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This is Two-Eyes. She has two wicked sisters. They make fun of her for having only two eyes and wonder why she can't look normal like they do. But Two-Eyes will show them. She's got a fairy godmother, a magic goat, and a handsome knight to help her outsmart her terrible sisters and escape far, far away. With a spirited text that's fun to read out loud and humorous illustrations, this retelling of a Brothers Grimm tale is sure to become a new folk classic.
After a long absence, Matt returns in all his absurdly conflicted, tortured glory. In the tradition of Bukowski and R. Crumb, his tale turns on his disgust with himself and all of humanity, and, like the greats, Matt entertains as he cringes. His paradoxically clean and cheerful art is as likable as his persona is unlikable in this tale of avarice, obsession and masturbation. The episodic story begins in a bookstore, where Matt swoops in on a book he knows his friend, fellow cartoonist Seth, would love; Matt buys the book and then sells it to Seth at an obscene markup. The action moves on to Matt's latest porn purchases, then stops by a coffee shop, where the author chews over his shortcomings with a third member of their cartoonist gang, Chester. Interposed are memories of childhood and scenes from Matt's room in a boarding house, where his laziness and disgust with his fellow humans lead him to urinate in the largest jars he can find in order to avoid using the communal bathroom. The title indicates that Matt's well aware of his entrenched personal issues - but this self-awareness never translates to any kind of epiphany or behavioral change.
Eye Was There is created specifically for any person who is considering having an eye surgically removed or is coping with the loss of an eye. It is also created for that persons caretakers, family members and friends. There are limited sources of information, outside of a doctors office, from which a patient can learn about what to expect before, during, and after the surgery to remove an eye. The doctor or the doctors staff might not have the time to handle the variety of questions that are commonly asked. Many of the questions arise after the patient has left the doctors office. Eye Was There is intended to serve as a source of information regarding the preoperative, surgical and postoperative options surrounding the loss of an eye. It explains the most common surgical procedures performed to remove an eye and the potential complications that can occur after surgery. It details some of the medical conditions leading up to the removal of an eye. It describes the emotional and psychological steps that are experienced when dealing with the loss of an eye. It contains historic and current information on the manufacturing and fabrication of artificial eyes and orbital prostheses. It provides instruction and advice regarding the care and handling of the artificial eyes and orbital prostheses that are worn after surgery. The book is meant to give a positive perspective of dealing with life after the loss of an eye.
"A rollicking tale."—Stacy Schiff, New York Times Book Review, Editors' Choice Johnny One-Eye is bringing about the rediscovery of one of the most "singular and remarkable [careers] in American literature" (Jonathan Yardley, Washington Post Book World). In this picaresque tour de force that reanimates Revolutionary Manhattan through the story of double agent John Stocking, the bastard son of a whorehouse madam and possibly George Washington, Jerome Charyn has given us one of the most memorable historical novels in years. As Johnny seeks to unlock the mystery of his birth and grapples with his allegiances, he falls in love with Clara, a gorgeous, green-eyed octoroon, the most coveted harlot of Gertrude's house. The wild parade of characters he encounters includes Benedict Arnold, the Howe brothers, "Sir Billy" and "Black Dick," and a manipulative Alexander Hamilton.Not since John Barth's The Sotweed Factor and Gore Vidal's Burr has a novel so dramatically re-created America's historical beginnings. Reading group guide included.
The ability to see deeply affects how human beings perceive and interpret the world around them. For most people, eyesight is part of everyday communication, social activities, educational and professional pursuits, the care of others, and the maintenance of personal health, independence, and mobility. Functioning eyes and vision system can reduce an adult's risk of chronic health conditions, death, falls and injuries, social isolation, depression, and other psychological problems. In children, properly maintained eye and vision health contributes to a child's social development, academic achievement, and better health across the lifespan. The public generally recognizes its reliance on sight and fears its loss, but emphasis on eye and vision health, in general, has not been integrated into daily life to the same extent as other health promotion activities, such as teeth brushing; hand washing; physical and mental exercise; and various injury prevention behaviors. A larger population health approach is needed to engage a wide range of stakeholders in coordinated efforts that can sustain the scope of behavior change. The shaping of socioeconomic environments can eventually lead to new social norms that promote eye and vision health. Making Eye Health a Population Health Imperative: Vision for Tomorrow proposes a new population-centered framework to guide action and coordination among various, and sometimes competing, stakeholders in pursuit of improved eye and vision health and health equity in the United States. Building on the momentum of previous public health efforts, this report also introduces a model for action that highlights different levels of prevention activities across a range of stakeholders and provides specific examples of how population health strategies can be translated into cohesive areas for action at federal, state, and local levels.
