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Denny's Call Sheets: Seabiscuit. The Grifters. Entourage. Indiana Jones: Crystal Skull. Hail Caesar. Atlas Shrugged. Simone. War of the Worlds. Bosch. Mad Men. Grey's Anatomy. 24. Vice. A Bride's Revenge. Aftermath. Gaslit and many more. Actors, Writers. Directors. As Mank might write and as Bette might say: "Fasten your seat belts, it's going to be a bumopy, fun read." You coudln't buy this education. Until now. . .
Quentin Tarantino’s long-awaited first work of fiction—at once hilarious, delicious and brutal—is the always surprising, sometimes shocking, novelization of his Academy Award winning film. RICK DALTON—Once he had his own TV series, but now Rick’s a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it? CLIFF BOOTH—Rick’s stunt double, and the most infamous man on any movie set because he’s the only one there who might have got away with murder. . . . SHARON TATE—She left Texas to chase a movie-star dream, and found it. Sharon’s salad days are now spent on Cielo Drive, high in the Hollywood Hills. CHARLES MANSON—The ex-con’s got a bunch of zonked-out hippies thinking he’s their spiritual leader, but he’d trade it all to be a rock ‘n’ roll star.
In this riveting, fast-paced account of the flip side of the Hollywood dream, investigative reporter Rod Lurie gives readers the keenest direction to date of the Hollyburbs, the seedy environs of Glitter City where small-time predators and prey dream of being players, only to find that they have been fleeced.
Once Upon a Time in West Hollywood is a personal journey, a portrait of '70s Los Angeles based on different chapters of my life, and the photographs I took along the way, starting when I was only 10 years old. People have asked me what it was like growing up in Hollywood. Apartment living is tough, especially coming from the Midwest suburbs and having to share a bedroom but when you are seven you don't know what you don't have anymore. Personal memories like ditching Bancroft Junior High School, walking up Highland past Sunset to Hollywood Boulevard, playing pinball for hours at long-forgotten arcades that were popular then. Hanging out at the rooftop pool at the legendary Hyatt (Riot) House on Sunset or hanging out at Tower Records during the memorable summer of 1974, too young at 14 to appreciate the classic rock n' roll scene that was The Strip in the '70s. Working in my father's hardware store in East Los Angeles, a boy of 15, or riding the bus to Dodger Stadium alone at night, no fear. I hope the book brings back memories for the reader, wherever you grew up.
Mark Parascandola documents the nearly forgotten legacy of moviemaking in the desert landscapes of Spain.
Audrey Hepburn, Humphrey Bogart, Gregory Peck, Rita Hayworth, Marilyn Monroe—the brightest stars of the silver screen couldn't resist curling up with a good book. This unique collection of rare photographs celebrates the joy of reading in classic film style. The Hollywood Book Club captures screen luminaries on set, in films, in playful promotional photos, or in their own homes and libraries with books from literary classics to thrillers, from biographies to children's books, reading with their kids, and more. Featuring nearly 60 enchanting images, lively captions about the stars and what they're reading by Hollywood photo archivist Steven Rea, here's a real page-turner for booklovers and cinephiles.
Hollywood marks the fifth episode in Gore Vidal's "Narratives of Empire," his celebrated series of six historical novels that form his extended biography of the United States. It is 1917, and President Woodrow Wilson is about to lead the country into the Great War in Europe. In California, a new industry is born that will irreversibly transform America. Caroline Sanford, the alluring heroine of Empire, discovers the power of moving pictures to manipulate reality as she vaults to screen stardom under the name of Emma Traxler. Just as Caroline must balance her two lives--West Coast movie star and East Coast newspaper publisher and senator's mistress--so too must America balance its two power centers: Hollywood and Washington. Here is history as only Gore Vidal can re-create it: brimming with intrigue and scandal, peopled by the greats of the silver screen and American politics. "Hollywood shimmers with the illusion of politics and the politics of illusion," wrote the Chicago Sun-Times. "A wonderfully literate and consistently impressive work of fiction that clearly belongs on a shelf with Vidal's best," said The New York Times Book Review. With a new Introduction by the author.
Its rainy. The oncoming headlights are blinding me. I have to stay awake. Its 2:00 A.M. and less than two feet behind me is the body of a woman scheduled for burial in about six hours... A 24 year-old Hispanic male has taken a bullet to the head. A drug deal gone bad. The Mortician in charge has done a remarkable job hiding the head wound. The wound is invisible... This was no White House on Pennsylvania Avenue. No Beverly Hills. No Beverly Thrills. It was a step above a flop house and maybe only a half-step... Every day in the City of Angels and Actors, hundreds of people are buried. These are their stories... L.A. Funeral Director and comedy writer Denny Dormody, a working actor and an active member of the Screen Actors Guild, moonlights to pay the rent... "Denny Dormody, I hope you become a better writer." -- Kirk Douglas "Good to meet you. Good luck and good writing..." -- Michael Connelly, Author, The Black Box Comedy scribes Denny Dormody & Michael Conley have inked with Loeb & Loeb for Literary representation -- The Hollywood Reporter
The quintessential biography of Eve Babitz (1943-2021), the brilliant chronicler of 1960s and 70s Hollywood hedonism and one of the most original American voices of her time. “I practically snorted this book, stayed up all night with it. Anolik decodes, ruptures, and ultimately intensifies Eve’s singular irresistible glitz.” —Jia Tolentino, The New Yorker “The Eve Babitz book I’ve been waiting for. What emerges isn’t just a portrait of a writer, but also of Los Angeles: sprawling, melancholic, and glamorous.” —Stephanie Danler, author of Sweetbitter Los Angeles in the 1960s and 70s was the pop culture capital of the world—a movie factory, a music factory, a dream factory. Eve Babitz was the ultimate factory girl, a pure product of LA. The goddaughter of Igor Stravinsky and a graduate of Hollywood High, Babitz, age twenty, posed for a photograph with French artist Marcel Duchamp in 1963. They were seated at a chess board, deep in a game. She was naked; he was not. The picture, cheesecake with a Dadaist twist, made her an instant icon of art and sex. She spent the rest of the decade on the Sunset Strip, rocking and rolling, and honing her notoriety. There were the album covers she designed: for Buffalo Springfield and the Byrds, to name but a few. There were the men she seduced: Jim Morrison, Ed Ruscha, Harrison Ford, to name but a very few. Then, at nearly thirty, her It girl days numbered, Babitz was discovered—as a writer—by Joan Didion. She would go on to produce seven books, usually billed as novels or short story collections, always autobiographies and confessionals. Her prose achieved that American ideal: art that stayed loose, maintained its cool; art so sheerly enjoyable as to be mistaken for simple entertainment. Yet somehow the world wasn’t paying attention. Babitz languished. It was almost twenty years after her last book was published, and only a few years before her death in 2021 that Babitz became a literary star, recognized as not just an essential L.A. writer, but the essential. This late-blooming vogue bloomed, in large part, because of a magazine profile by Lili Anolik, who, in 2010, began obsessively pursuing Babitz, a recluse since burning herself up in a fire in the 90s. Anolik’s elegant and provocative book is equal parts biography and detective story. It is also on dangerously intimate terms with its subject: artist, writer, muse, and one-woman zeitgeist, Eve Babitz. “A dazzling, gossip-filled biography of the wayward genius who knew everyone in Seventies LA.” —The Telegraph (UK)