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The “intimate and affecting” novel of an Indian couple’s quest for a child that sparked national conversations about caste and female empowerment (Laila Lalami, New York Times Book Review). Set in South India during the British colonial period, One Part Woman tells the story of Kali and Ponna, a married couple unable to conceive. The predicament is of major concern for their families—and the crowing amusement of Kali’s male friends. From making offerings at different temples to circumambulating a mountain supposed to cure barren women, Kali and Ponna try everything to solve the problem. But a more radical plan is required. The annual chariot festival, a celebration of the god Maadhorubaagan, who is part male and part female, may provide the answer. On the eighteenth night of the festival, the rules of marriage are relaxed, and consensual sex between unmarried men and women is overlooked, for all men are considered gods. The festival may be the solution to Kali and Ponna’s problem, but it soon threatens to drive the couple apart as much as to bring them together. Wryly amusing and deeply poignant, One Part Woman is a powerful exploration of a loving marriage strained by the expectations of others, and an attack on the rigid rules of caste and tradition that continue to constrict opportunity and happiness. Longlisted for the National Book Award
A vibrant fable of marriage, caste and social convention from a major Indian writer Kali and Ponna are perfectly content in their marriage, aside from one thing, they are unable to conceive. As their childlessness begins to attract local gossip and family disapproval, they try everything from prayers to potions, but none of the offerings or rituals helps. Increasingly unhappy and desperate, they consider a more drastic plan: the annual chariot festival, a celebration of the half-male, half-female god Maadhorubaagan. For one night, the rules of marriage are relaxed, and consensual sex between unmarried men and women is overlooked, for all men are considered gods. But rather than bring them together, this scheme threatens to drive the couple apart. Selling over 100,000 copies in India, where it was published first in the original Tamil and then in this celebrated English translation, One Part Woman has become a cult phenomenon in the subcontinent, jump-starting conversations about caste and female empowerment. Tender, deeply poignant, and bitingly critical, One Part Woman is a powerful exploration of a loving marriage under strain. Perumal Murugan is an Indian author and professor of Tamil literature. He has written six novels and four collections each of short stories and poetry. His best-known novel One Part Woman, highly controversial in India, won the ILF Samanvay Basha Samman, and Aniruddhan Vasudevan's English rendering won the Translation Prize from India's National Academy of Letters.
“Fantastical . . . Through the thoughts of a rare black goat and the couple who adopt it, readers witness famines, death, and moments of beauty.” —National Geographic Longlisted for the National Book Award for Translated Literature As he did in the award-winning One Part Woman, Perumal Murugan explores a side of India that is rarely considered in the West: the rural lives of the country’s farming community. He paints a bucolic yet sometimes menacing portrait, showing movingly how danger and deception can threaten the lives of the weakest through the story of a helpless young animal lost in a world it naively misunderstands. As the novel opens, a mysterious stranger offers a farmer in Tamil Nadu a black goat kid who is the runt of the litter, surely too frail to survive. The farmer and his wife take care of the young she-goat, whom they name Poonachi, and soon the little goat is bounding with joy and growing at a rate they think miraculous for such a small animal. Intoxicating passages from the goat’s perspective offer a bawdy and earthy view of what it means to be an animal and a refreshing portrayal of the natural world. But Poonachi’s life is not destined to be a rural idyll—dangers can lurk around every corner, and may sometimes come from surprising places, including a government that is supposed to protect the weak and needy. Is this little goat too humble a creature to survive such a hostile world? “The title character of Murugan’s elegant new novel is indeed a joy . . . through Poonachi’s tale we are reminded how much bonds us with the animal world.” —USA Today
‘Pyre glows with as much power as [One Part Woman] did, and adds immeasurable value to contemporary Indian literature’—The Hindu Saroja and Kumaresan are in love. After a hasty wedding, they arrive in Kumaresan’s village, harboring a dangerous secret: their marriage is an inter-caste one, likely to upset the village elders should they get to know of it. Kumaresan is naively confident that all will be well. But nothing is further from the truth. Despite the strident denials of the young couple, the villagers strongly suspect that Saroja must belong to a different caste. It is only a matter of time before their suspicions harden into certainty and, outraged, they set about exacting their revenge. A devastating tale of innocent young love pitted against chilling savagery, Pyre conjures a terrifying vision of intolerance.
ONE AMAZING STORY. TWO DIFFERENT ENDINGS. At the end of Perumal Murugan's trailblazing novel One Part Woman, readers are left on a cliffhanger as Kali and Ponna's intense love for each other is torn to shreds. What is going to happen next to this beloved couple? In Trial by Silence-one of two inventive sequels that picks up the story right where One Part Woman ends-Kali is determined to punish Ponna for what he believes is an absolute betrayal. But Ponna is equally upset at being forced to atone for something that was not her fault. In the wake of the temple festival, both must now confront harsh new uncertainties in their once idyllic life together. In Murugan's magical hands, this story reaches a surprising and dramatic conclusion.
Traces the author's four-year relationship with a wolf-dog hybrid named Inyo, recounting their shared journeys in the snow, her battles with fearful neighbors, and the wolfdog's ultimate inability to be domesticated.
ONE AMAZING STORY. TWO DIFFERENT ENDINGS. At the end of Perumal Murugan's trailblazing novel One Part Woman, readers are left on a cliffhanger as Kali and Ponna's intense love for each other is torn to shreds. What is going to happen next to this beloved couple? In A Lonely Harvest-one of two inventive sequels that pick up the story right where One Part Woman ends-Ponna returns from the temple festival to find that Kali has killed himself in despair. Devastated that he would punish her so cruelly, but constantly haunted by memories of the happiness she once shared with Kali, Ponna must now learn to face the world alone. With poignancy and compassion, Murugan weaves a powerful tale of female solidarity and second chances.
Perumal Murugan is one of the best Indian writers today. THE GOAT THIEF is a selection of his ten best stories focused on men and women who live in the margins of our society.
A literary masterpiece (translated from the Tamil) that opens a door to the poignant world of India's 'untouchables'.
Mrs Dalloway, Virginia Woolf's fourth novel, offers the reader an impression of a single June day in London in 1923. Clarissa Dalloway, the wife of a Conservative member of parliament, is preparing to give an evening party, while the shell-shocked Septimus Warren Smith hears the birds in Regent's Park chattering in Greek. There seems to be nothing, except perhaps London, to link Clarissa and Septimus. She is middle-aged and prosperous, with a sheltered happy life behind her; Smith is young, poor, and driven to hatred of himself and the whole human race. Yet both share a terror of existence, and sense the pull of death. The world of Mrs Dalloway is evoked in Woolf's famous stream of consciousness style, in a lyrical and haunting language which has made this, from its publication in 1925, one of her most popular novels.