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When a lady in Regency London accidentally kisses the brother of the earl to whom she's betrothed, her indiscretion may just lead to a lifetime of love. Original.
Once Upon A Hume takes the reader on a journey down the ‘Great South Road’, as the Hume Highway was once known. We follow the original route, and rather than going from town to town, we travel personality by personality, catching up with some of the intriguing folk who lived near, or preyed upon, or prospered by, the Great South Road, from its earliest days. Few of these folk - or features - are well-known. All have a story to share. We visit: Hugh McCrae, eccentric poet-laureate of Elderslie. The monstrous Razorback, a menace to travellers and to early settlement itself. Carl Rümker, Picton’s half-mad star-gazing genius. Emily, the Spectre of Redbank Tunnel. Vault Hill, and the scattered bones of the Antill clan. Mary Lupton, who escaped hanging as a teenaged girl and became heir to most of Sydney’s Millers Point. Sophie Corrie, Yerrinbool’s Canned Fruit Queen, who made her life story a work of fiction. George Cutter, the knife-wielding publican of Mittagong... … and many other persons and prominences. Once Upon a Hume is a travellers’ companion. Anecdotal, informative, and chatty, it peoples the Hume Highway landscape with vivid characters and occurrences, profiles prominences, explains place-names, and makes an absorbing panorama of the passing show. This is the first of several volumes about the colourful humanity who dwelt Once Upon A Hume.
Between dealing with her mother's failing health, her five-year-old son, her new housemate, her ex-husband who is now "out of the closet," and her re-entry into the dating scene, Jennifer Costas fears for her own mental stability. Original.
From the money nerds behind the award-winning Stacking Benjamins podcast, a new kind of personal finance book to get your house in order. Rich. Wealthy. Well-heeled. Moneyed. Affluent. Not bad—but why not get Stacked instead? If you’ve ever dreamed of a basic philosophy of money that’ll help you live bigger, be bolder, and laugh harder, you need this book. In these uncertain times, the basics matter more than ever. But for most of us, concepts such as investing, budgeting, and getting out of debt just don’t float our boats (or 150-foot yachts)—and so we put them off longer than we should. Joe Saul-Sehy and Emily Guy Birken are here to tell you that personal finance can be a lot more fun than you think. (No haberdashery, maritime knowledge, or specialized flatware required.) Learn about everything from side hustles, to hiring a legit financial adviser, to planning for emergencies, to what’s new and exciting—and actually worth your time—in financial apps and software. If you’re looking for the same old get-rich-quick clichés, avocado toast shaming, or alphabet soup of incomprehensible financial terms, you won’t find them here. Instead, Saul-Sehy and Birken take you step by step along the way to financial success, with their signature blend of shrewd financial information and wacky humor.
Click your heels three times and say, “There’s no place like Bloomies!” Katie Chandler’s life is pure magic–literally. As an executive assistant at Magic, Spells, and Illusions, Inc., she’s seen more than her share of fantastical occurrences. A mere Manhattan mortal, Katie is no wizard, but she’s a wiz at exposing “hokum” pocus, cloaked lies, and deceptive enchantments. And she’s fallen under the all-too-human spell of attraction to Owen, a hunky wizard and coworker. Owen, however, is preoccupied. Someone has broken into his office and disrupted top-secret files, and it reeks of an inside job. CEO Merlin (yes, the Merlin) and taps Katie and her special ability to uncover the magical mole. Keeping her feelings in check while sleuthing alongside Owen, Katie is shocked to discover that her immunity to magic is waning, putting her in grave danger. Soon she’s surrendering to the charms and enchantments of everyone and everything around her, including a killer pair of red stilettos. Katie must now conjure up her natural instincts to get to the bottom of the break-in, regain her power, and win the wizard of her dreams.
Four friends are wedding planners who operate a business tailored for second weddings.
Carlee Cayne’s career in the U-S Marshal Service suddenly becomes fraught with more danger than she bargained for. Forced to shoot and kill a drug cartel leader’s brother puts a target on her by the vengeance seeking kingpin. The promise of another chance at love comes along with the appearance of Lincoln Bridger in her life. He shows her the way to a better, and safer, existence. But first, she and best friend Dixie Vega have dangerous business to tend to before that can be possible. She must stop the relentless stalking by the revenge-seeking drug lord, Rogelio Ortiz.
How the couch became an icon of self-knowledge and self-reflection as well as a site for pleasure, transgression, and healing. The peculiar arrangement of the psychoanalyst's office for an analytic session seems inexplicable. The analyst sits in a chair out of sight while the patient lies on a couch facing away. It has been this way since Freud, although, as Nathan Kravis points out in On the Couch, this practice is grounded more in the cultural history of reclining posture than in empirical research. Kravis, himself a practicing psychoanalyst, shows that the tradition of recumbent speech wasn't dreamed up by Freud but can be traced back to ancient Greece, where guests reclined on couches at the symposion (a gathering for upper-class males to discuss philosophy and drink wine), and to the Roman convivium (a banquet at which men and women reclined together). From bed to bench to settee to chaise-longue to sofa: Kravis tells how the couch became an icon of self-knowledge and self-reflection as well as a site for pleasure, privacy, transgression, and healing. Kravis draws on sources that range from ancient funerary monuments to furniture history to early photography, as well as histories of medicine, fashion, and interior decoration, and he deploys an astonishing array of images—of paintings, monuments, sculpture, photographs, illustrations, New Yorker cartoons, and advertisements. Kravis deftly shows that, despite the ambivalence of today's psychoanalysts—some of whom regard it as “infantilizing”—the couch continues to be the emblem of a narrative of self-discovery. Recumbent speech represents the affirmation in the presence of another of having a mind of one's own.
Quentin Tarantino’s long-awaited first work of fiction—at once hilarious, delicious and brutal—is the always surprising, sometimes shocking, novelization of his Academy Award winning film. RICK DALTON—Once he had his own TV series, but now Rick’s a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it? CLIFF BOOTH—Rick’s stunt double, and the most infamous man on any movie set because he’s the only one there who might have got away with murder. . . . SHARON TATE—She left Texas to chase a movie-star dream, and found it. Sharon’s salad days are now spent on Cielo Drive, high in the Hollywood Hills. CHARLES MANSON—The ex-con’s got a bunch of zonked-out hippies thinking he’s their spiritual leader, but he’d trade it all to be a rock ‘n’ roll star.