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Examines the events prior to and following the crash of Cosmos 954. Written by a southerner, the book suffers from factual errors and obvious prejudice.
The first in-depth examination of NEST: America's super-secret government agency operating to prevent nuclear terrorist attacks. Jeffrey T. Richelson reveals the history of the Nuclear Emergency Support Team, from the events leading to its creation in 1974 to today. Defusing Armageddon provides a behind-the-scenes look at NEST's personnel, operations, and detection and disablement equipment--employed in response to attempts at nuclear extortion, lost and stolen nuclear material, crashed nuclear-powered Soviet satellites, and al Qaeda's quest for nuclear weapons. Richelson traces the Cosmos satellite that crashed into the Canadian wilderness; nuclear threats to Los Angeles, New York, and other cities; and the surveillance of Muslim sites in the United States after 9/11. Relying on recently declassified documents and interviews with former NEST personnel, Richelson's extensive research reveals how NEST operated during the Cold War, how the agency has evolved, and its current efforts to reduce the chance of a nuclear device decimating an American city.
A complete history of human endeavors in space, this book also moves beyond the traditional topics of human spaceflight, space technology, and space science to include political, social, cultural, and economic issues, and also commercial, civilian, and military applications. In two expertly written volumes, Space Exploration and Humanity: A Historical Encyclopedia covers all aspects of space flight in all participating nations, ranging from the Cold War–era beginnings of the space race to the lunar landings and the Apollo-Soyuz mission; from the Shuttle disasters and the Hubble telescope to Galileo, the Mars Rover, and the International Space Station. The book moves beyond the traditional topics of human spaceflight, space technology, and space science to include political, social, cultural, and economic issues, and also commercial, civilian, and military applications. Produced in conjunction with the History Committee of the American Astronautical Society, this work divides its coverage into six sections, each beginning with an overview essay, followed by an alphabetically organized series of entries on topics such as astrophysics and planetary science; civilian and commercial space applications; human spaceflight and microgravity science; space and society; and space technology and engineering. Whether investigating a specific issue or event or tracing an overarching historic trend, students and general readers will find this an invaluable resource for launching their study of one of humanity's most extraordinary endeavors.
The very first book on space systems failures written from an engineering perspective. Focuses on the causes of the failures and discusses how the engineering knowledge base has been enhanced by the lessons learned. Discusses non-fatal anomalies which do not affect the ultimate success of a mission, but which are failures nevertheless. Describes engineering aspects of the spacecraft, making this a valuable complementary reference work to conventional engineering texts.
A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In Place Matters scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. Lavishly illustrated, the volume brings into conversation photographic projects and essays that revitalize the study of landscape. Contributors engage the study of place through an approach that Jonathan Bordo and Blake Fitzpatrick call critical topography: the way that we understand critical thought to range over a place, or how thought and symbolic forms invent place through text and image as if initiated by an X marking the spot. Critical topography’s tasks are to mediate and to diminish the gap between representation and referent, to be both in the world and about the world; to ask what place is this, what are its names, where am I, how and with what responsibilities may I be here? Chapters map the deep cultural, environmental, and political histories of singular places, interrogating the charged relation between history, place, and power and identifying the territorial imperatives of place making in such sites as Colonus, Mont Sainte-Victoire, Chomolungma/Everest, Hiroshima, Fort Qu’Appelle, Donetsk airport, and the island of Lesbos. With contributions from the renowned artists Hamish Fulton and Edward Burtynsky, the Swedish poet Jesper Svenbro, and others, the collection examines profound shifts in place-based thinking as it relates to the history of art, the anthropocene and nuclear ruin, borders and global migration, residential schools, the pandemic, and sites of refuge. In his prologue W.J.T. Mitchell writes: “Places, like feasts, are moveable. They can be erased and forgotten, lost in space, or maintained and rebuilt. Both their appearance and disappearance, their making and unmaking, are the work of critical topography.” Global in scope, Canadian in spirit, and grounded in singular sites, Place Matters presents critical topography as an approach to analyze, interpret, and reflect on place.
