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It's tough being a teenage Slayer. On the verge of failing her junior year -- thanks to annoying Principal Snyder, who seems to be acting even stranger than usual lately -- Buffy agrees to meet with a tutor. Not helping her studies is the fact that lately she's been exhausted, waking up each morning feeling more tired than she did the night before. To make matters even worse, she's tasked with investigating the disappearance of a child...a little girl who happens to have gone missing mere hours before a child vampire surfaced in Sunnydale, accompanied by a wheelchair-bound male who fits Spike's description perfectly. Fighting off exhaustion and uneasy at the prospect of staking a child vamp, Buffy learns that Principal Snyder is the target of a sleep-deprivation spell that has taken over Sunnydale. Putting aside her fear that her tutor is out to get her, and hoping that the sleeping spell is affecting both humans and demons, Buffy investigates Snyder's odd behavior. She follows him to his childhood home to discover that he has arranged to have his abusive mother banished to the demon dimension. Meanwhile, Drusilla, who has been playing mother figure to the child vampire, is learning how difficult it is to be a parent. As sleep takes hold of the citizens of Sunnydale, Buffy begins to realize that unless she breaks the spell soon, the nightmare is just beginning.
While Julia Sweeney is known as a talented comedienne and writer/performer of her one-woman shows, she is also a talented essayist--and the past few years have provided her with some rich material. Julia adopted a Chinese girl named Mulan and then, a few years later, married and moved from Los Angeles to Chicago. She writes about deciding to adopt her child, strollers, nannies, knitting, being adopted by a dog, The Food Network, and meeting Mr. Right through an email from a complete stranger. Some of the essays reveal Julia's ability to find that essential thread of human connection, whether it's with her mother-in-law or with an anonymous customer service rep during a late-night phone call. But no matter what the topic, Julia always writes with elegant precision, pinning her jokes with razor-sharp observations while articulating feelings that we all share.--From publisher description.
Poetry. Who's the queen of kundalini bloopers, Emily Dickinson's attitude problem (that bitch) and California dreams? It's Melissa Broder, who will charm your pants off and show you a little tough love in this vivid, witty first collection of poems. Each poem is artisan-crafted in controlled couplets, weighty triplets, tight syllabics and assonance that will take the top of your head off. But you won't have the time to absorb the academic monkeyshine—so absorbed you'll be on the flip side of Bat Mitzvah stress-syndrome, Aunt Sheila's in Taos, vampires in absentia, and brand names, brand names, brand names. From junkie fetishism to a housewife with a special "thing" for laundry, Broder does dark with magnetic charisma and enchanting humor.
Why aren't Christian women talking about sex? In this frank exploration of all aspects of what it means to be a sexual being created by God, Kim Gaines Eckert explores myths about female sexuality that we have absorbed from both popular culture and distorted religious teaching.
A mother tells her own daughter what she was like and what she used to do when she was a little girl.
Irreverent, thought-provoking, hilarious, and edgy: a collection of personal stories celebrating motherhood, featuring #1 New York Times bestselling authors Jenny Lawson and Jennifer Weiner, and many other notable writers. Listen to Your Mother is a fantastic awakening of why our mothers are important, taking readers on a journey through motherhood in all of its complexity, diversity, and humor. Based on the sensational national performance movement, Listen to Your Mother showcases the experiences of ordinary people of all racial, gender, and age backgrounds, from every corner of the country. This collection of essays celebrates and validates what it means to be a mother today, with honesty and candor that is arrestingly stimulating and refreshing. The stories are raw, honest, poignant, and sometimes raunchy, ranging from adoption, assimilation to emptying nests; first-time motherhood, foster-parenting, to infertility; single-parenting, LGBTQ parenting, to special-needs parenting; step-mothering; never mothering, to surrogacy; and mothering through illness to mothering through unsolicited advice. Honest, funny, and heart-wrenching, these personal stories are the collective voice of mothers among us. Whether you are one, have one, or know one, Listen to Your Mother is an emotional whirlwind that is guaranteed to entertain, amuse, and enlighten.
