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On September 4, 1995, several Stoney Point Natives entered Ipperwash Provincial Park, near Sarnia, Ontario, and began a peaceful protest aimed at reclaiming a traditional burial ground. Within seventy-two hours, one of those protestors, Anthony (Dudley) George, was dead, shot by an OPP officer. In One Dead Indian, after covering the tragedy from the beginning, journalist Peter Edwards examines the circumstances surrounding George’s death and asks a number of tough questions, including: How much pressure did the Ontario government put on the OPP to get tough? As the official public inquiry attempt to shed light on what really happened, Peter Edwards’s investigation of this question brings the story right up to the present.
At the same time that Matt and Parker find the body of the dead man in the creek, they recognize George Evans, the owner of the antique shop where Parker's mother works.
THERE’S A NEW SHERIFF IN TOWN, AND HE’S ARMED TO THE FANGS. After fending off an attack by the werewolf pack, the saloon is in shambles and half of the dead outlaws have been sent to Hell. Nigel, the lone vampire, takes up the job of sheriff in order to protect the only living boy in Damnation. A second vampire, with whom Nigel has some history and still bears a grudge, comes to town. To make matters worse, an army of angry Indian warriors arrive, and they’re not too keen on sharing their spirit world with the soldiers who killed them. A sudden scarcity of food and booze spurs the election of a hawkish mayor, who controls the vampires with an unlikely source of warm blood. Buddy and some ragtag gunslingers are left to defend their territory against an entire nation of dead Indians led by an invincible brave. “A cast of delightfully distinctive, authentically funny outlaws, butting heads in a lazy afterlife saloon somewhere between heaven and hell define the setting of Casey’s weird western debut.” —Publishers Weekly on Dawn in Damnation “Bitingly Funny.” —Vampires.com on Dawn in Damnation
In The Inconvenient Indian, Thomas King offers a deeply knowing, darkly funny, unabashedly opinionated, and utterly unconventional account of Indian–White relations in North America since initial contact. Ranging freely across the centuries and the Canada–U.S. border, King debunks fabricated stories of Indian savagery and White heroism, takes an oblique look at Indians (and cowboys) in film and popular culture, wrestles with the history of Native American resistance and his own experiences as a Native rights activist, and articulates a profound, revolutionary understanding of the cumulative effects of ever-shifting laws and treaties on Native peoples and lands. Suffused with wit, anger, perception, and wisdom, The Inconvenient Indian is at once an engaging chronicle and a devastating subversion of history, insightfully distilling what it means to be “Indian” in North America. It is a critical and personal meditation that sees Native American history not as a straight line but rather as a circle in which the same absurd, tragic dynamics are played out over and over again. At the heart of the dysfunctional relationship between Indians and Whites, King writes, is land: “The issue has always been land.” With that insight, the history inflicted on the indigenous peoples of North America—broken treaties, forced removals, genocidal violence, and racist stereotypes—sharpens into focus. Both timeless and timely, The Inconvenient Indian ultimately rejects the pessimism and cynicism with which Natives and Whites regard one another to chart a new and just way forward for Indians and non-Indians alike.
A NEW YORK TIMES BESTSELLER From USA TODAY bestselling author Stephen Graham Jones comes a “masterpiece” (Locus Magazine) of a novel about revenge, cultural identity, and the cost of breaking from tradition. Labeled “one of 2020’s buzziest horror novels” (Entertainment Weekly), this is a remarkable horror story that “will give you nightmares—the good kind of course” (BuzzFeed). Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians is “a masterpiece. Intimate, devastating, brutal, terrifying, warm, and heartbreaking in the best way” (Paul Tremblay, author of A Head Full of Ghosts). This novel follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in violent, vengeful ways.
The Dead Indian Plateau is a gently sloping area of 100,000 acres (40,000 ha) east of Ashland, Oregon. It is a valuable source of timber, but timber stands on the plateau often are difficult to regenerate after logging. Many people have been observing and studying these regeneration problems and other aspects of the Dead Indian Plateau for many years. This report is a summary of their observations, measurements, and conclusions.
The wealthy, but dysfunctional, Fadden family, known for its vast business empire and local charities appears to have everything a family could want. Like their patriarch, Roger Fadden, they are content with their affluent lives. The exception is Mary Jo, who is bored and discontented with her cold and distant husband. Hoping to find a new dimension in her life, she joins a community philanthropy, whose members include the handsome and suave Darius Davis and the blue-eyed Mitch McCabe. When she makes choices that complicate her life, her position in the family is threatened. But Roger and his family are hiding plenty of secrets like adultery, extortion, money laundering and, of course, murder. These secrets, however, are being guarded by a dead Indian and a special man and his strange-looking dog. When Mary Jo stumbles upon information that will destroy the future of the Fadden dynasty, she must choose between protecting her family or following her conscience.
When Regina's Umpqua tribe is legally terminated and her family must relocate from Oregon to Los Angeles, she goes on a quest to understand her identity as an Indian despite being so far from home.