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We know more of Marcus Tullius Cicero (106-43 BCE), lawyer, orator, politician and philosopher, than of any other Roman. Besides much else, his work conveys the turmoil of his time, and the part he played in a period that saw the rise and fall of Julius Caesar in a tottering republic. Cicero (Marcus Tullius, 106-43 BCE), Roman lawyer, orator, politician and philosopher, of whom we know more than of any other Roman, lived through the stirring era which saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, 58 survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek.
This book covers a wide range of subjects from Latin literature and language to textual history and criticism. E. D. Francis gives a history of the words prae and pro, as adverb, preposition and prefix. H. D. Jocelyn surveys the distribution and differing uses of quotations from Greek poetry in Cicero's prose writings and D. F. S. Thomson takes a fresh look at the manuscript tradition of Catullus. The remaining six articles deal with later authors and are divided equally between the poets and the historians: a reading of Horace's Roman Odes and their relation to the other odes in which he addressed the Roman people; a demonstration of the internal coherence of a Tibullan elegy and two Juvenal satires; a review of disputed readings in the OCT of Livy IX; an analysis of the structure of the prologues to the Annals, Histories and Agricola to cast light on Tacitus' intentions; and a critical review of Tacitus' portrait of Germanicus, generally viewed in a sympathetic light but debated by D. O. Ross.
How Latin philosophical vocabulary developed through the translation of Greek sources, the varieties of translation practices Roman philosophers favoured, and how these practices evolved over time are the overarching themes of this monograph. A first of its kind, this comparative study analyzes the creation of philosophical vocabulary in Lucretius, Cicero, Apuleius, Calcidius, and Boethius. It highlights a Latin literary tradition in which the dominance of Greek philosophical expression was challenged and renovated over time through the individual translation choices of different Latin authors. Included are full glossaries of Latin and Greek philosophical terms with explanatory notes for the reader.
The studies collected here cover a period of about 33 years, from 1986 to 2019, and represent a sustained effort to understand the institutions of the Merovingian kingdom and its history. There has long been a predisposition to cast the Merovingian period in the dark colours of barbarism or to treat it with reference to personal relationships and archaic institutions. The present volume, instead, recognizes the Merovingian world not as an archaic, primitive intrusion on the Mediterranean civilization of the Roman Empire but simply as a participant in the wider commonwealth that existed before and remained after the dissolution of the western imperial system; in so doing, it serves to refute the scholarly tendency to primitivize Merovingian governance, its underlying institutions, and the broader culture upon which these rested. The collection is divided into four parts. Part I considers the question of whether Merovingian kingship should be viewed as a species of archaic, ‘sacral’ kingship. Part II, on institutions, has chapters that deal with various offices (the grafio and centenarius), public institutions (especially immunity and public security), and the broader makeup of the Merovingian state system. Part III, on charters, procedure, and law, has chapters on the profile of the charter evidence as now presented in the new MGH edition of the Merovingian diplomas and one on particular procedures before the royal tribunal, mistakenly referred to in scholarship as ‘fictitious’ trials; a final chapter provides a reflection on, and basic guide to, the law in general of the successor kingdoms, with an eye to the evidence of Merovingian Gaul. Part IV, a slight change of pace, deals with historiography, both the modern variety (Reinhard Wenskus) and the Merovingian (Gregory of Tours). All chapters deal extensively with the historiography of their subjects. This book will appeal to students and scholars alike interested in Early Medieval European history, Merovingian history, Early Medieval law and society, Early Medieval historiography, and the influence of Merovingian law and governance on later centuries. (CS 1104).
In Greek mythology, the Muses are Memory's daughters. Their genealogy suggests a deep connection between music and memory in Graeco-Roman culture, but how was this connection understood and experienced by ancient authors, artists, performers, and audiences? How is music remembered and how does it memorialize in a world before recording technology, where sound accumulated differently than it does today? This volume explores music's role in the discourses of cultural memory, communication, and commemoration in ancient Greek and Roman societies. It reveals the many and varied ways in which musical memory formed a fundamental part of social, cultural, ritual, and political life in ancient Greek- and Latin-speaking communities, from classical Athens to Ptolemaic Alexandria and ancient Rome. Drawing on the contributors' interdisciplinary expertise in art history, philology, performance studies, history, and ethnomusicology, eleven original chapters and the editors' Introduction offer new approaches for the study of Graeco-Roman music and musical culture.
Presents the first full-length, systematic study of the reception of Cicero's speeches in the Roman educational system.
Textual criticism is vital to scholars of ancient sacred texts, whether they are studying the Hebrew Bible, the New Testament, the Qur’an, or the scriptures of Hinduism, Buddhism, or Taoism. This book compares and contrasts the methodologies in different subfields and proposes a common ground for future textual scholarship.
Cicero's Topica is one of the canonical texts on ancient rhetorical theory. This is the first full-scale commentary on this work, and the first critical edition of the work that is informed by a full analysis of its transmission.