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Curious about why female lords must take on male names, the shogun Yoshimune seeks out the ancient scribe Murase and his archives of the last eighty years of the Inner Chambers--called the Chronicle of the Dying Day. In its pages Yoshimune discovers the coming of the Redface Pox, the death of the last male shogun, and the birth of the new Japan... -- VIZ Media
"In Edo period Japan, a strange new disease called the Red Pox has begun to prey on the country's men. Within eighty years of the first outbreak, the male population has fallen by seventy-five percent. Women have taken on all the roles traditionally granted to men, even that of the Shogun. The men, precious providers of life, are carefully protected. And the most beautiful of the men are sent to serve in the Shogun's Inner Chamber"--Page 4 of cover.
In Edo period Japan, a strange new disease called the Redface Pox has begun to prey on the country's men. Within eighty years of the first outbreak, the male population has fallen by seventy-five percent. Women have taken on all the roles traditionally granted to men, even that of the shogun. The men, precious providers of life, are carefully protected. And the most beautiful of the men are sent to serve in the shogun's Inner Chamber... -- VIZ Media
Ienobu's heir is still just a child, and with few official functions to perform, the men of the Inner Chamber find themselves with much time on their hands. Some find ways to make the most of their rare trips outside the palace, while others turn their minds to bloody intrigue... -- VIZ Media
The new government of Japan is determined to not only end the reign of the shoguns but erase any mention of the generations of women who once ruled the country. Try as they might to rewrite history, though, they cannot erase the memories of those who served in the Ōoku... -- VIZ Media
With the death of her monstrous father, Iesada is finally assured that she can have a consort who will survive life in the Inner Chambers. And she is delighted that the new spouse chosen for her is intelligent, kind and considerate of her past trauma. But the consort Taneatsu comes to the court with a past of his own—and an assignment from his liege lord that could pit him against his beloved shogun. -- VIZ Media
Taneatsu’s shogun Iesada has died, but unlike previous bereaved consorts, he has been denied the refuge of taking Buddhist vows. Stuck in the Inner Chambers, he has instead thrown himself into supporting the new shogun, Iemochi. But salacious rumors about the nature of their relationship and the arrival of Iemochi’s new consort threaten to make a mockery of his noble intentions! -- VIZ Media
March is one such hunter, tracking the Ill from town to town to find the antiques that contain the demons before they can possess anyone. If the worst has come to pass, March's full powers are unleashed to battle the fiendish Ill. Born of tragedy, the artifacts all have their own tales to tell, as do each of their victims. But March's story may be the most tragic of all. -- VIZ Media
From award-winning author Fumi Yoshinaga comes a casual romance between two middle-aged men and the many meals they share together. A hard-working middle-aged gay couple in Tokyo come to enjoy the finer moments of life through food. After long days at work, either in the law firm or the hair salon, Shiro and Kenji will always have down time together by the dinner table, where they can discuss their troubles, hash out their feelings and enjoy delicately prepared home cooked meals!
Specifically designed for use on a range of undergraduate and graduate courses, Introducing Japanese Popular Culture is a comprehensive textbook offering an up-to-date overview of a wide variety of media forms. It uses particular case studies as a way into examining the broader themes in Japanese culture and provides a thorough analysis of the historical and contemporary trends that have shaped artistic production, as well as, politics, society, and economics. As a result, more than being a time capsule of influential trends, this book teaches enduring lessons about how popular culture reflects the societies that produce and consume it. With contributions from an international team of scholars, representing a range of disciplines from history and anthropology to art history and media studies, the book’s sections include: Television Videogames Music Popular Cinema Anime Manga Popular Literature Fashion Contemporary Art Written in an accessible style by a stellar line-up of international contributors, this textbook will be essential reading for students of Japanese culture and society, Asian media and popular culture, and Asian Studies in general.