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After decades of opposition, the Latter-day Saints have dedicated the Salt Lake Temple, a mighty symbol of their industry and faith. Now, with a new century on the horizon, the Saints are optimistic about the future and ready to spread the Savior’s message of peace across the globe. But the world is rapidly changing. Advances in transportation and communication allow people and information to cross vast distances in record time. And young people are venturing far from home as never before, seeking educational and professional opportunities their parents and grandparents could hardly imagine. As the Church begins to take root in Europe, South America, and Asia, the Saints rejoice in the rise of the global Church. Yet many are wary of the challenges the changing world poses to the cause of Zion. While the promise of the new century is bright, it comes with dire economic hardships, brutal global wars, and other unprecedented trials. Boldly, Nobly, and Independent is the third book in Saints, a new, four-volume narrative history of The Church of Jesus Christ of Latter-day Saints. Fast-paced, meticulously researched, and written under the direction of the First Presidency, Saints recounts true stories of Latter-day Saints across the globe and answers the Lord’s call to write a history “for the good of the Church, and for the rising generations” (Doctrine and Covenants 69:8).
The relationship between early Mormons and the United States was marked by anxiety and hostility, heightened over the course of the nineteenth century by the assassination of Mormon leaders, the Saints' exile from Missouri and Illinois, the military occupation of the Utah territory, and the national crusade against those who practiced plural marriage. Nineteenth-century Latter-day Saints looked forward to apocalyptic events that would unseat corrupt governments across the globe, particularly the tyrannical government of the United States. The infamous "White Horse Prophecy" referred to this coming American apocalypse as "a terrible revolutionEL in the land of America, such as has never been seen before; for the land will be literally left without a supreme government." Mormons envisioned divine deliverance by way of plagues, natural disasters, foreign invasions, American Indian raids, slave uprisings, or civil war unleashed on American cities and American people. For the Saints, these violent images promised a national rebirth that would vouchsafe the protections of the United States Constitution and end their oppression. In Terrible Revolution, Christopher James Blythe examines apocalypticism across the history of the Church of Jesus Christ of Latter-day Saints, particularly as it took shape in the writings and visions of the laity. The responses of the church hierarchy to apocalyptic lay prophecies promoted their own form of separatist nationalism during the nineteenth century. Yet, after Utah obtained statehood, as the church sought to assimilate to national religious norms, these same leaders sought to lessen the tensions between themselves and American political and cultural powers. As a result, visions of a violent end to the nation became a liability to disavow and regulate. Ultimately, Blythe argues that the visionary world of early Mormonism, with its apocalyptic emphases, continued in the church's mainstream culture in modified forms but continued to maintain separatist radical forms at the level of folk-belief.
The first three volumes of Saints tell the story of The Church of Jesus Christ of Latter-day Saints from Joseph Smith’s First Vision to the dedication of the first temple outside North America. Now, the fourth volume carries the story to the present day, recounting the Church’s astounding growth and inspired development since 1955. As the book opens, the Church has nine temples and more than one million members. Thousands of missionaries are preaching the restored gospel of Jesus Christ throughout the world. And for the first time in history, sacred saving ordinances are available in multiple languages. But the work of the Lord is not yet done. While many nations, kindreds, tongues, and people thirst for restored truth, the world is troubled by war, civil unrest, sickness, hunger, and prejudice. The Latter-day Saints, too, have much to learn about each other as the Church spreads far and wide, welcoming people from many cultures and traditions. The Lord’s command to “be one” has never been more vital—or more challenging—for His people to follow. Sounded in Every Ear is the final book in Saints, a new, four-volume narrative history of The Church of Jesus Christ of Latter-day Saints. Fast-paced, meticulously researched, and written under the direction of the First Presidency, Saints recounts true stories of Latter-day Saints across the globe and answers the Lord’s call to write a history “for the good of the church, and for the rising generations” (Doctrine and Covenants 69:8).
Mass media and the Church of Jesus Christ of Latter-day Saints evolved alongside each other, and communications technology became a fundamental part of the Church’s institutions and communities. Gavin Feller investigates the impact of radio, television, and the internet on Mormonism and what it tells us about new media’s integration into American life. The Church wrestled with the promise of new media to help implement its vision of Zion. But it also had to contend with threat that media posed to the family and other important facets of the Latter-day Saint faith. Inevitably, media technologies forced the leadership and lay alike to reconsider organizational values and ethical commitments. As Feller shows, the conflicts they faced illuminate the fundamental forces of control and compromise that enmesh an emerging medium in American social and cultural life. Intriguing and original, Eternity in the Ether blends communications history with a religious perspective to examine the crossroads where mass media met Mormonism in the twentieth century.
On the leading edge of trauma and archival studies, this timely book engages with the recent growth in visual projects that respond to the archive, focusing in particular on installation art. It traces a line of argument from practitioners who explicitly depict the archive (Samuel Beckett, Christian Boltanski, Art & Language, Walid Raad) to those whose materials and practices are archival (Mirosław Bałka, Jean-Luc Godard, Silvia Kolbowski, Boltanski, Atom Egoyan). Jones considers in particular the widespread nostalgia for ‘archival’ media such as analogue photographs and film. He analyses the innovative strategies by which such artefacts are incorporated, examining five distinct types of archival practice: the intermedial, testimonial, personal, relational and monumentalist.