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After the abolition of slavery in the Indian Ocean and Africa, the world of labor remained unequal, exploitative, and violent, straddling a fine line between freedom and unfreedom. This book explains why. Unseating the Atlantic paradigm of bondage and drawing from a rich array of colonial, estate, plantation and judicial archives, Alessandro Stanziani investigates the evolution of labor relationships on the Indian subcontinent, the Indian Ocean and Africa, with case studies on Assam, the Mascarene Islands and the French Congo. He finds surprising relationships between African and Indian abolition movements and European labor practices, inviting readers to think in terms of trans-oceanic connections rather than simple oppositions. Above all, he considers how the meaning and practices of freedom in the colonial world differed profoundly from those in the mainland. Arguing for a multi-centered view of imperial dynamics, Labor on the Fringes of Empire is a pioneering global history of nineteenth-century labor.
"This book examines how (and why) rodeo has provided diverse communities ways in which they can prove themselves as real Americans, real men, and real heroes, often through the enactment of ever-shifting concepts like authenticity, tradition, and heritage. The author analyzes how the space of the rodeo arena has exposed fractures in the narrative of the cowboy over the twentieth century, focusing particularly on the experiences of non-normative cowboys and cowgirls to demonstrate how people stripped of their place in a collectively imagined Western past have both challenged and reinforced the cowboy as an icon of American authenticity. The case studies include female bronc-riders in the 1910s and 1920s, convict cowboys in the mid-twentieth century, all-black rodeos in the 1960s and 1970s, and gay rodeoers in the late century. Cast out of popular Western mythology and pushed to the fringes in everyday life, these people found belonging and meaning at the rodeo, staking a claim to national inclusion through regional performance. Yet, alongside their challenges to the restrictive definition of the cowboy, they also contributed to the persistent idea of an authentic Western identity"--]cProvided by publisher.
"Pseudoscience is not a real thing. The term is a negative category, always ascribed to somebody else's beliefs, not to characterize a doctrine one holds dear oneself. People who espouse fringe ideas never think of themselves as "pseudoscientists"; they think they are following the correct scientific doctrine, even if it is not mainstream. In that sense, there is no such thing as pseudoscience, just disagreements about what the right science is. This is a familiar phenomenon. No believer ever thinks she is a "heretic," for example, or an artist that he produces "bad art." Those are attacks presented by opponents. Yet pseudoscience is also real. The term of abuse is used quite frequently, sometimes even about ideas that are at the core of the scientific mainstream, and those labels have consequences. If the reputation of "pseudoscience" solidifies, then it is very hard for a doctrine to shed the bad reputation. The outcome is plenty of scorn and no legitimacy (or funding) to investigate one's theories. In this, "pseudoscience" is a lot like "heresy": if the label sticks, persecution follows"--
The Fringes of Belief is the first literary study of freethinking and religious skepticism in the English Enlightenment. Ellenzweig aims to redress this scholarly lacuna, arguing that a literature of English freethinking has been overlooked because it unexpectedly supported aspects of institutional religion. Analyzing works by John Wilmot, Earl of Rochester, Aphra Behn, Jonathan Swift, and Alexander Pope, she foregrounds a strand of the English freethinking tradition that was suspicious of revealed religion yet often strongly opposed to the open denigration of Anglican Christianity and its laws. By exposing the contradictory and volatile status of categories like belief and doubt this book participates in the larger argument in Enlightenment studies—as well as in current scholarship on the condition of modernity more generally—-that religion is not so simply left behind in the shift from the pre-modern to the modern world.
From the vantage point of nearly sixty years devoted to research and the writing of history, J. H. Elliott steps back from his work to consider the progress of historical scholarship. From his own experiences as a historian of Spain, Europe, and the Americas, he provides a deft and sharp analysis of the work that historians do and how the field has changed since the 1950s.The author begins by explaining the roots of his interest in Spain and its past, then analyzes the challenges of writing the history of a country other than one's own. In succeeding chapters he offers acute observations on such topics as the history of national and imperial decline, political history, biography, and art and cultural history. Elliott concludes with an assessment of changes in the approach to history over the past half-century, including the impact of digital technology, and argues that a comprehensive vision of the past remains essential. Professional historians, students of history, and those who read history for pleasure will find in Elliott's delightful book a new appreciation of what goes into the shaping of historical works and how those works in turn can shape the world of thought and action.
