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Do you know what it's Like to get shot? "Now, I turned to my left and just as I straightened out the Toyota's path, I heard some popping sounds, sort of like firecrackers exploding in the distance. In that our windows were up, the sounds were not very distinguishable. However, for some strange reason, I reacted so quickly that it certainly was not a conscious forethought. My head went down as I bent over forward and slightly to my right, just in time to avoid having a bullet hit the back of my head, as it passed through the back glass. Then, in a split second, I realized why I had unconsciously reacted that way and... Poetry is, simply stated, just another modality of expression of ideas, feelings, opinions and visions. Like any other mode of expression, it can be useful, if produced by the mind of a skillful and perceptive person. However, the very best writers not only consult their mind, which is the lead part of the soul, but also are influenced by an enlivened human spirit. Some are endowed with a thin slice of divine creativity, that which can be used to produce a very good quality product and it will endure over time. It is my hope and desire that herein, there is some of the latter type, which is mentioned here. Professionally speaking, as an educator and psychologist, I hope that a degree of multifarious perceptions has been shown in the writings contained here in this book. Because, it is written with the intention of not only giving some degree of pleasure but, also for some degree of enlightenment. May the Good Lord bless all those who read this book. TS Bola
This synopsis should “set the scene,” so you may understand “from where I am coming.” Maybe you will see and even agree, to some extent, that FFC truly should be applied to all our living situations as we pass through this world. I hope that you will enjoy this presentation and that the information contained in this book will be useful to you now or, if not now, at least some time in your future journey on this Earth.
The many lenses of racism through which the white imagination sees Mexicans and Chicanos Historically, ideas of whiteness and Americanness have been built on the backs of racialized communities. The legacy of anti-Mexican stereotypes stretches back to the early nineteenth century when Anglo-American settlers first came into regular contact with Mexico and Mexicans. The images of the Mexican Other as lawless, exotic, or non-industrious continue to circulate today within US popular and political culture. Through keen analysis of music, film, literature, and US politics, Whiteness on the Border demonstrates how contemporary representations of Mexicans and Chicano/as are pushed further to foster the idea of whiteness as Americanness. Illustrating how the ideologies, stories, and images of racial hierarchy align with and support those of fervent US nationalism, Lee Bebout maps the relationship between whiteness and American exceptionalism. He examines how renderings of the Mexican Other have expressed white fear, and formed a besieged solidarity in anti-immigrant rhetoric and policies. Moreover, Whiteness on the Border elucidates how seemingly positive representations of Mexico and Chicano/as are actually used to reinforce investments in white American goodness and obscure systems of racial inequality. Whiteness on the Border pushes readers to consider how the racial logic of the past continues to thrive in the present.
Merle Haggard is known as "the poet of the common man." His songs are some of the most important and influential in the history of country music, on par with the likes of those by Jimmie Rodgers and Hank Williams. Through a life as tumultuous as his music, scarred by struggles with inner demons, incarceration and addiction - all of which he has brutally and directly confronted through his lyrics - Haggard has emerged with an American songbook that captures the rough side of life with an unblinking eye gazing on the workings of the human heart. This collection comes on the heels of his acclaimed album If I Could Only Fly, his first new studio album in four years, which finds the former wildman coping with aging, taking on familial responsibilities, and learning to appreciate the wonders of home life versus the pitfalls of the highway. Haggard's lyrics demonstrate why this acclaimed member of the Country Music Hall of Fame is a legend who will live forever.
All historians would agree that America is a nation of nations. But what does that mean in terms of the issues that have moved and shaped us as a people? Contemporary concerns such as bilingualism, incorporation/assimilation, dual identity, ethnic politics, quotas and affirmative action, residential segregation, and the volume of immigration resonate with a past that has confronted variations of these modern issues. The Columbia Documentary History of Race and Ethnicity in America, written and compiled by a highly respected team of American historians under the editorship of Ronald Bayor, illuminates the myriad ways in which immigration, racial, and ethnic histories have shaped the contours of contemporary American society. This invaluable resource documents all eras of the American past, including black–white interactions and the broad spectrum of American attitudes and reactions concerning Native Americans, Irish Catholics, Mexican Americans, Jewish Americans, and other groups. Each of the eight chronological chapters contains a survey essay, an annotated bibliography, and 20 to 30 related public and private primary source documents, including manifestos, speeches, court cases, letters, memoirs, and much more. From the 1655 petition of Jewish merchants regarding the admission of Jews to the New Netherlands colony to an interview with a Chinese American worker regarding a 1938 strike in San Francisco, documents are drawn from a variety of sources and allow students and others direct access to our past. Selections include Powhatan to John Smith, 1609 Thomas Jefferson—"Notes on the State of Virginia" Petition of the Trustees of Congregation Shearith Israel, 1811 Bessie Conway or, The Irish Girl in America German Society in Chicago, Annual Report, 1857–1858. "Mark Twain's Salutation to the Century" W. E. B. DuBois, "Of Our Spiritual Strivings" NAACP on Black Schoolteachers'Fight for Equal Pay Malcom X speech, 1964 Hewy Newton interview and Black Panther Party platform Preamble—La Raza Unida Party Lee lacocca speech to Ethnic Heritage Council of the Pacific Northwest, 1984 Native American Graves and Repatriation Act, 1990 L.A. riot—from the Los Angeles Times, May 3, 15, 1992; Nov. 16, 19, 1992 Asian American Political Alliance President Clinton's Commission on Race, Town Meeting, 1997 Louis Farrakhan—"The Vision for the Million Man March"
A gem of a Marías story: Elvis and his entourage abandon their translator in a seedy cantina full of enraged criminals. “It all happened because of Elvis Presley.” Elvis, down south of the border to film a movie, has insisted his producers hire a proper Spaniard so that he can pronounce his few lines in Spanish with a Castillian accent. But Ruibérriz has taken on much more than he bargained for. One fatal night, horseplay in a local bar goes too far: a fatuous drunken American insults the local kingpin, and when the thug insists that Ruibérriz translate, Elvis himself adds an even more stinging comment—and who must translate that?