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How could one teenage boy’s life elicit other kids’ first experiences — even after he dies? Nine interconnected stories from nine top YA writers. Kev’s the first kid their age to die. And now, even though he’s dead, he’s not really gone. Even now his choices are touching the people he left behind. Ellen Hopkins reveals what two altar boys (and one altar girl) might get up to at the cemetery. Rita Williams-Garcia follows one aimless teen as he finds a new life in his new job — at the mortuary. Will Weaver turns a lens on Kevin’s sister as she collects his surprising effects — and makes good use of them. Here, in nine stories, we meet people who didn’t know Kevin, friends from his childhood, his ex-girlfriend, his best friend, all dealing with the fallout of his death. Being a teenager is a time for all kinds of firsts — first jobs, first loves, first good-byes, firsts that break your heart and awaken your soul. It’s an initiation of sorts, and it can be brutal. But on the other side of it is the rest of your life. With stories by Chris Barton Nora Raleigh Baskin Marina Budhos Ellen Hopkins A.S. King Torrey Maldonado Charles R. Smith Jr. Will Weaver Rita Williams-Garcia
The "original, first-rate, serious, and beautiful" short fiction (New York Times Book Review) that introduced J. D. Salinger to American readers in the years after World War II, including "A Perfect Day for Bananafish" and the first appearance of Salinger's fictional Glass family. Nine exceptional stories from one of the great literary voices of the twentieth century. Witty, urbane, and frequently affecting, Nine Stories sits alongside Salinger's very best work--a treasure that will passed down for many generations to come. The stories: A Perfect Day for Bananafish Uncle Wiggily in Connecticut Just Before the War with the Eskimos The Laughing Man Down at the Dinghy For Esmé--with Love and Squalor Pretty Mouth and Green My Eyes De Daumier-Smith's Blue Period Teddy
Late on a warm summer night in rural Missouri, an elderly camp director hears a squeal of joyous female laughter and goes to investigate. At the camp swimming pool he comes upon a bewildering scene: his counselors stripped naked and engaged in a provocative celebration. The first camp session is set to start in just two days. He fires them all. As a result, new counselors must be quickly hired and brought to the Kindermann Forest Summer Camp. One of them is Wyatt Huddy, a genetically disfigured young man who has been living in a Salvation Army facility. Gentle and diligent, large and imposing, Wyatt suffers a deep anxiety that his intelligence might be subnormal. All his life he’s been misjudged because of his irregular features. But while Wyatt is not worldly, he is also not an innocent. He has escaped a punishing home life with a reclusive and violent older sister. Along with the other new counselors, Wyatt arrives expecting to care for children. To their astonishment, they learn that for the first two weeks of the camping season they will be responsible for 104 severely developmentally disabled adults, all of them wards of the state. For Wyatt it is a dilemma that turns his world inside out. Physically, he is indistinguishable from the state hospital campers he cares for. Inwardly, he would like to believe he is not of their tribe. Fortunately for Wyatt, there is a young woman on staff who understands his predicament better than he might have hoped. At once the new counselors and disabled campers begin to reveal themselves. Most are well-intentioned; others unprepared. Some harbor dangerous inclinations. Among the campers is a perplexing array of ailments and appearances and behavior both tender and disturbing. To encounter them is to be reminded just how wide the possibilities are when one is describing human beings. Soon Wyatt is called upon to prevent a terrible tragedy. In doing so, he commits an act whose repercussions will alter his own life and the lives of the other Kindermann Forest staff members for years to come. Written with scrupulous fidelity to the strong passions running beneath the surface of camp life, The Inverted Forest is filled with yearning, desire, lust, banked hope, and unexpected devotion. This remarkable and audacious novel amply underscores Heaven Lake’s wide acclaim and confirms John Dalton’s rising prominence as a major American novelist.
Includes a reading group guide with discussion questions.
The hidden history of the haunted and beloved city of New Orleans, told through the intersecting lives of nine remarkable characters. “Nine Lives is stunning work. Dan Baum has immersed himself in New Orleans, the most fascinating city in the United States, and illuminated it in a way that is as innovative as Tom Wolfe on hot rods and Truman Capote on a pair of murderers. Full of stylistic brilliance and deep insight and an overriding compassion, Nine Lives is an instant classic of creative nonfiction.” —Robert Olen Butler, Pulitzer Prize–winning author of A Good Scent from a Strange Mountain Nine Lives is a multivoiced biography of a dazzling, surreal, and imperiled city, told through the lives of night unforgettable characters and bracketed by two epic storms: Hurricane Betsy, which transformed New Orleans in the 1960s, and Hurricane Katrina, which nearly destroyed it. Dan Baum brings the kaleidoscopic portrait to life, showing us what was lost in the storm and what remains to be saved. BONUS: This edition contains a Nine Lives discussion guide.
Jessica Keener returns with this collection of nine stories that thematically address variations of love, love of self, family, and sexual relationships, from loneliness and isolation, desperation and rejection, to need and passion, forgiveness and, finally, to love found.
From one of the greatest writers of our time, his first collection of short stories, written between 1979 and 2011, chronicling—and foretelling—three decades of American life Set in Greece, the Caribbean, Manhattan, a white-collar prison and outer space, these nine stories are a mesmerizing introduction to Don DeLillo’s iconic voice, from the rich, startling, jazz-infused rhythms of his early work to the spare, distilled, monastic language of the later stories. In “Creation,” a couple at the end of a cruise somewhere in the West Indies can’t get off the island—flights canceled, unconfirmed reservations, a dysfunctional economy. In “Human Moments in World War III,” two men orbiting the earth, charged with gathering intelligence and reporting to Colorado Command, hear the voices of American radio, from a half century earlier. In the title story, Sisters Edgar and Grace, nuns working the violent streets of the South Bronx, confirm the neighborhood’s miracle, the apparition of a dead child, Esmeralda. Nuns, astronauts, athletes, terrorists and travelers, the characters in The Angel Esmeralda propel themselves into the world and define it. DeLillo’s sentences are instantly recognizable, as original as the splatter of Jackson Pollock or the luminous rectangles of Mark Rothko. These nine stories describe an extraordinary journey of one great writer whose prescience about world events and ear for American language changed the literary landscape.
"Winner of the Flannery O'Connor Award for Short Fiction."