“You will devour these beautifully written—and very important—tales of honesty, pain, and resilience” (Elizabeth Gilbert, New York Times bestselling author of Eat Pray Love and City of Girls) from fifteen brilliant writers who explore how what we don’t talk about with our mothers affects us, for better or for worse. As an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took her more than a decade to realize that she was actually trying to write about how this affected her relationship with her mother. When it was finally published, the essay went viral, shared on social media by Anne Lamott, Rebecca Solnit, and many others. This gave Filgate an idea, and the resulting anthology offers a candid look at our relationships with our mothers. Leslie Jamison writes about trying to discover who her seemingly perfect mother was before ever becoming a mom. In Cathi Hanauer’s hilarious piece, she finally gets a chance to have a conversation with her mother that isn’t interrupted by her domineering (but lovable) father. André Aciman writes about what it was like to have a deaf mother. Melissa Febos uses mythology as a lens to look at her close-knit relationship with her psychotherapist mother. And Julianna Baggott talks about having a mom who tells her everything. As Filgate writes, “Our mothers are our first homes, and that’s why we’re always trying to return to them.” There’s relief in acknowledging how what we couldn’t say for so long is a way to heal our relationships with others and, perhaps most important, with ourselves. Contributions by Cathi Hanauer, Melissa Febos, Alexander Chee, Dylan Landis, Bernice L. McFadden, Julianna Baggott, Lynn Steger Strong, Kiese Laymon, Carmen Maria Machado, André Aciman, Sari Botton, Nayomi Munaweera, Brandon Taylor, and Leslie Jamison.
**A New York Times Editor's Choice selection!** This outrageous and hilarious memoir follows a film and television director’s life, from his idiosyncratic upbringing to his unexpected career as the director behind such huge film franchises as The Addams Family and Men in Black. Barry Sonnenfeld's philosophy is, "Regret the Past. Fear the Present. Dread the Future." Told in his unmistakable voice, Barry Sonnenfeld, Call Your Mother is a laugh-out-loud memoir about coming of age. Constantly threatened with suicide by his over-protective mother, disillusioned by the father he worshiped, and abused by a demonic relative, Sonnenfeld somehow went on to become one of Hollywood's most successful producers and directors. Written with poignant insight and real-life irony, the book follows Sonnenfeld from childhood as a French horn player through graduate film school at NYU, where he developed his talent for cinematography. His first job after graduating was shooting nine feature length pornos in nine days. From that humble entrée, he went on to form a friendship with the Coen Brothers, launching his career shooting their first three films. Though Sonnenfeld had no ambition to direct, Scott Rudin convinced him to be the director of The Addams Family. It was a successful career move. He went on to direct many more films and television shows. Will Smith once joked that he wanted to take Sonnenfeld to Philadelphia public schools and say, "If this guy could end up as a successful film director on big budget films, anyone can." This book is a fascinating and hilarious roadmap for anyone who thinks they can't succeed in life because of a rough beginning.
Everyone deals with grief in their own personal way. Take Carrie, for example. Getting over her mother's death from ovarian cancer takes the form of ramping up passive-aggressive office warfare, continuing her campaign to show her ex-husband she's over him (further increasing the distance between herself and her teenage daughter, natch), ridding herself of her mother's overweight cat Poncho, and consuming heroic quantities of red wine, spiked coffee and coffin nails. Nobody's perfect. Situated at the midpoint between the booze-soaked mayhem of Absolutely Fabulous and the middle-aged ennui of Anakana Schofield's Malarky, Things You've Inherited From Your Mother is a riotous assemblage of found objects, Choose Your Own Adventure-style in jokes and useful facts about mice. In her startlingly funny first novel, Hollie Adams takes the conventional wisdom about likeable literary heroines and shoves it down an elevator shaft. Praise for Things You've Inherited from Your Mother "Accessible, energetic and humorous " --Angie Abdou, Quill and Quire "Hollie Adams has boldly tossed most first-novel conventions out the window." --Traci Skuce, The Coastal Spectator "This is a quick read and it is pure comedy gold if you have a fondness for bumbling heroines bent on self-sabotage." --BookNAround Blog "Adams possesses a comedic gift, a] memorable debut." --The Discerning Reader "This book was absolutely hilarious " --Book-Loving Hippo "The prose remains buoyant even when the narrator is sinking. And the novel's structure is tightly knit, so that the final words leave readers with an understanding that the simple fact that readers are holding this story in their hands demonstrates that Carrie's means of coping with her grief were effective after all." --Buried in Print "Hollie Adams has a dark and wicked sense of humor. Luckily, I do too - so I giggled, chortled, snorted, and laughed aloud as I read her first published missive." --Books and Bindings "Adams' humor is sharp and witty and keeps the story rolling through the landmines of life." Sharon's Garden of Book Reviews