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Detached and ignored for most of her life, Brayla Sullivan is the awkward, ugly duckling destined for spinsterhood who's never been kissed, never gone anywhere beyond the small town she was born and raised in. When she starts corresponding with a man from a "Meet Exotic Singles" website and he suggests they meet, she drops everything to fly to him in a last-ditch effort to find her happily-ever-after. The only son in a family of daughters, Shaun Levi, Peaceful's Chief of Police, has never looked the part of a dashing hero. Whenever he'd opened his mouth, his sisters had spoken for him or over him, and now any attempts at conversation with the opposite sex lead him to either a loss for words or making a mess that's ensured he'll stay a bachelor for life. Brayla has been nothing more than a buddy he's known all his life. But, when a kiss between them on a particularly lonesome New Year's takes a turn for the what-have-we-done?, he sees a side to his old friend he never anticipated...and the consequences may just leave him without a friend or a prayer of convincing her they could share so much more. Brayla's poorly-conceived plan to meet Mr. Right veers from point A to Z to F and every-sad-where in-between, leaving her hopelessly lost and desperate for someone to rescue her. Everything she expects to happen falls through while the unexpected may turn into everything she's ever dreamed of...or all she's dreaded. On the rocky road to happily-ever-after, who knows what can happen?
Detached and ignored for most of her life, Brayla Sullivan is the awkward, ugly duckling destined for spinsterhood who's never been kissed, never gone anywhere beyond the small town she was born and raised in. When she starts corresponding with a man from a ""Meet Exotic Singles"" website and he suggests they meet, she drops everything to fly to him in a last-ditch effort to find her happily-ever-after. The only son in a family of daughters, Shaun Levi, Peaceful's Chief of Police, has never looked the part of a dashing hero. Brayla has been nothing more than a buddy he's known all his life. But, when a kiss between them on New Year's takes a turn for the what-have-we-done?, he sees a side to his old friend he never anticipated?and the consequences may just leave him without a friend or a prayer of convincing her they could share so much more. What follows is a series of unfortunate events in which everything goes wrong?
An invaluable tool for kids to discuss death, explore grief, and honor the life of loved ones.
A collection of eighteen essays that represent Singer's fullest treatment of topics he engaged with throughout his life. Most of the selected essays were originally published in Yiddish or delivered as lectures but have never been published in English before
Few directors are characterized by both extraordinary film craft and the ironic reputation for lowbrow films. Despite his many achievements as a child of the Italian Cinecitta studios, however, Sergio Leone has been judged severely by writers who find his films lacking in ideas and moralists who find his films unduly cynical. Nevertheless, Leone's greatest cinematic achievement, Once Upon a Time in the West, served to refute these criticisms while exposing the director's unique romanticism and artistic ambition. As Leone's fourth successful American western film, Once Upon a Time in the West earned him acclaim for liberating the western genre, restoring it to a place of antique American simplicity. The principal goal of this book is to sharpen an appreciation for Sergio Leone and his most famous American western. The first two chapters deal with the relationship between Once Upon a Time in the West and the western films that preceded it, particularly those of John Ford. Subsequent chapters concentrate on the central characters of Once Upon a Time in the West, with special attention to Jill, Leone's first female protagonist and a surprisingly successful character, central to the plot and accorded a kind of existential strength usually reserved for men in Westerns. The sixth, seventh and eighth chapters address Leone's visual style, which represents a unique fusion of Hollywood classicism and modernism, and reveals the influences of Italian Surrealism and the French New Wave. The final chapters explore the rhythm, romanticism, and musical character of Once Upon a Time in the West, espousing the theory that Leone's approach to film is, above all, musical.
Looks at a potentially explosive situation, in which genetically modified plants have become part of our daily diet, without consumer awareness or knowledge of potential risks. Asks whether food crops, a vital element of the collective wealth of this planet, should remain at the mercy of private interests.
Most children enjoy creative writing. It allows them a freedom which other parts of the English curriculum do not. It also offers them an opportunity to express their personalities and can even be a therapeutic process.Unfortunately, it tends to be the one area which many teachers struggle with.Professional writers research thoroughly before picking up a pen. Students need to do the same. This book guides teachers through the process, exploring a range of topics, from story starters, through genre writing, to how historical events and topical debates can be used as launching pads for story writing. The guide also contains vocabulary banks and examples of pupils' writing. Following it will result in personal narratives which children of any ability can enjoy sharing in the classroom.