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A young man takes readers on a deeply personal journey into the mind of an individual with ADD as he describes his struggle with hyperactivity and attention deficit, its effects on his entire family, and his own successful use of self-taught concentration techniques to overcome the problem, accompanied by advice on medication, discipline, schoolwork, and coping strategies. Original. 35,000 first printing.
These ten stories, plus one bonus, take place in Everytown, USA; in other words, the stories in this collection could take place in your backyard or on the other side of America. Still, no matter where you go, people are people, and they face the same daily struggles and horrific life tragedies but also joy, laughter, and redemption. Read of one boy who spent his life growing up in a poor household until the thrill of a day at the fancy Dairy Queen. Attend a childs funeral, arranged and organized by the child herself. Find a family less than thankful on Thanksgiving and a Marine who receives a less than welcome homecoming, despite brave service to his country. Meet characters like Steady Stuart and good old Pete the Pennyman. These charactersand the tales themselveswill provoke, amuse, and enthrall. Youll be left guessing how many of these stories are true and which are works of pure fiction, but actually, it doesnt matter, since real life is the strangest story of them all.
A powerful exploration of grief and resilience following the death of the author's son that combines memoir, reportage, and lessons in how to heal Everyone deals with grief in their own way. Helen Macdonald found solace in training a wild gos­hawk. Cheryl Strayed found strength in hiking the Pacific Crest Trail. For Carol Smith, a Pulitzer Prize­ nominated journalist struggling with the sudden death of her seven-year-old son, Christopher, the way to cross the river of sorrow was through work. In Crossing the River, Smith recounts how she faced down her crippling loss through reporting a series of profiles of people coping with their own intense chal­lenges, whether a life-altering accident, injury, or diag­nosis. These were stories of survival and transformation, of people facing devastating situations that changed them in unexpected ways. Smith deftly mixes the stories of these individuals and their families with her own account of how they helped her heal. General John Shalikashvili, once the most powerful member of the American military, taught Carol how to face fear with discipline and endurance. Seth, a young boy with a rare and incurable illness, shed light on the totality of her son's experiences, and in turn helps readers see that the value of a life is not measured in days. Crossing the River is a beautiful and profoundly moving book, an unforgettable journey through grief toward hope, and a valuable, illuminating read for anyone coping with loss.
A close-up look at sixteen of the world's most unusual animals and their babies details the behavior and habitat of such creatures as the tiny tarsier, the manatee, the Hawaiian tree snail, and the giant anteater.
A collection of feminist essays steeped in “Solnit’s unapologetically observant and truth-speaking voice on toxic, violent masculinity” (The Los Angeles Review). In a timely and incisive follow-up to her national bestseller Men Explain Things to Me, Rebecca Solnit offers sharp commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more. In characteristic style, “Solnit draw[s] anecdotes of female indignity or male aggression from history, social media, literature, popular culture, and the news . . . The main essay in the book is about the various ways that women are silenced, and Solnit focuses upon the power of storytelling—the way that who gets to speak, and about what, shapes how a society understands itself and what it expects from its members. The Mother of All Questions poses the thesis that telling women’s stories to the world will change the way that the world treats women, and it sets out to tell as many of those stories as possible” (The New Yorker). “There’s a new feminist revolution—open to people of all genders—brewing right now and Rebecca Solnit is one of its most powerful, not to mention beguiling, voices.”—Barbara Ehrenreich, New York Times–bestselling author of Natural Causes “Short, incisive essays that pack a powerful punch.” —Publishers Weekly “A keen and timely commentary on gender and feminism. Solnit’s voice is calm, clear, and unapologetic; each essay balances a warm wit with confident, thoughtful analysis, resulting in a collection that is as enjoyable and accessible as it is incisive.” —Booklist
Based on the wildly popular Instagram account @CrazyJewishMom, Kate Siegel's essay collection about life with the woman who redefined the term "helicopter mom." There is nothing more wonderful than a mother’s love. There is also nothing more annoying. Who else can proudly insist that you’re perfect while simultaneously making you question every career, fashion, and relationship decision you have ever made? No one understands the delicate mother-daughter dynamic better than Kate Siegel—her own mother drove her so crazy that she decided to broadcast their hilarious conversations on Instagram. Soon, hundreds of thousands of people were following their daily text exchanges, eager to see what outrageous thing Kate’s mom would do next. Now, in Mother, Can You NOT?, Kate pays tribute to the woman who invented the concept of drone parenting. From embarrassing moments (like crashing Kate's gynecological exams) to outrageous stories (like the time she made Kate steal a cat from the pound) to hilarious celebrations (including but not limited to parties for Kate's menstrual cycles), Mother, Can you NOT? lovingly lampoons the lengths to which our mothers will go to better our lives (even if it feels like they’re ruining them in the process).
