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A wealth of information about herbal remedies native to the Southwest, infused with wisdom, wit, and personal reminiscences.
Reproduces the artist's "One Hundred Aspects of the Moon" and explains the story behind each design. Includes a biography of Yoshitoshi.
This marvelous evocation of traditional Japanese culture is the vision of the most prolific and influential woodblock artist of the Meiji period. Tsukioka Yoshitoshi began his masterpiece in 1885 and finished it shortly before his death, seven years later. His images depict characters from history and legend — courtesans, warriors, musicians, poets, and ordinary folk — in striking vignettes that unfold by the light of the moon. An eager public of Yoshitoshi's contemporaries snapped up new designs from the "moon series" as quickly as they appeared. The artist incorporated Western techniques into a traditional medium that was already losing ground to photography and lithography. Inspired by history and myth, his portraits of a vanishing world elevated woodblock art to its highest level before the genre's decline. Now, after a century of obscurity, Yoshitoshi's glorious illustrations are being rediscovered. This edition of his greatest work features reproductions of each image in full color and at nearly actual size, accompanied by insightful commentaries.
Tsuki Hyakushi (One Hundred Aspects of the Moon) is a collection of large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The 100 prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts.
This collection of Zen koans with extensive commentary will be of great interests to followers of Zen Buddhism. People around the world value the mind-cleansing, spiritually uplifting benefit to be gained through the practice of Cha'an (Zen) Buddhism. Central to Zen is the enigmatic koan (kung-an), a kind of riddle used by masters to shock their students into greater awareness. In this timeless collection from Chinese masters, translations of 100 of these question-and-answer riddles are presented. Each koan is followed by the author's commentary, which provides fascinating insight into the background and deeper meanings of the koans. Pointing at the Moon contains zen koeans from the following four treatises of the Zen tradition: A Selection From the Five Books of the Zen Masters' Sayings The Light of the Zen Sayings Recorded in the Year if Developing Virtue The Zen Sayings Recorded During the Moonlit Meditation An Anthology if Zen Sayings Enhanced by the 85 beautifully sketched Chinese brush paintings, Pointing at the Moon is a text certain to stimulate and challenge anyone interested in learning more about Zen and its tradition of spiritual enlightenment.
"A book about loggerhead sea turtles, and a girl's attempts to help save their babies from man-made light."--
A sustained argument for Tibetan independence, this volume also serves as an introduction to many aspects of Tibetan culture, society, and especially religion with a compendium of biographies of the most significant religious and political figures.
The only work to date to collect data gathered during the American and Soviet missions in an accessible and complete reference of current scientific and technical information about the Moon.
In this beautiful follow-up to the highly acclaimed My One Hundred Adventures, Jane and her family have moved to Canada . . . but not for long. When her stepfather, Ned, is fired from his job as a high school French teacher (seems he doesn’t speak French), the family packs up and Jane embarks on a series of new adventures. At first, she imagines her family as a gang of outlaws, riding on horseback in masks, robbing trains, and traveling all the way to Mexico. But the reality is different: Setting off by car, they visit the tribe of Native Americans with whom Ned once lived, head to Las Vegas in search of Ned’s magician brother, and wind up spending the summer with his eccentric mother on her ranch out west. As Jane lives through it all—developing a crush on a ranch hand, reevaluating her relationship with Ned, watching her sister Maya’s painful growing up—she sees her world, which used to be so safe and secure, shift in strange and inconvenient ways.
Trained in the magical art of shadow-weaving, sixteen-year-old Suzume, who is able to re-create herself in any form, is destined to use her skills to steal the heart of a prince in a revenge pot.