed I was awake Matthew Rohrer is the author of Surrounded by Friends (Wave Books, 2015), Destroyer and Preserver (Wave Books, 2011), A Plate of Chicken (Ugly Duckling Presse, 2009), Rise Up (Wave Books, 2007) and A Green Light (Verse Press, 2004), which was shortlisted for the 2005 Griffin Poetry Prize. He is also the author of Satellite (Verse Press, 2001), and co-author, with Joshua Beckman, of Nice Hat. Thanks. (Verse Press, 2002), and the audio CD Adventures While Preaching the Gospel of Beauty. He has appeared on NPR’s All Things Considered and The Next Big Thing. His first book, A Hummock in the Malookas was selected for the National Poetry Series by Mary Oliver in 1994. He lives in Brooklyn, New York, and teaches at NYU.
Explores the ways in which American poetry has documented and sometimes helped propel the literary and cultural revolutions of the past sixty-five years.