“You will devour these beautifully written—and very important—tales of honesty, pain, and resilience” (Elizabeth Gilbert, New York Times bestselling author of Eat Pray Love and City of Girls) from fifteen brilliant writers who explore how what we don’t talk about with our mothers affects us, for better or for worse. As an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took her more than a decade to realize that she was actually trying to write about how this affected her relationship with her mother. When it was finally published, the essay went viral, shared on social media by Anne Lamott, Rebecca Solnit, and many others. This gave Filgate an idea, and the resulting anthology offers a candid look at our relationships with our mothers. Leslie Jamison writes about trying to discover who her seemingly perfect mother was before ever becoming a mom. In Cathi Hanauer’s hilarious piece, she finally gets a chance to have a conversation with her mother that isn’t interrupted by her domineering (but lovable) father. André Aciman writes about what it was like to have a deaf mother. Melissa Febos uses mythology as a lens to look at her close-knit relationship with her psychotherapist mother. And Julianna Baggott talks about having a mom who tells her everything. As Filgate writes, “Our mothers are our first homes, and that’s why we’re always trying to return to them.” There’s relief in acknowledging how what we couldn’t say for so long is a way to heal our relationships with others and, perhaps most important, with ourselves. Contributions by Cathi Hanauer, Melissa Febos, Alexander Chee, Dylan Landis, Bernice L. McFadden, Julianna Baggott, Lynn Steger Strong, Kiese Laymon, Carmen Maria Machado, André Aciman, Sari Botton, Nayomi Munaweera, Brandon Taylor, and Leslie Jamison.
Best-selling author, Porscha Sterling, comes back with the highly anticipated spin-off to the Bad Boys Do It Better series with yet another riveting tale about the unavoidable attraction that good girls have for bad boys. Focusing on the offspring of two of her most loved and most dangerous characters, the infamous Outlaw, the youngest of the Murray Brothers and Legend, the leader of the Dumas clan, she weaves a story of young love complete with all the dramatic twists and turns that are typical of her series as she dives into the world of January Murray. As a mafia princess, January wanted a different life and vowed to never love a bad boy. But when she meets Legend Dumas, her life will never again be the same. Read the synopsis below and prepare yourselves for Only a Bad Boy Can Love Her, available January 2021! Balance. Balance was my everything. Growing up as a classically trained ballerina with dreams of being a professional dancer, balance was my life. Everything about me depended on it; my diet, my temper, my sleep and waking schedule. I even dedicated myself to rigorous yoga and martial arts training to learn how to maintain focus by balancing my breath. Balance was literally my everything. Living like this came with several rules and I was the kind of person who didn’t mind following them. Rules were made to protect me; they kept me safe. And I never had issues following them but, to be totally honest, I never once had a reason not to. At least, not until I met him. My name is January Luckeisha Murray, daughter of the honorable Janelle Murray and Luke ‘Outlaw’ Murray, the infamous leader of the Black Bag Mafia, an underground crime society. Most know me as the apple of his eye, a cherished mafia princess who always followed her father’s rules about staying out of the public’s eye. But now daddy’s little girl is all grown up and I’m ready to share my story. This is a story about the time when I decided to break all the rules... The time I fell in love.
These selections from Theodor Reik's work concern the love life and sexual activity of men and women. Reik establishes the theme of this work in the following way: "The sex urge hunts for lustful pleasure; love is in search of joy and happiness." Over a third of this volume had never been published in book form before it originally appeared half a century ago. Its appearance in paperback, for the first time, is a welcome addition to current debates, liberated from ideological and political constraints.The first part of the book is so far ahead of its time that it is still current. It reveals Reik's departure from Freud's theories and from those of most of his contemporaries in psychology and psychoanalysis. Part Two is a greatly abbreviated version of Masochism in Modern Man, retaining those parts with a direct bearing on the subject of this volume. Part Three offers two essays on why people remain single. In the author's usual direct style, they deal with the marriage shyness of the male and the psychological fears and resistance of both men and women to acceptance of the marriage bond. Part Four is Reik at his wisest. "The first lady whom I asked to read the manuscript said smilingly: 'Many of your impressions about us (women) are correct. No man should read the book!' A few seconds later, she said: 'Or rather, every man should read the book!'"As Paul Roazen noted, "in contrast to some of Freud's other followers, Reik was prescient early on in distinguishing self-love from narcissism. Reik believed that genuine self-regard was the ultimate basis for developing the capacity to love."At times Reik seems to defend women, at times to critique them. Yet he writes with sympathy and understanding. He challenges other authorities who have written on the subject, but he also agrees with many of them. Love and Lust is civilized writing at its most provocative. Reik is authoritative, and his book reflects the glow of a rich personali
Theodor Reik (12 May 1888 in Wien - 31 December 1969 in New York City) was a prominent psychoanalyst who trained as one of Freud's first students in Vienna, Austria. Reik received a Ph.D. degree in psychology from the University of Vienna in 1912. Reik presents a forceful criticism of traditional Freudian theory in this book. Freud had believed that love is always based on some form of sexual desire. Reik argues, to the contrary, that love and lust are distinct motivational forces.