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Booker T. Washington spent his entire adult life empowering and uplifting his race. Now, ninety years after his death, two of his great-granddaughters, Gloria Yvonne Jackson and Sarah O'Neal Rush, have come together to pay special tribute to the life that he led, and to celebrate the 150th anniversary of his birth. This book is a compilation of some of their great-grandfather's most inspiring quotations, corresponding to and confirming scriptures from their favorite book, the Holy Bible, along with their own personal testimonies and writings. It is their tribute to this extraordinary man. Page after page delivers wisdom in the form of quotations and scriptures addressing every facet and all walks of life, including character building, race relations, rising above circumstances, the value of education, and business ownership. Be blessed, inspired, and informed as you read on topics addressing the whole person, be it spirit, soul, or body. It is the strong belief of these two first cousins that the publication of this book was a divine call on their lives for such a time as this, and that each reader will discover the timeliness of the wisdom contained in this volume. By revisiting and highlighting the achievements and the legacy of their great-grandfather, it is their prayer that they are contributing in a positive way toward making a difference in today's challenging times.
How local, specific, and personal understandings about belonging, ownership, and agency intersect with law to shape the city. In Owning the Street, Amelia Thorpe examines everyday experiences of and feelings about property and belonging in contemporary cities. She grounds her account in an empirical study of PARK(ing) Day, an annual event that reclaims street space from cars. A popular and highly recognizable example of DIY Urbanism, PARK(ing) Day has attracted considerable media attention, but has not yet been the subject of close scholarly examination. Focusing on the event's trajectories in San Francisco, Sydney, and Montreal, Thorpe addresses this gap, making use of extensive interview data, field work, and careful reflection to explore these tiny, temporary, and often transformative interventions. PARK(ing) Day is based on a creative interpretation of the property producible by paying a parking meter. Paying a meter, the event’s organizers explained, amounts to taking out a lease on the space; while most “lessees” use that property to store a car, the space could be put to other uses—engaging politics (a free health clinic for migrant workers, a same sex wedding, a protest against fossil fuels) and play (a dance floor, giant Jenga, a pocket park). Through this novel rereading of everyday regulation, PARK(ing) Day provides an example of the connection between belief and action—a connection at the heart of Thorpe’s argument. Thorpe examines ways in which local, personal, and materially grounded understandings about belonging, ownership, and agency intersect with law to shape the city. Her analysis offers insights into the ways in which citizens can shape the governance of urban space, particularly in contested environments. The book's foreword is by Davina Cooper, Research Professor in Law at King’s College London.
Unsparing and important. . . . An informative, clearheaded and sobering book.—Jonathan Yardley, Washington Post (1999 Critic's Choice) Inner-city black America is often stereotyped as a place of random violence, but in fact, violence in the inner city is regulated through an informal but well-known code of the street. This unwritten set of rules—based largely on an individual's ability to command respect—is a powerful and pervasive form of etiquette, governing the way in which people learn to negotiate public spaces. Elijah Anderson's incisive book delineates the code and examines it as a response to the lack of jobs that pay a living wage, to the stigma of race, to rampant drug use, to alienation and lack of hope.
Intelligent writing, intense characters, a dark sense of humor, innovative editing, and complex plots--Homicide: Life on the Street has raised the caliber of television police drama Homicide: Life on the Street is addictive television. Each week we watch to see who Detective Pembleton will spar with in "the Box," or what conspiracy theories Detective Munch will be espousing as the truth, but more than anything we tune in to see the gritty reality that makes this show the best police drama to ever grace the small screen. There aren't any car chases, rarely any shootouts, and sometimes the cases don't get solved. Instead, these detectives keep their clothes on, have a relentlessly morbid sense of humor, and catch the criminals because they have brains, not necessarily brawn. In other words, they're real. Homicide: Life on the Street, The Unofficial Companion by David P. Kalat--the first and only full-length guide to this Emmy Award-winning and three-time Peabody Award-winning television series--brilliantly captures the essence of this groundbreaking show. You'll Learn About: famed filmmaker Barry Levinson's decision to bring Homicide to television instead of making a film of David Simon's novel Homicide: A Year on the Killing Streets the behind-the-scenes anecdotes about cast regulars, including the onscreen clutches that led to offscreen romances the producers' many battles with the network suits over poor placement in the schedule, and the series' repeated trips to the land known as hiatus cast casualties--why they left or were let go the esteemed cast--including Andre Braugher, Ned Beatty, Daniel Baldwin, and Yaphet Kotto, among others--the characters they've created, and their beyond-Homicide careers season-by-season critiques of each episode Revealing, resourceful, and thoughtful, Homicide: Life on the Street, the Unofficial 0Companion is a must-have for any fan!
