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This Student Edition of Brecht's classic dramatisation of the conflict between free enquiry and official ideology features an extensive introduction and commentary that includes a plot summary, discussion of the context, themes, characters, style and language as well as questions for further study and notes on words and phrases in the text. It is the perfect edition for students of theatre and literature Along with Mother Courage, the character of Galileo is one of Brecht's greatest creations, immensely live, human and complex. Unable to resist his appetite for scientific investigation, Galileo's heretical discoveries about the solar system bring him to the attention of the Inquisition. He is scared into publicly abjuring his theories but, despite his self-contempt, goes on working in private, eventually helping to smuggle his writings out of the country. As an examination of the problems that face not only the scientist but also the whole spirit of free inquiry when brought into conflict with the requirements of government or official ideology, Life of Galileo has few equals. Written in exile in 1937-9 and first performed in Zurich in 1943, Galileo was first staged in English in 1947 by Joseph Losey in a version jointly prepared by Brecht and Charles Laughton, who played the title role. Printed here is the complete translation by John Willett.
The first collection and translation into English of the earliest biographical accounts of Galileo’s life This unique critical edition presents key early biographical accounts of the life and work of Galileo Galilei (1564–1642), written by his close contemporaries. Collected and translated into English for the first time and supplemented by an introduction and incisive annotations by Stefano Gattei, these documents paint an incomparable firsthand picture of Galileo and offer rare insights into the construction of his public image and the complex intertwining of science, religion, and politics in seventeenth-century Italy. Here in its entirety is Vincenzo Viviani’s Historical Account, an extensive and influential biography of Galileo written in 1654 by his last and most devoted pupil. Viviani’s text is accompanied by his “Letter to Prince Leopoldo de’ Medici on the Application of Pendulum to Clocks” (1659), his 1674 description of Galileo’s later works, and the long inscriptions on the façade of Viviani’s Florentine palace (1702). The collection also includes the “Adulatio perniciosa,” a Latin poem written in 1620 by Cardinal Maffeo Barberini—who, as Pope Urban VIII, would become Galileo’s prosecutor—as well as descriptive accounts that emerged from the Roman court and contemporary European biographers. Featuring the original texts in Italian, Latin, and French with their English translations on facing pages, this invaluable book shows how Galileo’s pupils, friends, and critics shaped the Galileo myth for centuries to come, and brings together in one volume the primary sources needed to understand the legendary scientist in his time.
Along with Mother Courage, the character of Galileo is one of Brecht's greatest creations, immensely live, human and complex. Unable to resist his appetite for scientific investigation, Galileo's heretical discoveries about the solar system bring him to the attention of the Inquisition. He is scared into publicly abjuring his theories but, despite his self-contempt, goes on working in private, eventually helping to smuggle his writings out of the country. As an examination of the problems that face not only the scientist but also the whole spirit of free inquiry when brought into conflict with the requirements of government or official ideology, Life of Galileo has few equals. Written in exile in 1937-9 and first performed in Zurich in 1943, Galileo was first staged in English in 1947 by Joseph Losey in a version jointly prepared by Brecht and Charles Laughton, who played the title role. Printed here is the complete translation by Brecht scholar John Willett. The much shorter Laughton version is also included in full as an appendix, along with Brecht's own copious notes on the play making this the most trusted scholarly edition of the text.
"A devastating attack upon the dominance of atheism in science today." Giovanni Fazio, Senior Physicist, Harvard-Smithsonian Center for Astrophysics The debate over the ultimate source of truth in our world often pits science against faith. In fact, some high-profile scientists today would have us abandon God entirely as a source of truth about the universe. In this book, two professional astronomers push back against this notion, arguing that the science of today is not in a position to pronounce on the existence of God—rather, our notion of truth must include both the physical and spiritual domains. Incorporating excerpts from a letter written in 1615 by famed astronomer Galileo Galilei, the authors explore the relationship between science and faith, critiquing atheistic and secular understandings of science while reminding believers that science is an important source of truth about the physical world that God created.
Acclaimed author-illustrator Bonnie Christensen adopts the voice of Galileo and lets him tell his own tale in this outstanding picture book biography. The first person narration gives this book a friendly, personal feel that makes Galileo's remarkable achievements and ideas completely accessible to young readers. And Christensen's artwork glows with the light of the stars he studied. Galileo's contributions were so numerous—the telescope! the microscope!—and his ideas so world-changing—the sun-centric solar system!—that Albert Einstein called him "the father of modern science." But in his own time he was branded a heretic and imprisoned in his home. He was a man who insisted on his right to pursue the truth, no matter what the cost—making his life as interesting and instructive as his ideas.
Because of Galileo's courageous campaign to change the methods of doing science, physicist Albert Einstein called him "the father of modern physics--indeed, of modern science altogether." A devout Catholic who wanted the church to maintain its authority and wisdom, Galileo worked tirelessly to persuade the church authorities to stop insisting that the sun revolved around a stationary earth, when there was evidence to prove otherwise. Galileo's persistence led to the Inquisition trying and sentencing him for heresy in 1633.
Galileo Galilei Galileo Galilei began his career as a mathematician. Yet as fate would have it, he became far more than a numbers whiz. Here was a true Renaissance man; one who was greatly educated and a genuine lover of the arts. He was a fan of poets and a fine lute player.When in 1609 Galileo created his first telescope and turned his attention to the skies, everything changed. His discoveries as they came, could not be denied. Because of his years of study in the arts and humanities, Galileo was well prepared to bring his ideas into the light of day. Inside you will read about... ✓ Living in the Italian Renaissance ✓ Student Becomes Master ✓ Opposition to the Church ✓ Controversial Theories ✓ The Trial of Galileo Galilei ✓ The End of All Things And much more!Discoveries often don't come easy and introducing them to a doubting world is even more challenging. It takes a certain kind of person to do that and Galileo was just the man for the job. It was his brilliance that supported the Copernican system of how the solar system was laid out. It was his original thinking which kept him fearless in the face of the greatest adversary there was--the Church. Come along to discover what made Galileo so great. And why his achievements can influence your life, too.
Dramatizes the effect of Galileo's extraordinary discoveries on those around him, and the choice he had to make when accused of heresy by the Inquisition for stating that the earth revolved around the sun.
A play that "charts the seventeenth century scientist's extraordinary fight with the church over his assertion that the earth orbits the sun"--Amazon.com.