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In 1844, two years before the Donner Party, the Stevens-Murphy company left Missouri to be the first wagons into California through the Sierra Nevada Mountains. Mostly Irish Catholics, the party sought religious freedom and education in the mission-dominated land and enjoyed a safe journey--until October, when a heavy snowstorm forced difficult decisions. The first of many for young Mary Sullivan, newlywed Sarah Montgomery, the widow Ellen Murphy, and her pregnant sister-in-law Maolisa. When the party separates in three directions, each risks losing those they loved and faces the prospect of learning that adversity can destroy or redefine. Two women and four men go overland around Lake Tahoe, three men stay to guard the heaviest wagons--and the rest of the party, including eight women and seventeen children, huddle in a makeshift cabin at the headwaters of the Yuba River waiting for rescue . . . or their deaths. Award-winning author Jane Kirkpatrick plunges you deep into a landscape of challenge where fear and courage go hand in hand for a story of friendship, family, and hope that will remind you of what truly matters in times of trial.
Presents brief biographies of twelve African Americans who courageously fought against racism to become leaders in their fields, including Marian Anderson, Ralph Bunche, Fannie Lou Hamer, and Malcolm X.
In organizing the 1993 March on Washington for gay and lesbian rights, leaders of the gay community consciously paralleled Martin Luther King's historic 1963 March on Washington and proclaimed their mission was "a simple matter of justice." In response, black leaders and ministers across the country challenged any comparison between blacks and gays as offensive and irrational. In "One More River to Cross, Keith Boykin clarifies the relationship between blacks and gays in America by portraying the "common ground" lives of those who are both black and gay. Against a historical backdrop of civil rights and the black experience in America, Boykin interviews Baptist ministers, gay political leaders, and other black gays and lesbians on issues of faith, family, discrimination, and visibility to determine what differences-- real and imagined-- separate the two communities. Boykin points to evidence of African and precolonial same-sex behavior, as well as figures like James Baldwin and Bayard Rustin, to dispel the myth that homosexuality is a "white thang," while his research suggests that blacks are less homophobic than whites, despite the rhetoric of rap and religion. With stories from his own experience as well as that of other black gays and lesbians, Boykin targets gay racism and black homophobia and suggests that conservative forces have substituted the common language of racism for homophobia in order to prevent a potentially powerful coalition of blacks and gays. By portraying what it means to be black and gay in America, "One More River to Cross offers an extraordinary window into a community that challenges this country's acceptance of its minorities, both racial and sexual.
Accused of the attempted murder of a plantation owner in Maryland during the early 1800s, Isaac Brown, a slave, survived harsh punishment, escaped, was recaptured, escaped again, and in the face of multiple challenges, ultimately made his way to freedom in Canada. This is his story.
This intimate collection of photographs documents the African-American experience and celebrates the courageous achievements of men and women whose defiant rejection of inequality and subjugation put their own lives at risk.
Military bridging, often impeded by mines and hostile enemy fire, is a vital part of the advance of any modern army. Britain's Royal Engineers have played a leading role in this crucial military operation, from the ravines behind the D-Day beaches to recent operations in Bosnia and Kosovo. The Royal Engineers have displayed incredible ingenuity in developing responses to the increasing amounts of firepower directed at bridging troops. This definitive study has been prepared with the assistance of the Royal Engineers and contains details on 170 pieces of bridging equipment, the history of all Royal Engineer assault squadrons, and accounts of all Victoria Crosses won during bridging actions.
It is often said that enlightenment means "crossing over to the other shore," that far-off place where we can at last be free from suffering. Likewise, it is said that Buddhist teachings are the raft that takes us there. In this sparkling collection from one of the most vital teachers of modern Korean Buddhism, Zen Master Daehaeng shows us that there is no raft to find and, truly, no river to cross. She extends her hand to the Western reader, beckoning each of us into the unfailing wisdom accessible right now, the enlightenment that is always, already, right here. A Zen (or seon, as Korean Zen is called) master with impeccable credentials, Daehaeng has developed a refreshing approach; No River to Cross is surprisingly personal. It's disarmingly simple, yet remarkably profound, pointing us again and again to our foundation, our "True Nature" - the perfection of things just as they are.
Woodcut illustrations and brief text based on an American folk song relate the story of the animals on Noah's ark.
Cousins Rebecca and Becky were as different as chalk and cheese, yet in appearance were identical. This was to cause complications in their love lives.
In the fall of 1948, Ernest Hemingway made his first extended visit to Italy in thirty years. His reacquaintance with Venice, a city he loved, provided the inspiration for Across the River and into the Trees, the story of Richard Cantwell, a war-ravaged American colonel stationed in Italy at the close of the Second World War, and his love for a young Italian countess. A poignant, bittersweet homage to love that overpowers reason, to the resilience of the human spirit, and to the worldweary beauty and majesty of Venice, Across the River and into the Trees stands as Hemingway's statement of defiance in response to the great dehumanizing atrocities of the Second World War. Hemingway's last full-length novel published in his lifetime, it moved John O'Hara in The New York Times Book Review to call him “the most important author since Shakespeare.”