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"Courageous." -Ilan Stavans, author of Spanglish: The Making of a New American Language Robert Kennedy and Cesar Chavez came from opposite sides of the tracks of race and class that still divide Americans. Both optimists, Kennedy and Chavez shared a common vision of equality. They united in the 1960s to crusade for the rights of migrant farm workers. Farm workers faded from public consciousness following Kennedy's assassination and Chavez's early passing. Yet the work of Kennedy and Chavez continues to reverberate in America today. Bender chronicles their warm friendship and embraces their bold political vision for making the American dream a reality for all. Although many books discuss Kennedy or Chavez individually, this is the first book to capture their multifaceted relationship and its relevance to mainstream U.S. politics and Latino/a politics today. Bender examines their shared legacy and its continuing influence on political issues including immigration, education, war, poverty, and religion. Mapping a new political path for Mexican Americans and the poor of all backgrounds, this book argues that there is still time to prove Kennedy and Chavez right.
"Courageous." -Ilan Stavans, author of Spanglish: The Making of a New American Language Robert Kennedy and Cesar Chavez came from opposite sides of the tracks of race and class that still divide Americans. Both optimists, Kennedy and Chavez shared a common vision of equality. They united in the 1960s to crusade for the rights of migrant farm workers. Farm workers faded from public consciousness following Kennedy's assassination and Chavez's early passing. Yet the work of Kennedy and Chavez continues to reverberate in America today. Bender chronicles their warm friendship and embraces their bold political vision for making the American dream a reality for all. Although many books discuss Kennedy or Chavez individually, this is the first book to capture their multifaceted relationship and its relevance to mainstream U.S. politics and Latino/a politics today. Bender examines their shared legacy and its continuing influence on political issues including immigration, education, war, poverty, and religion. Mapping a new political path for Mexican Americans and the poor of all backgrounds, this book argues that there is still time to prove Kennedy and Chavez right.
Young children are invited to explore the wonders of America before bed with this beautifully illustrated board book. Simple, rhythmic language lulls little ones to sleep as they watch diverse people engage in community-oriented activities and journey to some of the nation’s majestic natural treasures—including the Everglades, Niagara Falls, the Grand Canyon, and redwood forests. Moving from the morning and spring through nighttime and winter, each image marks a specific period during the day and an associated season, making this book a perfect introduction to the concept of the passage of time.
Ethic. He sorted packages for Federal Express, rode with tugboat operators on Puget Sound, listened to Trappist monks chant psalms on a Utah mountain, trolled with herring fishermen, hunted poachers with a game warden, monitored market shifts with Wall Street currency traders, and saw the sunrise with the "working girls" at a plush Nevada bordello. The result is an intimate and extraordinary journey that captures the mood, the feel, and the texture of America after hours.
Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fiction from Nelson Algren and William S. Burroughs to pulp masters like Horace McCoy, we find an unsettling recognition of the dark hollowness beneath the surface of the American Dream. Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance. Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.
Single and sexy Zaria Hopkins gets what she wants. And what she wants is Gerald Hardy. After catching his eye at the club, she knew she had to have him. One steamy encounter later, Zaria is ready for happily ever after. But Hardy has other plans - that include his wife and kids. His hookup with Zaria was just a one night thing. He doesn't realise what a deceived Zaria is capable of, what's going on in her life, her dark past or how quickly her love can turn to hate - until the mind games begin. Zaria's betrayed heart seeks revenge and she'll do whatever it takes...
Press 1 for technical support. Press 2 for broken hearts. Press 3 if your life has totally crashed. . . . Six friends work nights at a call center in India, providing technical support for a major U.S. appliance corporation. Skilled in patience–and accent management–they help American consumers keep their lives running. Yet behind the headsets, everybody’s heart is on the line. Shyam (Sam to his callers) has lost his self-confidence after being dumped by the girl who just so happens to be sitting next to him. Priyanka’s domineering mother has arranged for her daughter’s upscale marriage to an Indian man in Seattle. Esha longs to be a model but discovers it’s a horizontal romp to the runway. Lost, dissatisfied Vroom has high ideals, but compromises them by talking on the phone to idiots each night. Traditional Radhika has just found out that her husband is sleeping with his secretary. And Military Uncle (nobody knows his real name) sits alone working the online chat. They all try to make it through their shifts–and maintain their sanity–under the eagle eye of a boss whose ego rivals his incompetence. But tonight is no ordinary night. Tonight is Thanksgiving in America: Appliances are going haywire, and the phones are ringing off their hooks. Then one call, from one very special caller, changes everything. Chetan Bhagat’s delicious romantic comedy takes us inside the world of the international call center, where cultural cross-wires come together with perfect pathos, hilarity, and spice.
After surviving a fire in a homeless shelter, two Iraqi Freedom vets, Alicia G. and Horace Lloyd, are sent to a motel outside the city where they will be safe for the night. Both are suffering from post-traumatic stress disorder-- Alicia as a consequence of a gang rape by three fellow soldiers while in Iraq and Horace from battlefield pressure linked to his Army MOS as a sniper. The two of them have been together for more than nine months, Horace acting as a kind of helpmate to Alicia, who was so traumatized by the rape that she can't even consider having a normal relationship with a man. Their arrival at the motel introduces them to the owner Doug Mensing, called Meny, and the beginning of our understanding of the trials sexually abused women face in the American military. Alicia refused to stay silent like so many other women and fought while she was in the Army to have the rapists punished. But only two of the men were charged and merely given pay reductions, while the third man was never named or prosecuted. Once discharged, she received little help from the VA. She found herself rejected by a religious mother who blamed everything that happened to Alicia on a "God-less army peopled by marching masturbators." Exhausted from the loss of all their possessions, and having reached a motel they thought would provide them with shelter, Alicia and Horace find themselves instead in a highway bordello. Here, throughout one night, old wounds are opened, flashbacks recount their histories and the truth of events they both hoped were over emerge from the past to color the rest of their future.
Before they were icons they were friends The world would come to know him as Muhammad Ali, but on 25 February 1964, a twenty-two-year-old Cassius Clay celebrated his world heavyweight title not by hitting the town, but in a hotel room with his three closest friends: activist Malcolm X, singer Sam Cooke and American football star Jim Brown. To the outside world, they were American icons. But in that hotel room, here were four men who understood each other and their moment in history in a way that no one else could. With the Civil Rights movement stirring outside, and the melody of A Change is Gonna Come hanging in the air, these men would emerge from that room ready to define a new world. Kemp Powers's tough talking, in-your-face debut play premiered in LA in 2013 where it won the Ted Schmitt Award for outstanding world premiere of a new play along with three LA Drama Critics Circle Awards, four NAACP Theatre Awards and LA Weekly Theater Awards for playwriting. This edition was originally published to coincide with the European premiere at London's Donmar Warehouse in 2016 where it received critical acclaim. It was later adapted into a feature film, released in January 2021.
From the author of Overworld, America at Night reads like a thriller, but is "the kind of story about which fiction writers can only dream." (The New York Times) When the Department of Homeland Security suspects that two former CIA operatives are at the center of plot involving money laundering and the funding of Al Qaeda—and when their supposedly comprehensive database turns up little to no information on either man—it takes former covert operative Larry Kolb to crack the case and foil the plan. But when Kolb begins to connect the dots, he realizes something even more sinister is afoot, and that he's on to the biggest possible con with the highest political stakes. Kolb shows us how one well-informed individual did what all of our security agencies could not: trail two brilliant covert political operatives through a labyrinth of disguised identities and dark crimes to expose corruption at the highest levels.