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Preservation, based on the true story of the wreck of the Sydney Cove, sees master storyteller Jock Serong turn his talents to historical narrative.
It starts in a suburban backyard with Darren Keefe and his older brother, sons of a fierce and gutsy single mother. The endless glow of summer, the bottomless fury of contest. All the love and hatred in two small bodies poured into the rules of a made-up game. Darren has two big talents: cricket and trouble. No surprise that he becomes an Australian sporting star of the bad-boy variety—one of those men who’s always got away with things and just keeps getting. Until the day we meet him, middle aged, in the boot of a car. Gagged, cable-tied, a bullet in his knee. Everything pointing towards a shallow grave. The Rules of Backyard Cricket is a novel of suspense in the tradition of Peter Temple’s Truth. With glorious writing harnessed to a gripping narrative, it observes celebrity, masculinity—humanity—with clear-eyed lyricism and exhilarating narrative drive. Jock Serong’s first novel, Quota, won the 2015 Ned Kelly Award for Best First Fiction. The Rules of Backyard Cricket was shortlisted for the 2017 Victorian Premier’s Award for Fiction, and was a finalist in the 2017 Mystery Writers of America Edgar Awards and the 2017 Indie Book Awards. On the Java Ridge won the Colin Roderick Award and the international Staunch Book Prize in 2018. Jock lives with his family on Victoria’s far west coast. ‘The Rules of Backyard Cricket by Jock Serong, while classified as ‘crime’, is a compelling literary novel dissecting toxic sporting culture and its fallout.’ Paddy O’Reilly, Australian Book Review, 2016 Books of the Year ‘The Rules of Backyard Cricket got the thumbs up from everyone.’ Favourite Fiction for 2016, Avenue Bookstore ‘My favourite reading experience of the year (and I don’t even like cricket).’ Heather Taylor Johnson, Sydney Morning Herald’s Year in Reading ‘Blow me down if I didn’t hang on every word.’ Clare Wright, Best Books of 2016, Australian ‘One of the great novels written about sport...Delicious. It’s the top read of the summer.’ Stuff NZ ‘A deeply interesting novel about sibling rivalry, family, masculinity, and the game of cricket...Serong is a talented storyteller, and he brings this unusual world to life.’ Booklist ‘Merges my childhood dreamscape of hot days and sporting ambition with a page-turning thriller set within the rot of professional sport. Beautifully Melbourne. Get on it!’ Tony Wilson ‘Readers who have fallen in love with Australian mysteries, thrillers and crime novels have a whole world to discover with fantastic authors bringing the southern hemisphere to life...As in the UK, cricket is a national passion in Australia and Jock Serong delves into the murky world of professional sportsmen.’ Jane Harper, Daily Mail
A father’s obsession, a daughter's quest
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HIS HONOUR: Mr Jardim, withdraw that comment immediately. MR JARDIM: Your Honour, I'm not withdrawing it because it's got nothing to do with the merits of this case, just as your small-minded treatment of my client has got nothing to do with the merits of the case. I mean, could you have cocked this thing up any worse? Bloody helpless kid and you know she's back out on the street now. You're known throughout the state as a heartless old prick and a drunk, and seeing I've gone this far, your daughter-in-law's appointment to the court is widely viewed as a grubby political payoff. Today's pretty much the lowest I've seen you stoop but it's been a rich field of excrem— HIS HONOUR: Senior, will you have Mr Jardim removed? Charlie Jardim has just trashed his legal career in a spectacular courtroom meltdown, and his girlfriend has finally left him. So when a charitable colleague slings him a prosecution brief that will take him to the remote coastal town of Dauphin, Charlie reluctantly agrees that the sea air might be good for him. The case is a murder. The victim was involved in the illegal abalone trade and the even more illegal drug trade. And the witnesses aren't talking. And as Dauphin closes ranks around him, Charlie is about to find his interest in the law powerfully reignited.
”Demystifies object-oriented programming, and lays out how to use it to design truly secure and performant applications.” —Charles Soetan, Plum.io Key Features Dozens of techniques for writing object-oriented code that’s easy to read, reuse, and maintain Write code that other programmers will instantly understand Design rules for constructing objects, changing and exposing state, and more Examples written in an instantly familiar pseudocode that’s easy to apply to Java, Python, C#, and any object-oriented language Purchase of the print book includes a free eBook in PDF, Kindle, and ePub formats from Manning Publications. About The Book Well-written object-oriented code is easy to read, modify, and debug. Elevate your coding style by mastering the universal best practices for object design presented in this book. These clearly presented rules, which apply to any OO language, maximize the clarity and durability of your codebase and increase productivity for you and your team. In Object Design Style Guide, veteran developer Matthias Noback lays out design rules for constructing objects, defining methods, and much more. All examples use instantly familiar pseudocode, so you can follow along in the language you prefer. You’ll go case by case through important scenarios and challenges for object design and then walk through a simple web application that demonstrates how different types of objects can work together effectively. What You Will Learn Universal design rules for a wide range of objects Best practices for testing objects A catalog of common object types Changing and exposing state Test your object design skills with exercises This Book Is Written For For readers familiar with an object-oriented language and basic application architecture. About the Author Matthias Noback is a professional web developer with nearly two decades of experience. He runs his own web development, training, and consultancy company called “Noback’s Office.” Table of Contents: 1 ¦ Programming with objects: A primer 2 ¦ Creating services 3 ¦ Creating other objects 4 ¦ Manipulating objects 5 ¦ Using objects 6 ¦ Retrieving information 7 ¦ Performing tasks 8 ¦ Dividing responsibilities 9 ¦ Changing the behavior of services 10 ¦ A field guide to objects 11 ¦ Epilogue
It is called zero point energy, and it really exists - a state of energy contained in all matter everywhere, and thus all but unlimited. Nobody has ever found a way to tap into it, however - until one scientist discovers a way. Or at least he thinks he has. The problem is, his machines also cause great earthquakes, even fissures in tectonic plates. One machine is buried deep underground; the other is submerged in a vast ocean trench. If Kurt Austin and Joe Zavala and the rest of the NUMA team aren't able to find and destroy them, and soon, the world will be on the threshold of a new era of earth tremors and unchecked volcanism.
Sundanese books have been printed since 1850 up to the present. This article tries to draw a configuration of printing books in Sundanese for about 100 years in the Dutch colonial and Japanese occupation period. Printing and publishing books in Sundanese was initiated by the Dutch colonial government for the sake of management of their colony. This article discuss three aspects in print culture in Sundanese: (1) the role of government printing house and private publishers; (2) the cultural relationship between manuscript and printed books, and; (3) the changes after the emergence of printed books. Print culture in the Sundanese-speaking community was born and has developed. Its facets have changed from time to time. We notice more than 2200 Sundanese books were published up to the second decade of the 21st century when the technological innovation has proceeded in an enormous pace. However, the importance of Sundanese publication has not diminished in terms of nurturing educated citizens in this digital-oriented society and supporting cultural identity.
Poetry. FIDGET is Kenneth Goldsmith's transcription of every movement made by his body in a period of thirteen hours. Originally commissioned by the Whitney Museum of American Art as a collaboration with vocalist Theo Bleckmann, FIDGET attempts to reduce the body to a catalog of mechanical movements by a strict art of observation. The stress of this rigorous exercise creates a condition of shifting reference points and multiple levels of observation that inevitably undermines the author's objective approach, and the trajectory of the work begins to change. Kenneth Goldsmith is also a visual poet and music critic.