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"One Night In Frogtown" is an all-ages diversity story told through music. Nominated for the 2008 Oregon Book Award and featured on THE GRAMMYS "Education Watch", this critically acclaimed Picture Book w/Music CD features original songs by Emmy-winning Author / Composer Philip Pelletier, and top Northwest talents like Curtis Salgado, Linda Hornbuckle, and Oregon Symphony soloists."When a saxophone-playing tadpole sets out alone to jam with the big frogs, he finds that making friends can be harder than making music".
In the final volume of the Pulitzer Prize–winner's bestselling and beloved American saga that began with All Over but the Shoutin’ and continued with Ava’s Man, this "evocative family memoir” (Boston Globe) delivers an unforgettable rumination about fathers and sons. Bragg documents a mesmerizing journey back in time to the lush Alabama landscape of his youth, to Jacksonville's one-hundred-year-old mill and to his father, the troubled, charismatic hustler coming of age in its shadow. Inspired by Rick Bragg's love for his stepson, The Prince of Frogtown also chronicles his own journey into fatherhood, as he learns to avoid the pitfalls of his forebearers. With candor, insight, and tremendous humor, Bragg seamlessly weaves these luminous narrative threads together.
This book is a collection of stories and nursery rhymes, complete with illustrations. It features tales such as The Pirate Frog, a group of frog pirates who voyage across the pond, kidnapping ducklings and rats.
Frog Towndescribes in detail a French Canadian parish that was unique due to the high density of both Acadian and Quebecois settlers that were situated in a Yankee stronghold of Puritan stock. This demography provided for a volatile history that accentuated the inter-ethnic/sectarian conflicts of the time. In this book, Laurence Armand French discusses the work, language, and social activities of the working-class French Canadians during the changing times that transformed them from French Canadians to Franco Americans. French also articulates the current double-standard of justice within New Hampshire with details of actual cases, presented alongside their circumstances and judicial outcomes, to offer a thorough depiction of the community of Frog Town.
The first time journalist Jon Lurie meets José Perez, the smart, angry, fifteen-year-old Lakota-Puerto Rican draws blood. Five years later, both men are floundering. Lurie, now in his thirties, is newly divorced, depressed, and self-medicating. José is embedded in a haze of women and street feuds. Both lack a meaningful connection to their cultural roots: Lurie feels an absence of identity as the son of a Holocaust survivor who is reluctant to talk about her experience, and for José, communal history has been obliterated by centuries of oppression. Then Lurie hits upon a plan to save them. After years of admiring the journey described in Eric Arnold Sevareid’s 1935 classic account, Canoeing with the Cree, Lurie invites José to join him in retracing Sevareid’s route and embarking on a mythic two thousand-mile paddle from Breckenridge, Minnesota, to the Hudson Bay. Faced with plagues of mosquitoes, extreme weather, suspicious law enforcement officers, tricky border crossings, and José’s preference for Kanye West over the great outdoors, the journey becomes an odyssey of self-discovery. Acknowledging the erased native histories that Sevareid’s prejudicial account could not perceive, and written in gritty, honest prose, Canoeing with José is a remarkable journey.