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This memoir was first published in 1930 and describes the author's school days, his time in the Army, his experiences as a war correspondent and his first years as a member of Parliament.
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Between 1914 and 1918, many Irish Catholics in Canada found themselves in a vulnerable position. Not only was the Great War slaughtering millions, but tension and violence was mounting in Ireland over the question of independence from Britain and Home Rule. For Canada’s Irish Catholics, thwarting Prussian militarism was a way to prove that small nations, like Ireland, could be free from larger occupying countries. Yet, even as tens of thousands of Irish Catholic men and women rallied to the call to arms and supported government efforts to win the war, many Canadians still doubted their loyalty to the Empire. Retracing the struggles of Irish Catholics as they fought Canada’s enemies in Europe while defending themselves against charges of disloyalty at home, The Imperial Irish explores the development and fraying of interfaith and intercultural relationships between Irish Catholics, French Canadian Catholics, and non-Catholics throughout the course of the Great War. Mark McGowan contrasts Irish Canadian Catholics' beliefs with the neutrality of Pope Benedict XV, the supposed pro-Austrian sympathies of many immigrants from central Europe, Irish republicans inciting rebellion in Ireland, and the perceived indifference to the war by French Canadian Catholics, and argues that, for the most part, Irish Catholics in Canada demonstrated strong support for the imperial war effort by recruiting in large numbers. He further investigates their religious lives within the Canadian Expeditionary Force, the spiritual resources available to them, and church and lay leaders’ negotiation of the sensitive political developments in Ireland that coincided with the war effort. Grounded in research from dozens of archives as well as census data and personnel records, The Imperial Irish explores stirring conflicts that threatened to irreparably divide Canada along religious and linguistic lines.
Traces the unlikely friendship of a wealthy Afghan youth and a servant's son in a tale that spans the final days of Afghanistan's monarchy through the atrocities of the present day.
Human rights offer a vision of international justice that today’s idealistic millions hold dear. Yet the very concept on which the movement is based became familiar only a few decades ago when it profoundly reshaped our hopes for an improved humanity. In this pioneering book, Samuel Moyn elevates that extraordinary transformation to center stage and asks what it reveals about the ideal’s troubled present and uncertain future. For some, human rights stretch back to the dawn of Western civilization, the age of the American and French Revolutions, or the post–World War II moment when the Universal Declaration of Human Rights was framed. Revisiting these episodes in a dramatic tour of humanity’s moral history, The Last Utopia shows that it was in the decade after 1968 that human rights began to make sense to broad communities of people as the proper cause of justice. Across eastern and western Europe, as well as throughout the United States and Latin America, human rights crystallized in a few short years as social activism and political rhetoric moved it from the hallways of the United Nations to the global forefront. It was on the ruins of earlier political utopias, Moyn argues, that human rights achieved contemporary prominence. The morality of individual rights substituted for the soiled political dreams of revolutionary communism and nationalism as international law became an alternative to popular struggle and bloody violence. But as the ideal of human rights enters into rival political agendas, it requires more vigilance and scrutiny than when it became the watchword of our hopes.
4 starred reviews! Orange Is the New Black meets Walter Dean Myer’s Monster in this gritty, twisty, and haunting debut by Tiffany D. Jackson about a girl convicted of murder seeking the truth while surviving life in a group home. Mary B. Addison killed a baby. Allegedly. She didn’t say much in that first interview with detectives, and the media filled in the only blanks that mattered: a white baby had died while under the care of a churchgoing black woman and her nine-year-old daughter. The public convicted Mary and the jury made it official. But did she do it? There wasn’t a point to setting the record straight before, but now she’s got Ted—and their unborn child—to think about. When the state threatens to take her baby, Mary’s fate now lies in the hands of the one person she distrusts the most: her Momma. No one knows the real Momma. But does anyone know the real Mary?