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"His name was Daniel Burros. His religion, Jewish. His story is that of a former model "bar mitzvah" boy in Queens who became a model Nazi in America."--Jacket.
Reprint of the original, first published in 1879.
“[An] exceptional storyteller . . . Leave it to [Karen] Robards to deliver the start of a series that is distinctive and unforgettable!”—RT Book Reviews A sought-after expert in criminal pathology, Dr. Charlotte Stone regularly sits face-to-face with madmen. At the age of sixteen, she herself survived a serial killer’s bloodbath. Because of the information she gave police, the Boardwalk Killer went underground, but Charlie kept her postmortem visions of the victims to herself. Years later, to protect her credibility as a psychological expert, she tells no one about these apparitions. Now a teenage girl is missing, her family slaughtered. The Boardwalk Killer—or a sick copycat with his M.O.—is back. This is the one case Charlie knows she shouldn’t go near. But she also knows that she may be the one person in the world who can stop this vicious killer, especially when she receives help from an unexpected source: The fiery spirit of a seductive bad boy who refuses to be ignored. “Excellent . . . This story is going to haunt you.”—Pittsburgh Post-Gazette “Thrilling . . . a fun and sexy read.”—Booklist “Tantalizing.”—Library Journal Features a preview of the next Charlotte Stone novel, The Last Kiss Goodbye.
The Vampires prowl through the dark nights - hunting and baying for blood. And when they smell the human flesh nothing can stop them from transforming into mysterious, menacing and frightening creatures. Reawaken the fear, the dread and the obsession with the creatures of the night through the stories of the gruesome hunt and the hunted with this meticulously edited collection of the greatest vampire classics of all time:_x000D_ The Vampyre (John William Polidori)_x000D_ Dracula (Bram Stoker)_x000D_ Dracula's Guest (Bram Stoker)_x000D_ Clarimonde (Théophile Gautier)_x000D_ Carmilla (Sheridan Le Fanu)_x000D_ Vikram and the Vampire (Sir Richard Francis Burton)_x000D_ The Vampire (Jan Neruda) _x000D_ Varney the Vampire, or, the Feast of Blood (Thomas PeckettPrest and James Malcolm Rymer)_x000D_ The Vampire of Croglin Grange (Augustus Hare)_x000D_ Aylmer Vance and the Vampire (Alice and Claude Askew)_x000D_ The Vampire Maid (Hume Nisbet) _x000D_ The Room in the Tower (E. F. Benson)_x000D_ Mrs.Amworth (E. F. Benson)_x000D_ Vampires and Vampirism (Dudley Wright)_x000D_ I, the Vampire (Henry Kuttner)_x000D_ The House of the Vampire (George Sylvester Viereck)_x000D_ Vampires of Venus (Anthony Pelcher)_x000D_ Doom of the House of Duryea (Earl Peirce)_x000D_ Isle of the Undead (Lloyd Arthur Eshbach)_x000D_ Four Wooden Stakes (Victor Rowan) _x000D_ Each Man Kills (Victoria Glad)
Vampires and werewolves have existed alongside humans since antiquity, or at least the tales of them. Reawaken the fear, the dread and the obsession with the creatures of the night with this meticulously edited collection of the greatest horror classics of all time: Vampires: The Vampyre (John William Polidori) Dracula (Bram Stoker) Dracula's Guest (Bram Stoker) Clarimonde (Théophile Gautier) Carmilla (Sheridan Le Fanu) Vikram and the Vampire (Sir Richard Francis Burton) The Vampire (Jan Neruda) Varney the Vampire, or, the Feast of Blood (Thomas PeckettPrest and James Malcolm Rymer) The Vampire of Croglin Grange (Augustus Hare) The Vampire Maid (Hume Nisbet) The Room in the Tower (E. F. Benson) Mrs.Amworth (E. F. Benson) Vampires and Vampirism (Dudley Wright) Werewolves: The Lay of the Were-Wolf (Marie de France) The Wolf Leader (Alexandre Dumas Père) Wagner the Wehr-wolf (George W. M. Reynolds) The Werewolf (Eugene Field) The Man-Wolf (ÉmileErckmann&AlexandreChatrian) The Mark of the Beast (Rudyard Kipling) The Horror-Horn (E. F. Benson) In the Forest of Villefére (Robert E. Howard) Wolfshead (Robert E. Howard) Werewolf of the Sahara (Gladys Gordon Trenery) The Werewolf Howls (Clifford Ball)
