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On October 13, 2010, millions of television viewers on five continents literally stopped everything to watch the amazing rescue of 33 men trapped underground in the mine of San José de Copiapó in northern Chile. What had seemed at first a hopeless tragedy later became a triumph of human effort, courage, perseverance, and expertise. For 17 excruciating days no one knew whether any of the miners had survived the collapse of the mine shaft, nor were the surviving miners aware of any rescue attempts. They spent a total of 69 days trapped underground. And it was there, in that frightening cavern, that one man took on the responsibility of encouraging the others and use the tragedy as an opportunity to share his faith. Miracle in the Mine is the story of José Henríquez. The testimony of a man who was no stranger to danger even before he found himself trapped 2,300 feet under the earth in the San José mine. A man who has unequivocally demonstrated his integrity, courage, and moral strength both before, during, and after the mining accident, and who is now using this experience to inspire the world.
“To me life and art are one and the same, for the key lies in one's knowledge of people and life. In art one is trying to express it in the simplest imaginative way, as in the art of past civilizations, for beauty and truth are the only two things which live timeless and ageless.” - Miné Okubo This is the first book-length critical examination of the life and work of Miné Okubo (1912-2001), a pioneering Nisei artist, writer, and social activist who repeatedly defied conventional role expectations for women and for Japanese Americans over her seventy-year career. Okubo's landmark Citizen 13660 (first published in 1946) is the first and arguably best-known autobiographical narrative of the wartime Japanese American relocation and confinement experience. Born in Riverside, California, Okubo was incarcerated by the U.S. government during World War II, first at the Tanforan Assembly Center in California and later at the Topaz War Relocation Center in Utah. There she taught art and directed the production of a literary and art magazine. While in camp, Okubo documented her confinement experience by making hundreds of paintings and pen-and-ink sketches. These provided the material for Citizen 13660. Word of her talent spread to Fortune magazine, which hired her as an illustrator. Under the magazine's auspices, she was able to leave the camp and relocate to New York City, where she pursued her art over the next half century. This lovely and inviting book, lavishly illustrated with both color and halftone images, many of which have never before been reproduced, introduces readers to Okubo's oeuvre through a selection of her paintings, drawings, illustrations, and writings from different periods of her life. In addition, it contains tributes and essays on Okubo's career and legacy by specialists in the fields of art history, education, women's studies, literature, American political history, and ethnic studies, essays that illuminate the importance of her contributions to American arts and letters. Miné Okubo expands the sparse critical literature on Asian American women, as well as that on the Asian American experience in the eastern United States. It also serves as an excellent companion to Citizen 13660, providing critical tools and background to place Okubo's work in its historical and literary contexts.
Modernism's theological project was an attempt to explain two things: firstly, how faith might enable persons to experience their lives as hanging together, even in the face of disintegrating forces like injustice, tragedy, and luck; and secondly, how one could see such faith, and so a life held together by it, as self-expressive. Modern theologians such as Kant, Schleiermacher, Hegel, Ritschl, and Tillich thus offer accounts of how one's life would have to hang together such that one could identify with it; of the oppositions which stand in the way of such hanging-together; of God as the one by whom oppositions are overcome, such that one can have faith that one's life ultimately hangs together; and of what such faith would have to be like in order for one to identify with it, too. So understood, modern theology not only sheds light on faith's potential role in enabling persons to identify with their lives, but stands in unexpected continuity with contemporary "contextual" theologies. This book offers clear, careful readings of modernism's key figures in order to explain their relevance to practical concerns and to contemporary understandings of faith.
Instant national bestseller Nathan Ripley follows up the success of Find You in the Dark with another suspenseful page-turner—this time about a woman whose notorious father died when she was a child, but whose legacy comes back to haunt her. Blanche Potter never expected to face her past again—but she can’t escape it. Blanche, an up-and-coming filmmaker, has distanced herself in every way she can from her father, the notorious killer and cult leader, Chuck Varner. In 1996, when she was a small child, he went on a shooting spree before turning the gun on himself. Now, Blanche learns that her mother has been murdered. She returns to her childhood home, where she soon discovers there’s more to the death than police are willing to reveal. The officer who’s handling the case is holding information back, and a journalist who’s nosing around the investigation is taking an unusual interest in Blanche’s family. Blanche begins to suspect that Chuck Varner’s cult has found a new life, and that her mother’s murder was just the beginning of the cult’s next chapter. Then another killing occurs.
Beginning 1959 includes annual report of the Oil and gas section (formerly issued separately).
‘A masterpiece... I loved it entirely!’ 5 stars, Netgalley reviewer A stranger died to save you... now it’s your turn.

Surface Mining

United States. Congress. Senate. Committee on Interior and Insular Affairs. Subcommittee on Minerals, Materials, and Fuels

Published: 1972

Total Pages: 1220


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