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The year 1998 marked the quincentennial of the publication of Albrecht Durer's illustrated edition of the Apocalypse. Here Robert Smith provides an introduction to and a commentary on the book of Revelation that is keyed to the Durer woodcuts.
This vastly expanded edition presents a lively interdisciplinary history of the first century of urban photography in America.
1. This book is a fascinating look at how early cinema and moving images inspired and were inspired by other more static forms of visual culture, such as painting, photography, and tableaux vivants. The contributors to this volume demonstrate how cinema responded to and was positioned within broader artistic and cultural frameworks. 2. This book is another strong contribution to the Proceedings of Domitor series, of which we are now the sole publishers. 3. It will benefit from our well established reputation in early cinema studies.
A New York Times Notable Book Winner of the National Book Critics Circle Award for Criticism, The Mark Lynton History Prize, and the Sally Hacker Prize for the History of Technology “A panoramic vision of cultural change” —The New York Times Through the story of the pioneering photographer Eadweard Muybridge, the author of Orwell's Roses explores what it was about California in the late 19th-century that enabled it to become such a center of technological and cultural innovation The world as we know it today began in California in the late 1800s, and Eadweard Muybridge had a lot to do with it. This striking assertion is at the heart of Rebecca Solnit’s new book, which weaves together biography, history, and fascinating insights into art and technology to create a boldly original portrait of America on the threshold of modernity. The story of Muybridge—who in 1872 succeeded in capturing high-speed motion photographically—becomes a lens for a larger story about the acceleration and industrialization of everyday life. Solnit shows how the peculiar freedoms and opportunities of post–Civil War California led directly to the two industries—Hollywood and Silicon Valley—that have most powerfully defined contemporary society.
The Druid's Peace & the Sorcerer's Eye The practice of magical arts requires a mind trained in the ability to produce altered states of awareness at will. Magical work is supported by the ability to calm the heart and mind, to work with the energies of the Inner World, and to see and journey among the spirits. The Book of Visions provides lessons in the skills of meditation and vision. The methods are presented in a series that can serve as progressive lessons, or stand alone. Presented within a Pagan Druidic framework, the methods are easily adaptable to other Pagan systems. The lessons include: - Meditation - Finding Your Peace - The Two Powers; Underworld and Heavens - The Threshold Realm, & the Vision Journey; - The Inner Grove; a personal place of power. - The Nineteen Working: a spiritual practiced based firmly on Gaelic lore. Ian Corrigan is an Archdruid Emeritus and a Senior Priest of Ar nDraiocht Fein (ADF.
This text explores the evocations of place, and particularly American place, that have become central to the representational and narrative strategies of alternative and mainstream film and video.
A wide-ranging study of the painted panorama’s influence on art, photography, and film This ambitious volume presents a multifaceted account of the legacy of the circular painted panorama and its far-reaching influence on art, photography, film, and architecture. From its 18th-century origins, the panorama quickly became a global mass-cultural phenomenon, often linked to an imperial worldview. Yet it also transformed modes of viewing and exerted a lasting, visible impact on filmmaking techniques, museum displays, and contemporary installation art. On the Viewing Platform offers close readings of works ranging from proto-panoramic Renaissance cityscapes and 19th-century paintings and photographs to experimental films and a wide array of contemporary art. Extensively researched and spectacularly illustrated, this volume proposes an expansive new framework for understanding the histories of art, film, and spectatorship.