What does feminism have to say to the Anthropocene? How does the concept of the Anthropocene impact feminism? This book is a daring and provocative response to the masculinist and techno-normative approach to the Anthropocene so often taken by technoscientists, artists, humanists, and social scientists. By coining and, for the first time, fully exploring the concept of “anthropocene feminism,” it highlights the alternatives feminism and queer theory can offer for thinking about the Anthropocene. Feminist theory has long been concerned with the anthropogenic impact of humans, particularly men, on nature. Consequently, the contributors to this volume explore not only what current interest in the Anthropocene might mean for feminism but also what it is that feminist theory can contribute to technoscientific understandings of the Anthropocene. With essays from prominent environmental and feminist scholars on topics ranging from Hawaiian poetry to Foucault to shelled creatures to hypomodernity to posthuman feminism, this book highlights both why we need an anthropocene feminism and why thinking about the Anthropocene must come from feminism. Contributors: Stacy Alaimo, U of Texas at Arlington; Rosi Braidotti, Utrecht U; Joshua Clover, U of California, Davis; Claire Colebrook, Pennsylvania State U; Dehlia Hannah, Arizona State U; Myra J. Hird, Queen’s U; Lynne Huffer, Emory U; Natalie Jeremijenko, New York U; Elizabeth A. Povinelli, Columbia U; Jill S. Schneiderman, Vassar College; Juliana Spahr, Mills College; Alexander Zahara, Queen’s U.
From shipments of Canadian waste rotting in developing countries to overflowing landfills and ineffective recycling programs, Canada is facing a waste crisis. Canadians are becoming increasingly aware that waste is an acute environmental and human health issue – and a complex one, the solutions to which are often contradictory. Canada's Waste Flows is an honest look at the production and movement of Canadian waste, from region to region and across the globe, and its consequences. Through a series of timely empirical case studies, the book reveals waste as less of a technological problem and more of a material, economic, political, historical, and cultural concern. Canada's Waste Flows demonstrates that Canadians are misdirecting their attention to post-consumer waste and their responsibility for minimizing it through recycling; waste must be understood as a social justice issue, and in particular as a symptom of ongoing settler colonialism. Through a comparative study of waste management in southern and northern Canadian communities, Myra Hird argues that we will only resolve our waste crisis through democratic engagement. A critical and compelling book that will generate conversation and incite change, Canada's Waste Flows uncovers how Canada's role as a global leader in waste production and export is key to changing Canada's waste future.
* THE INSTANT NEW YORK TIMES BESTSELLER * Scientific American’s #1 Book for 2023 * A New York Times Book Review Editors' Choice * A Times Best Science and Environment Book of 2023 * “Exceptional. . . Forceful, engaging and funny . . . This book will make you happy to live on this planet — a good thing, because you’re not leaving anytime soon.” —New York Times Book Review From the bestselling authors of Soonish, a brilliant and hilarious off-world investigation into space settlement Earth is not well. The promise of starting life anew somewhere far, far away—no climate change, no war, no Twitter—beckons, and settling the stars finally seems within our grasp. Or is it? Critically acclaimed, bestselling authors Kelly and Zach Weinersmith set out to write the essential guide to a glorious future of space settlements, but after years of research, they aren’t so sure it’s a good idea. Space technologies and space business are progressing fast, but we lack the knowledge needed to have space kids, build space farms, and create space nations in a way that doesn’t spark conflict back home. In a world hurtling toward human expansion into space, A City on Mars investigates whether the dream of new worlds won’t create nightmares, both for settlers and the people they leave behind. In the process, the Weinersmiths answer every question about space you’ve ever wondered about, and many you’ve never considered: Can you make babies in space? Should corporations govern space settlements? What about space war? Are we headed for a housing crisis on the Moon’s Peaks of Eternal Light—and what happens if you’re left in the Craters of Eternal Darkness? Why do astronauts love taco sauce? Speaking of meals, what’s the legal status of space cannibalism? With deep expertise, a winning sense of humor, and art from the beloved creator of Saturday Morning Breakfast Cereal, the Weinersmiths investigate perhaps the biggest questions humanity will ever ask itself—whether and how to become multiplanetary. Get in, we’re going to Mars.