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This collection of essays, which should appeal both to Slavists and students of comparative literature, deals with twelve major twentieth-century Russian poets who, for varied reasons, became estranged from the Soviet state. Some stayed in Russia to become inner émigrés, others chose to go into exile in the West. One less hope, one more song (Akhmatova's words), stands both for their suffering and often their deaths, but also for their humanity and poetic achievement. The poets in question are Anna Akhmatova, Osip Mandelshtam, Vladimir Mayakovsky, Alexander Blok, Sergey Esenin, Nikolay Gumilev, Vyacheslav Ivanov, Marina Tsvetaeva, Vladislav Khodasevich, Boris Poplavsky, Boris Pasternak and Joseph Brodsky. The whole collection is followed by a cultural perspective of the Russian 19th and 20th centuries.
In a world filled with people, Gabby is uniquely alone. The tiny glowing sparks filling her mind that represent the people around her confirm it. Clueless regarding the reason behind her sight and her place in the world, Gabby struggles to find the answers she needs. A revelation leads Gabby to a secluded wooded location. An introduction sends her running back home, but not quite alone...
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1984.
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. International Ford Madox Ford Studies has been founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; each will relate aspects of Ford's work, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade's End, which Anthony Burgess described as 'the finest novel about the First World War'; and Samuel Hynes has called 'the greatest war novel ever written by an Englishman'. These works, together with his trilogy The Fifth Queen, about Henry VIII and Katharine Howard, are centrally concerned with the idea of Englishness. All these, and other works across Ford's prolific oeuvre, are studied here. Critics of Edwardian and Modernist literature have been increasingly turning to Ford's brilliant 1905 experiment in Impressionism, The Soul of London, as an exemplary text. His trilogy England and the English (of which this forms the first part) provides a central reference-point for this volume, which presents Ford as a key contributor to Edwardian debates about the 'Condition of England'. His complex, ironic attitude to Englishness makes his approach stand out from contemporary anxieties about race and degeneration, and anticipate the recent reconsideration of Englishness in response to post-colonialism, multiculturalism, globalization, devolution, and the expansion and development of the European Community. Ford's apprehension of the major social transformations of his age lets us read him as a precursor to cultural studies. He considered mass culture and its relation to literary traditions decades before writers like George Orwell, the Leavises, or Raymond Williams. The present book initiates a substantial reassessment, to be continued in future volumes in the series, of Ford's responses to these cultural transformations, his contacts with other writers, and his phases of activity as an editor working to transform modern literature. From another point of view, the essays here also develop the project established in earlier volumes, of reappraising Ford's engagement with the city, history, and modernity.
In 1989 Dr. Robert Vande Kappelle cycled solo cross-country. The 3,400-mile trip was the seed project for the Washington County (Pennsylvania) chapter of Habitat for Humanity. For forty-two days he went "Homeless for Habitat," placing himself and his personal needs in the hands of strangers he met along the way. At the beginning he cycled across some of the most mountainous--and spectacular--terrain in America. After he crossed the Rockies, a nagging headwind arose, which only intensified with time. That, coupled with a deteriorating bicycle--along one of the most desolate stretches of the journey--produced spiritual testing of epic proportions. He was tempted to compromise the integrity of the trek, then to quit the trek, and finally to curse his circumstances. He sensed he was climbing an invisible mountain, whose top could not be reached. After venting his anger and frustration, he discerned that tailwinds and flat terrain rarely evoke wisdom. Insight flows freely, however, from the watershed atop life's invisible mountains. The Invisible Mountain narrates the account of that trek. The story examines the trek as adventure, spiritual odyssey, and as metaphor for the journey of life. In the words of Millard Fuller, co-founder of Habitat for Humanity International and The Fuller Center for Housing: "Ride with [Bob Vande Kappelle] as you read. You will enjoy the trip and you will gain all sorts of insights . . . and perhaps most importantly, you will learn about yourself and grow spiritually as you experience vicariously the wonderful adventure of this 'journey of faith.'"
This book is a collection of quotes from letters that was selected from the books I personally read, and republished on my blog from July 2017 to March 2021.
The mysterious youth had a slim chance of survival. Killing the black dragon, forming a spirit monkey, eating the spirit fruit by mistake, all of this greatly increased his strength. From then on, he would tread on a path that defied the heavens! Since there is no path to heaven and earth, I shall kill the heavens and destroy the earth, and restore the true face of the world ... Immortals and Buddha are merciless. If I were to continue on the path of ruthlessness, I will not take the normal path. I will destroy the Heavenly Dreams in the Sacred Diagram ...
The Book Is A Standard And Comprehensive Study Of The English Novel. It Would Be Found Highly Useful By The Students, Researchers And Teachers Of English Literature.