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Videos featuring opera singers were initially released in the mid 1980s. This companion volume to Opera Mediagraphy: Video Recordings and Motion Pictures (Greenwood, 1993) indexes opera singers on video and film in concert, recital, and non-operatic feature film and includes VHS videotape, optical video laser disc, CD-ROM, and DVD recordings. Liturgical works, such as masses, and symphonies are also included. Arranged alphabetically, each film entry includes a rating, cites reviews, includes film production information, and lists the film's contents and performers. Films and singers are cross-referenced throughout. Researchers and opera fans alike will appreciate the various features that make this work easy to reference. The alphabetical entries are supplemented by three separate indexes that cross reference data by conductor and pianist, by director and producer, and by production type. An appendix lists distributors and provides available address information including e-mail and website locations.
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry. A complete index is included in each volume.
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
First published in 2006. Routledge is an imprint of Taylor & Francis, an Informa company.
With its powerful combination of music and theatre, opera is one of the most complex and yet immediate of all art forms. Once opera was studied only as 'a stepchild of musicology', but in the past two decades opera studies have experienced an explosion of energy with the introduction of new approaches drawn from disciplines such as social anthropology and performance studies to media theory, genre theory, gender studies and reception history. Written by leading scholars in opera studies today, this Companion offers a wide-ranging guide to a rapidly expanding field of study and new ways of thinking about a rich and intriguing art form, placing opera back at the centre of our understanding of Western culture over the past 400 years. This book gives lovers of opera as well as those studying the subject a comprehensive approach to the many facets of opera in the past and today.
This annotated chronology of western music is the third in a series of outlines on the history of music in western civilization. It contains a 120-page annotated bibliography, followed by a detailed, documented outline that is divided into ten chapters. Each chapter is written in chronological order with every line being documented by means of abbreviations that refer to the annotated bibliography. There are short biographies of the theorists and detailed discussions of their works. The information on music is organized by classes of music rather than by composer. Also included are lists of manuscripts with descriptions of their contents and notations as to where they may be found. The material for the outline has been taken from primary and secondary sources along with articles from periodicals. Like the other two volumes in this series, Music History from the Late Roman through the Gothic Periods, 313-1425 and Music History During the Renaissance Period, 1425-1520, this volume will be an important research tool for anyone interested in music history.
This guide to the piano literature for the one-handed pianist surveys over 2,100 individual piano pieces which include not only concert literature but pedagogical pieces as well. Following the introduction are four chapters cataloguing original works for the right hand alone, original works for the left hand alone, music arranged or transcribed for one hand alone, and concerted works for one hand in concert with other pianists, instruments, or voices. Each entry assesses the individual composition, its quality, its difficulty, its particular appeal, and its uses with the composer's name, dates, and nationality, where possible. Also included is a selected discography of commercially produced phonodiscs, compact discs, and cassettes. Instructors and pianists alike will appreciate this exhaustive guide to one-handed piano music. To aid further research, a bibliography of books, articles, and theses about the literature is provided along with a chapter that lists the contents of thirty-six anthologies devoted to one-handed piano music. This unique reference also includes an index.
The series of biographical sketches published by Brainard's Musical World between 1877 and 1889 is notable for the diversity of the musicians profiled and for the entertaining personal information provided. This period witnessed the establishment of musical institutions and attitudes toward music that have shaped American music to the present day. The biographies present a cross-section of American musicians in the late 19th century, including singers, instrumentalists, writers, teachers, and composers. Among the musicians included are some of America's most prominent conductors, such as Theodore Thomas and Leopold Damrosch; composers, such as John Knowles Paine and George F. Root; writers, such as John S. Dwight and Amy Fay; teachers, such as William Mason and Erminia Rudersdorff; and performers, such as Emma Abbott and Maud Powell. Scores of less familiar musicians who were also instrumental in shaping America's music are included as well. Originally intended for general readers, the biographical sketches not only shed light on musical topics but also include personal information that is seldom found in a traditional dictionary and which speaks to the attitudes and concerns of the late 19th century society. This work will be of value to scholars and researchers of 19th-century American music and to those interested in the development of popular song. Entries are alphabetically arranged and include select bibliographies. A general bibliography and index are also included.
Have you ever tried to find information on your favorite classical singer, past or present? If you have, you know the frustrations involved. Now, for the first time under one cover is a comprehensive listing of all known published and unpublished material of a biographical nature about classical singers of the opera and recital stages. No current reference work or periodical includes more than a fraction of the material found here. This book will save the reader countless frustrating hours tracking down sources by indicating exactly where to look. For anyone with a serious interest in classical singers, this new publication is a MUST. Quite simply put, there is nothing comparable available. If you own any or all of the current basic references on opera and singing, this represents a worthy and indispensable companion to each of them. Classical Singers of the Opera and Recital Stages is a comprehensive listing of biographical materials about 1,532 famous and not-so-famous vocalists. Materials from 30 languages and language variants are annotated including cross-references to 24 major dictionaries, encyclopedias, and reference works as well as 12 important periodicals. In addition to this body of information, 157 collective titles and 283 related books are also cross-referenced. It even includes references to works such as the American National Biography which is currently in publication. All of this material is organized into five easy-to-use coded categories, and the codes remain standard throughout the work. A special feature is a complete index to all vocalists accorded an entry in The New Grove Dictionary of Opera (1992). Some 323 classical vocal artists, who do not appear in Grove-Opera, are included here. Cowden's monumental reference lists thousands of sources for obscure artists as well as for the legendary ones from the 17th century to 1993. Each reader will find sources of information previously unknown thus saving countless hours tracking down biographical information about a particular artist. An indispensable supplement to even the most recent published reference works in the field of the vocal arts, Classical Singers of the Opera and Recital Stages should remain a standard work for years to come.