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"Accompanying Welty's essay are a dozen full-color plates of Hollingsworth paintings she specifically mentions or to which she alludes. An afterword puts the work of Hollingsworth and Welty in the context of time, place, and circumstance. A chronology detailing his many prizes and exhibitions shows Hollingsworth as a rising star whose life was cut short.".
A treasury of hard-to-find stories, essays, tributes, and humor from a literary master
A Tyrannous Eye: Eudora Welty’s Nonfiction and Photographs is the first book-length study of Eudora Welty’s full range of achievements in nonfiction and photography. A preeminent Welty scholar, Pearl Amelia McHaney offers clear-eyed and complex assessments of Welty’s journalism, book reviews, letters, essays, autobiography, and photographs. Each chapter focuses on one genre, filling in gaps left by previous books. With keen skills of observation, finely tuned senses, intellect, wit, awareness of audience, and modesty, Welty applied her genius in all that she did, holding a tough line on truth, breaking through “the veil of indifference to each other’s presence, each other’s wonder, each other’s plight.” McHaney’s study brings critical attention to the under-evaluated genres of Welty’s work and discusses the purposeful use of arguments, examples, and styles, demonstrating that Welty pursued her craft to a high standard across genres with a greater awareness of context than she admitted in her numerous interviews. Welty consistently dared new styles, new audiences, and new publishing venues in order to express her ideas to their fullest. It is “serious daring,” as she wrote in One Writer’s Beginnings, that makes for great writing. In “Place in Fiction,” Welty asks, “How can you go out on a limb if you do not know your own tree? No art ever came out of not risking your neck. And risk—experiment—is a considerable part of the joy of doing.”
Using a narrative approach unique to organizational studies, Czarniawska employs literary devices to uncover the hidden workings of organizations. She shows how the interpretive description of organizational worlds works as a distinct genre of social analysis, and her investigations ultimately disclose the paradoxical nature of organizational life: we follow routine in order to change, and decentralize in order to control. By confronting such paradoxes, we bring crisis to existing institutions and enable them to change.
"In this analysis of Jane Jacobs's ideas and work, Alice Sparberg Alexiou tells the story of a woman who without any formal training in planning became a prominent spokesperson for sensible urban change. Besides writing the seminal book about contemporary cities, Jacobs organized successful community battles in New York against powerful interests. Based on an array of interviews and primary source material, this book brings long-overdue attention to Jacobs's far-reaching influence as an original thinker and effective activist."--BOOK JACKET.
Includes Part 1A: Books