In the eighteenth and nineteenth centuries, booming demand for natural resources transformed China and its frontiers. Historians of China have described this process in stark terms: pristine borderlands became breadbaskets. Yet Manchu and Mongolian archives reveal a different story. Well before homesteaders arrived, wild objects from the far north became part of elite fashion, and unprecedented consumption had exhausted the region's most precious resources. In A World Trimmed with Fur, Jonathan Schlesinger uses these diverse archives to reveal how Qing rule witnessed not the destruction of unspoiled environments, but their invention. Qing frontiers were never pristine in the nineteenth century—pearlers had stripped riverbeds of mussels, mushroom pickers had uprooted the steppe, and fur-bearing animals had disappeared from the forest. In response, the court turned to "purification;" it registered and arrested poachers, reformed territorial rule, and redefined the boundary between the pristine and the corrupted. Schlesinger's resulting analysis provides a framework for rethinking the global invention of nature.
In this cogent and well-researched book, Harold Schechter argues that, unlike the popular conception of the media inciting violence through displaying it, without these outlets of violence in the media a basic human need would not be met and would have to be acted out in much more destructive ways. Schechter demonstrates how violent images saturated the earliest newspaper, how art and disturbing images are not incompatible and how the demoaisation of comic books in the 1950s det up a pattern of equating testosterone fuelled entertainment with aggression.
Two Volume Set Original Line Drawings by Helen Barchilon Redman The Underside of History, now available in a revised, two-volume edition, offers a new generation of scholars and students an alternative to the traditional courtesans/queens/mothers/and mistresses view of women in history. This classic in feminist literature provides an account of women's creativity in every age from pre-history to the present, and attempts to view women's roles in the context of the total time span of human experience. In clear and elegant prose, the author takes us on a breathtaking tour through time: we move through the hundred-thousand-year wanderings of the Paleolithic into the great transition from hunting and gathering to herding and planting; from life inside city walls to the great primary civilizations of the Middle East and Asia, as well as the feudal civilizations on its fringes; and from the sweep of culture generated by the Greco-Romanic-Islamic empires to "European Enlightenment" and, finally, to the last two centuries and the gradual industrialization-urbanization of the planet. New to this volume is a look at the 20th century women's movement--including a chapter on Third World women--as well as a provocative epilogue entitled "Creating Futures for the 21st Century." When we look at the imbalances regarding women in the social record, we are not simply gleaning information about the status of women: we are getting clues about general imbalances within society at large. For this reason, students, professionals, and practitioners alike will find The Underside of History to be an invigorating intellectual exercise and an essential addition to their libraries. "It is a classic, in all meaningsof the word. This book contains a lot of important information and shows us how to re-vision history and historical data. It won't 'scare' men or newcomers to women's studies." --Elizabeth Moen, University of Colorado, Boulder "Its presentation of this 'forgotten' histo
The story of personal debt in modern America Before the twentieth century, personal debt resided on the fringes of the American economy, the province of small-time criminals and struggling merchants. By the end of the century, however, the most profitable corporations and banks in the country lent money to millions of American debtors. How did this happen? The first book to follow the history of personal debt in modern America, Debtor Nation traces the evolution of debt over the course of the twentieth century, following its transformation from fringe to mainstream—thanks to federal policy, financial innovation, and retail competition. How did banks begin making personal loans to consumers during the Great Depression? Why did the government invent mortgage-backed securities? Why was all consumer credit, not just mortgages, tax deductible until 1986? Who invented the credit card? Examining the intersection of government and business in everyday life, Louis Hyman takes the reader behind the scenes of the institutions that made modern lending possible: the halls of Congress, the boardrooms of multinationals, and the back rooms of loan sharks. America's newfound indebtedness resulted not from a culture in decline, but from changes in the larger structure of American capitalism that were created, in part, by the choices of the powerful—choices that made lending money to facilitate consumption more profitable than lending to invest in expanded production. From the origins of car financing to the creation of subprime lending, Debtor Nation presents a nuanced history of consumer credit practices in the United States and shows how little loans became big business.
"Douglas Brinkley and American Heritage have done a grand job. This is a first-rate book: fair, clear, and enormously welcome." - David McCullough "Douglas Brinkley's one-volume history is a riveting narrative of unique people who have come to call themselves American. There is no dust on these pages as the author brilliantly tells our national story with skill and brevity." In this rich and inspiring book, acclaimed historian Douglas Brinkley takes us on the incredible journey of the United States - a nation formed from a vast countryside on whose fringes thirteen small British colonies fought for their freedom, then established a democratic nation that spanned the continent, and went on to become a world power. This book will be treasured by anyone interested in the story of America.