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This is the very first publication mapping onomatopoeia in the languages of the world. The publication provides a comprehensive, multi-level description of onomatopoeia in the world’s languages. The sample covers six macro-areas defined in the WALS: Euroasia, Africa, South America, North America, Australia, Papunesia. Each language-descriptive chapter specifies phonological, morphological, word-formation, semantic, and syntactic properties of onomatopoeia in the particular language. Furthermore, it provides information about the approach to onomatopoeia in individual linguistic traditions, the sources of data on onomatopoeia, the place and the function of onomatopoeia in the system of each language.
This is the very first publication mapping onomatopoeia in the languages of the world. The publication provides a comprehensive, multi-level description of onomatopoeia in the world’s languages. The sample covers six macro-areas defined in the WALS: Euroasia, Africa, South America, North America, Australia, Papunesia. Each language-descriptive chapter specifies phonological, morphological, word-formation, semantic, and syntactic properties of onomatopoeia in the particular language. Furthermore, it provides information about the approach to onomatopoeia in individual linguistic traditions, the sources of data on onomatopoeia, the place and the function of onomatopoeia in the system of each language.
An engaging celebration of global linguistic diversity, with plenty of fascinating cases of cross-linguistic variation in each chapter.
An accessible introduction to poetry's unusual uses of language that tackles a wide range of poetic features from a linguistic point of view. Equally appealing to the non-expert and more experienced student of linguistics, this book delivers an engaging and often witty summary of how we define what poetry is.
Professor Sapir analyzes, for student and common reader, the elements of language. Among these are the units of language, grammatical concepts and their origins, how languages differ and resemble each other, and the history of the growth of representative languages--Cover.
Sound-symbolism occurs when words resemble the sounds associated with the phenomena they attempt to describe, rather than an arbitrary representation. For example the word raven is arbitrary in that it does not resemble a raven; cuckoo, however, is sound -symbolic in that it resembles the bird's call. In Sounds Like Life, Janis Nuckolls studies the occurrence of sound-symbolic words in Pastaza Quechua (a dialect of Quechua), which is spoken in eastern Ecuador. The use of sound-symbolic words is much more prevalent in Pastaza Quechua than in any other language, and they symbolize a wider range of sensory perceptions including sounds, rhythms, and visual patterns. Nuckolls uses discourse data from everyday contexts to demonstrate the Quechua speakers' elaborate schematic perceptual structure to describe experience through sound-symbolic language. With words for contact with a surface, opening and closing, falling, sudden realizations, and moving through water and space, Nuckolls finds that sound-symbolism is integral to the Quechua speakers' way of thinking about and expressing their experience of the world.
The book is a grammar of the Makasar language, spoken by about 2 million people in South Sulawesi, Indonesia. Makasarese is a head–marking language which marks arguments on the predicate with a system of pronominal clitics, following an ergative/absolutive pattern. Full noun phrases are relatively free in order, while pre-predicate focus position which is widely used. The phonology is notable for the large number of geminate and pre–glottalised consonant sequences, while the morphology is characterised by highly productive affixation and pervasive encliticisation of pronominal and aspectual elements. The work draws heavily on literary sources reaching back more than three centuries; this tradition includes two Indic based scripts, a system based on Arabic, and various Romanised conventions.
Delves into nature folklore from around the world in six topical categories, featuring for each category one traditional tale and extensive ancient lore about that topic.
In linguistics, as in semiotics, iconicity is the conceived similarity between the form of a linguistic sign and its meaning. This book covers all aspects of linguistic iconicity in both spoken and signed languages, including definitions of all the relevant concepts and explanations of significant iconic words and expressions, and brief summaries of the contents and main proposals of 30 significant works in the history of iconicity research. It also provides definitions and exemplifications of the principles governing linguistic iconicity and brief overviews of iconic words and expressions in 11 language families and in more than 50 spoken and signed languages all over the world. The book contains 678 entries and more than 8,500 examples drawn from 400 languages, and will appeal to scholars and students interested in general linguistics, the history of linguistics, language typology, phonology, morphology, syntax, semantics, and semiotics.