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Initially composed for newspaper publication, and inspired by Thomas De Quincey'sConfessions of an Opium Eater,Baudelaire's musings on wine and hashish provide acute and fascinating psychological insight into the mind of the addict.On Wine and Hashishasserts the ambivalence of memory, urging a union of willpower and sensual pleasure as Baudelaire claims that wine and hashish bring about an escape of narrative time. This characteristic theme anticipates his famous prose poems, "Le Spleen de Paris," in which drunkennessas induced by wine, poetry, or virtueis celebrated in extraordinary style.
Among the earliest artistic accounts of the hallucinogenic experience in European literature, the four pieces in this volume document Gautier and Baudelaire's own involvement in the Club of Assassins, who met under the auspices of Dr Moreau to investigate the psychological and mind-enhancing effects of hashish, wine and opium. As well as providing an absorbing of nineteenth-century drug use, Hashish, Wine, Opium captures the spirit of French Romanticism, in its struggle to free the mind from the shackles of the humdrum and the conventional, and serves as a fascinating prologue to the psychedelic literature of the following centuries.
Set in a modern, urban Paris, the prose pieces in this volume constitute a further exploration of the terrain Baudelaire had covered in his verse masterpiece, The Flowers of Evil: the city with all its squalor and inequalities, the pressures of time and mortality, and the liberation provided by the sensual delights of intoxication, art and women.Published posthumously in 1869, Paris Spleen was a landmark publication in the development of the genre of prose poetry - a form which Baudelaire saw as particularly suited for expressing the feelings of uncertainty, flux and freedom of his age - and one of the founding texts of literary Modernism. This volume also includes Baudelaire's 1851 essay 'Wine and Hashish'.
In the 1840s, Charles Baudelaire was a regular member of the infamous Club des Hashischins ("Club of the Hashish-Eaters”), a Parisian literary group dedicated to the exploration of altered states of consciousness, principally through the use of hashish (a concentrated form of cannabis resin). Other notable members of this group included Victor Hugo, Alexandre Dumas, Gerard de Nerval, Honoré de Balzac, and Théophile Gautier, all dedicated to experimenting with drugs and drug-induced states. As a denizen of the Hashishin Club, Charles Baudelaire was well-placed to turn his drug experiences, and those of others, into literature. Inspired by Thomas de Quincey's 1821 Confessions Of An Opium-Eater (which he would also translate into French), he turned his writing to drug intoxication around 1850, eventually producing a collection of drug-related writings titled Artificial Paradise, published in 1858. As well as a modified version of an earlier essay, now titled "On Wine And Hashish”, Artificial Paradise contained "The Poem Of Hashish”, a lengthy dissertation on the effects of prolonged hashish use. This special ebook edition of Baudelaire's writings on hashish and alcohol contains both "On Wine And Hashish”and "The Poem Of Hashish”, plus the bonus text "Get Drunk”, a prose-poetic exhortation to perpetual inebriation.
In this book the author, an investigative journalist, traces the social history of marijuana from its origins to its emergence in the 1960s as a defining force in an ongoing culture war. He describes how the illicit marijuana subculture overcame government opposition and morphed into a multibillion-dollar industry. In 1996, Californians voted to legalize marijuana for medicinal purposes. Similar laws have followed in several other states, but not without antagonistic responses from federal, state, and local law enforcement. The author draws attention to underreported scientific breakthroughs that are reshaping the therapeutic landscape: medical researchers have developed promising treatments for cancer, heart disease, Alzheimer's, diabetes, chronic pain, and many other conditions that are beyond the reach of conventional cures. This book is an examination of the medical, recreational, scientific, and economic dimensions of the world's most controversial plant.
Reporting for the Los Angeles Times on the international blind tasting competition held annually in Amsterdam known as the Cannabis Cup, novelist Mark Haskell Smith sampled a variety of marijuana that was unlike anything he’d experienced. It wasn’t anything like typical stoner weed, in fact it didn’t get you stoned. This cannabis possessed an ephemeral quality known to aficionados as “dankness.” Armed with a State of California Medical Marijuana recommendation, he begins a journey into the international underground where super-high-grade marijuana is developed and tracks down the rag-tag community of underground botanists, outlaw farmers, and renegade strain hunters who pursue excellence and diversity in marijuana, defying the law to find new flavors, tastes, and effects. This unrelenting pursuit of dankness climaxes at the Cannabis Cup, which Haskell Smith vividly portrays as the Super Bowl/Mardi Gras of the world's largest cash crop.