For more than a century, the term "Main Street" has conjured up nostalgic images of American small-town life. Representations exist all around us, from fiction and film to the architecture of shopping malls and Disneyland. All the while, the nation has become increasingly diverse, exposing tensions within this ideal. In The Death and Life of Main Street, Miles Orvell wrestles with the mythic allure of the small town in all its forms, illustrating how Americans continue to reinscribe these images on real places in order to forge consensus about inclusion and civic identity, especially in times of crisis. Orvell underscores the fact that Main Street was never what it seemed; it has always been much more complex than it appears, as he shows in his discussions of figures like Sinclair Lewis, Willa Cather, Frank Capra, Thornton Wilder, Margaret Bourke-White, and Walker Evans. He argues that translating the overly tidy cultural metaphor into real spaces--as has been done in recent decades, especially in the new urbanist planned communities of Elizabeth Plater-Zyberk and Andres Duany--actually diminishes the communitarian ideals at the center of this nostalgic construct. Orvell investigates the way these tensions play out in a variety of cultural realms and explores the rise of literary and artistic traditions that deliberately challenge the tropes and assumptions of small-town ideology and life.
The first major biography of the irrepressible woman who changed the way we view and live in cities, and whose influence is felt to this day. Jane Jacobs was a phenomenal woman who wrote seven groundbreaking books, saved neighborhoods, stopped expressways, was arrested twice, and engaged in thousands of impassioned debates—all of which she won. Robert Kanigel's revelatory portrait of Jacobs, based on new sources and interviews, brings to life the child who challenged her third-grade teacher; the high school poet; the mother who raised three children; the journalist who honed her skills at Architectural Forum and Fortune before writing her most famous book, The Death and Life of Great American Cities; and the activist who helped lead a successful protest against Robert Moses’s proposed expressway through her beloved Greenwich Village.
Alone, in his early forties and calling himself Joe Homeless, he wanders the streets of New York City. He is not a drug addict; he is not an alcoholic; he has never been a convict. But one thing he is--he is unwanted. My Life On The Street is the savage, poignant memoir of one of the world's homeless, faceless persons. Joe once had a job, money and a home. But now, his only home is the street. How he got there, what he does there and how he survives are his passionate themes. Deserted by family and friends, Joe has existed in an atmosphere of fear and violence for over ten years. He has survived hunger, freezing temperatures, wild dogs and physical abuse. He has been hunted like an animal by vigilante block associations armed with baseball bats. Along the way Joe found and repaired an old tape recorder and began dictating his experiences in basements and on rooftops--anywhere he could find a quiet spot alone. Years and several tape recorders later, he had over thirty cassettes that told his story. From rush hour subway platforms, Joe recruited a staff of volunteers: musicians and writers, editors and lawyers who transcribed and edited Joe's account of his decade on the streets. Joe finally found help on the street from these people who either admired his guts and persistence, or felt a social responsibility to get his manuscript published. And, although Joe wanted his story told to "make a buck and get me off the street", he also wants to "make things better for everybody else in the street" by letting people know the truth about a homeless existence. Joe Homeless is a pen name adopted to protect the author's identity on the streets, where he feels threatened by police, residents andhis fellow homeless.
What do you do when the law wants you behind bars and the New York crime families want you buried? Surviving the Mob is a cautionary tale of the harsh reality of a criminal, inmate, fugitive, and witness who -- so far -- has lived to tell the tale.
I hadn't planned on writing a book when I quit the Hells Angels. After forty years in the Hells Angels, George Christie was ready to retire. As president of the high-profile Ventura charter of the club, he had been the yin to Sonny Barger’s yang. Barger was the reckless figurehead and de facto world leader of the Hells Angels. Christie was the negotiator, the spokesman, the thinker, the guy who smoothed things out. He was the one who carried the Olympic torch and counted movie stars, artists, rock musicians, and police chief captains among his friends. But leaving the Hells Angels isn’t easy, and within two weeks of retirement, he was told he was “out bad”—blackballed by his fellow Angels, prohibited from wearing the club patch, and even told he should remove his Death Head tattoo. Now Christie sets out to tell his story. Exile on Front Street is the tale of how a former Marine gave up a comfortable job with the Department of Defense and swore allegiance to the Hells Angels. In this revealing, hard-hitting memoir, he recounts his life as an outlaw biker with the world’s most infamous motorcycle club.
"In Women Doing Life, Lora Bex Lempert examines the carceral experiences of women serving life sentences, presenting a typology of the ways that life-sentenced women grow and self-actualize, resist prison definitions, reflect on and own their criminal acts, and ultimately create meaningful lives behind prison walls. Looking beyond the explosive headlines that often characterize these women as monsters, Lempert offers rare insight into this vulnerable, little studied population. Her gendered analysis considers the ways that women do crime differently than men and how they have qualitatively different experiences of imprisonment than their male counterparts."--Provided by publisher.