In these linked stories Jewel navigates the stage of life between 25 and 45, from the day she finds a body on a wild California beach to crossroads encounters with mystics, lovers, beggars, surgeons, and sailors on the shores of Maui and streets of San Miguel de Allende, Lisbon, Larkspur, Mill Valley, and Barcelona. Falling in love, whether with the one she marries, her newborn babies, total strangers, or the places she goes, calls forth conflicting sensations: ease/excitement, pleasure/danger, attachment/release. One eye sees and the other is blind as Jewel learns to love and grieve by staying in motion, finding and losing her way in the crowds and landscapes, heart cracked open.
Near the edge of the Baltic Sea, in a small East Prussian town, lives a happy and prosperous family. The Wobsers are patriotic Germans and faithful Lutherans with four beautiful children: chatty Trude, fearless Lotte, careful Ilse, and precocious Gerhard. The decade-older sisters treat Gerhard as their little prince. He is the apple of his father's eye. Then, one day in 1933, their world falls apart. They have been identified as Jews, a heritage never denied, but a religion never embraced. This chilling true story follows the four Wobser siblings as they struggle to survive a Nazi regime intent on their extermination. Even those that manage to flee will find themselves without a home or country to call their own. From Edinburgh to Shanghai, the Wobsers will travel the world in search of a place they belong. Author and historical chronicler Ralph Webster (a descendent of the Wobsers) deftly connects their story and survival to the struggles modern refugees face every day. In addition to serving as a fascinating piece of history, A Smile in One Eye: A Tear in the Other is a passionate call to arms for organizations and individuals to properly protect and help the world's refugees.
How do women writers cope with changes and juggle the demands in their already full lives to make time for their lives as artists? In this anthology, noted female novelists, journalists, essayists, poets, and nonfiction writers address the old and new challenges of "doing it all" that face women writers as the twenty-first century approaches. With eloquence, sensitivity, and more than a touch of wry humor, Sleeping with One Eye Open relates positive stories from women who lead effective lives as artists, emphasizing how sources of inspiration, discipline, resourcefulness, and determination help them succeed despite the obstacle of "no time." The title essay, Judith Ortiz Cofer's "The Woman Who Slept with One Eye Open," defines the collection. Cofer relates the ways in which a mythological story from her Puerto Rican culture gave her confidence and courage, encouraging her creative success and emphasizing the rewards of "women's power" and personal strength. Denise Levertov's "The Vital Necessity" urges poets to make time for daydreams--essential, empowering creative food. Tillie Olsen offers a frank discussion of the pressures of work and expectations that too often sap creative energy. Tess Gallagher connects her mother's creative gardening with her own inspiration as a poet and the need for growth in her writing. Marilyn Kallet's interview with Lucille Clifton relates the personal strength that helped Clifton raise six children and publish her first book at the same time. This affirming collection offers a wealth of writing advice, given through honest accounts of perseverance and accomplishment.
TKO Studios presents "One Eye Open" by New York Times Bestselling author Alex Grecian (THE YARD) After her mother’s sudden passing, Laura and her daughter Juniper return to her childhood home in the rural outskirts of Denmark. In the scenic village amidst seas of wheat fields, Laura hopes they have finally let tragedy behind them. Then, Juniper begins to notice something strange about the people she encounters, the same people who have worked in these fields for centuries. In tracing her lineage back through her mother and beyond, Juniper makes a horrifying discovery. This town is alive with more than just nature, and the endless fields of wheat demand to be harvested, whether the hands that do so are alive or dead… An occult thriller about coming home and the monsters that await us there. By NY Times Bestselling Author Alex Grecian (The Yard) with illustrations by Andrea Mutti