Musaicum Books presents to you this unique collection, designed and formatted to the highest digital standards and adjusted for readability on all devices. Les Misérables (Victor Hugo) The Call of the Wild (Jack London) Walden (Henry David Thoreau) Anna Karenina (Leo Tolstoy) War and Peace (Leo Tolstoy) Crime and Punishment (Fyodor Dostoevsky) Art of War (Sun Tzu) Dead Souls (Nikolai Gogol) Don Quixote (Miguel de Cervantes) Dona Perfecta (Benito Pérez Galdós) A Doll's House (Henrik Ibsen) Gitanjali (Rabindranath Tagore) The Life of Lazarillo de Tormes (Anonymous) Life is a Dream (Pedro Calderon de la Barca) The Divine Comedy (Dante) Decameron (Giovanni Boccaccio) The Prince (Machiavelli) Arabian Nights Hamlet (Shakespeare) Romeo and Juliet (Shakespeare) Robinson Crusoe (Daniel Defoe) Pride & Prejudice (Jane Austen) Frankenstein (Mary Shelley) Jane Eyre (Charlotte Brontë) Wuthering Heights (Emily Brontë) Great Expectations (Charles Dickens) Ulysses (James Joyce) Pygmalion (George Bernard Shaw) Ivanhoe (Sir Walter Scott) Dr Jekyll and Mr Hyde (Robert Louis Stevenson) Peter and Wendy (J. M. Barrie) The Adventures of Huckleberry Finn (Mark Twain) Moby-Dick (Herman Melville) Little Women (Louisa May Alcott) Leaves of Grass (Walt Whitman) The Raven (Edgar Allan Poe) Anne of Green Gables (L. M. Montgomery) Iliad & Odyssey (Homer) The Republic (Plato) Faust, a Tragedy (Johann Wolfgang von Goethe) Siddhartha (Herman Hesse) Thus Spoke Zarathustra (Friedrich Nietzsche) 20,000 Leagues Under the Sea (Jules Verne) Journey to the Centre of the Earth (Jules Verne) The Hunchback of Notre Dame (Victor Hugo) The Flowers of Evil (Charles Baudelaire) The Count of Monte Cristo (Alexandre Dumas) The Poison Tree (Bankim Chandra Chatterjee) Shakuntala (Kalidasa) Rámáyan of Válmíki...
These essays reflect a view admittedly skeptical of the movements, isms, and theories devised by many scholars in their reading of important writers. Earle prefers to see Cervantes, Miguel de Unamuno, Gabriela Mistral, and Garcia Marquez, for example, as basically autonomous. Like most great authors, they don't fit within trends. Two words in this book's subtitle - self and circumstance - signal a concept of the writer's function in Spain and Hispanic America as primarily autobiographical and historical. Ortega y Gasset's declaration, Yo soy yo y mi circunstancia, is really every writer's dictum - particularly of those in the nineteenth and twentieth centuries who experienced in a vital way the ambiguities of the modern Hispanic World.
The second book in this thrilling, terrifying series by New York Times bestselling author Barry Lyga is perfect for fans of Dexter. Billy grinned. "Oh, New York," he whispered. "We're gonna have so much fun." I Hunt Killers introduced the world to Jazz, the son of history's most infamous serial killer, Billy Dent. In an effort to prove murder didn't run in the family, Jazz teamed with the police in the small town of Lobo's Nod to solve a deadly case. And now, when a determined New York City detective comes knocking on Jazz's door asking for help, he can't say no. The Hat-Dog Killer has the Big Apple--and its police force--running scared. So Jazz and his girlfriend, Connie, hop on a plane to the big city and get swept up in a killer's murderous game. Both the stakes and the body count are higher in this suspenseful and unstoppable sequel from acclaimed author Barry Lyga.