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Recounts the feud between the Hatfields and the McCoys, examines the sociological implications of the conflict, and offers brief profiles of the main participants
In this report I investigated the Famous feud between Kim Kardashian, Kanye West and Taylor Swift from 10 points of research. This report was born out of the urgent need to provide clearer, more transparent information and better-founded examples to explain the Famous feud in a different way than what Kim Kardashian, Kanye West and Taylor Swift offered through music, interviews and other media content. This report explored the background strategies of Kanye West, Kim Kardashian and Taylor Swift to maintain popularity and fame in an ever-changing world: sacrifices, intelligence, methods of communications, side effects and a minimal view of the efficiency of their strategies in the long term. I’m gonna let you finish reading it, but ‘On the Famous Feud’ it is a unique and original investigation, there is no other research which explores this feud on various levels; at the time of publishing, this report is the most advanced analysis of the Famous feud. Second Edition July 2023
In an attempt to separate myth from fact, the author probes the origins of the McCoy-Hatfield vendetta and the social, political, economic, and cultural ramifications of Appalachia's famous nineteenth-century family feud
The citizens of Kentucky, a state already known as the Dark and Bloody Ground, did much to substantiate the state's reputation, judging from accounts of the region's violent feuds reported in the nation's newspapers of the late 1800s and early 1900s. The New York Times of July 26, 1885 stated, "The savages who inhabit this region are not manly enough to fight fairly, face to face. They lie in wait and shoot their enemies in the back ... One can hardly believe that any part of the United States is cursed with people so lawless and degraded." This book details some of the feuds that led to Kentucky's dubious reputation.
America’s most notorious family feud began in 1865 with the murder of a Union McCoy soldier by a Confederate Hatfield relative of "Devil Anse" Hatfield. More than a decade later, Ranel McCoy accused a Hatfield cousin of stealing one of his hogs, triggering years of violence and retribution, including a Romeo-and-Juliet interlude that eventually led to the death of one of McCoy’s daughters. In a drunken brawl, three of McCoy's sons killed Devil Anse Hatfield’s younger brother. Exacting vigilante vengeance, a group of Hatfields tied them up and shot them dead. McCoy posses hijacked part of the Hatfield firing squad across state lines to stand trial, while those still free burned down Ranel McCoy’s cabin and shot two of his children in a botched attempt to suppress the posses. Legal wrangling ensued until the US Supreme Court ruled that Kentucky could try the captured West Virginian Hatfields. Seven went to prison, and one, mentally disabled, yelled, “The Hatfields made me do it!” as he was hanged. But the feud didn’t end there. Its legend continues to have an enormous impact on the popular imagination and the region. With a charming voice, a wonderfully dry sense of humor, and an abiding gift for spinning a yarn, bestselling author Lisa Alther makes an impartial, comprehensive, and compelling investigation of what happened, masterfully setting the feud in its historical and cultural contexts, digging deep into the many causes and explanations of the fighting, and revealing surprising alliances and entanglements. Here is a fascinating new look at the infamous Hatfield-McCoy feud.
History, Rangers, Quarrels, Trials.
This book uses the history of Breathitt County, Kentucky, to examine political violence in the United States and its interpretation in media and memory. Violence in Breathitt County, during and after the Civil War, usually reflected what was going on elsewhere in Kentucky and the American South. In turn, the types of violence recorded there corresponded with discernible political scenarios.
"In 1940 Edmund Wilson was the undisputed big dog of American letters. Vladimir Nabokov was a near-penniless Russian exile seeking asylum in the States. Wilson became a mentor to Nabokov, introducing him to every editor of note, assigning reviews for The New Republic, engineering a Guggenheim. Their intimate friendship blossomed over a shared interest in all things Russian, ruffled a bit by political disagreements. But then came Lolita, and suddenly Nabokov was the big (and very rich) dog. Finally the feud erupted in full when Nabokov published his hugely footnoted and virtually unreadable literal translation of Pushkin's famously untranslatable verse novel Eugene Onegin. Wilson attacked his friend's translation with hammer and tong in the New York Review of Books. Nabokov counterattacked in the same publication. Back and forth the increasingly aggressive letters volleyed until their friendship was reduced to ashes by the narcissism of small differences"--
Many of the world's most successful businesses are family owned. With this comes the threat of family bust-ups, sibling rivalry and petty jealousies. Family Wars takes you behind the scenes on a rollercoaster ride through the ups and downs of some of the biggest family-run companies in the world, showing how family in-fighting has threatened to bring about their downfall. Whether it's the Redstone's courtroom battles or the feud over Henry Ford's reluctance to let go of the reigns, the book reveals the origins, the extent and the final resolution of some of the most famous family feuds in recent history. Names you'll recognise include: the Gallo Family; the Guinness story; the Pathak family; and the Gucci family. An astonishing exposé of the way families do business and how arguments can threaten to blow a business apart, Family Wars also offers valuable advice on how such problems can be contained and solved.
For a century we read in books and newspapers and saw on screen, the legend of what is the most famous feud in American history: the Hatfields and the McCoys. What we had was legend, and not history, because the story consisted of a few historical events inside several layers of tall tales and fables reported by the yellow journalists of the late nineteenth century. Except for the raids into West Virginia by Frank Phillips' posse in 1887-8, all the documented events connected to the feud occurred in Pike County, Kentucky. The feud story, like the Phillips posse, was largely made in Pikeville, in 1888. The Pikeville stories were manufactured by men who had two primary goals: 1) They wanted to see a story published which would facilitate the conviction of Wall Hatfield and the other eight members of the Hatfield faction who were in jail in Pikeville, and, 2) They wanted to justify the two cold-blooded murders that had been committed only days before the reporters arrived by the leader of their posse, Frank Phillips. Everything in the early writings of the big city reporters was given to them by men with those two interests foremost in their minds.It is impossible to overstate the importance of the fact that none of the original feud story, which forms the basis for all the succeeding iterations, was taken from the actual record. It is all hearsay, and the hearsay came from the most prejudiced sources imaginable. The Pikeville elite not only had "a dog in the fight," they had the whole damn pack in it.The same moneyed interests that owned the newspapers also wanted the vast mineral riches underlying the land occupied by the Hatfields and McCoys, and their reporters' depictions of the people of Tug Valley as immoral and violent barbarians helped to make the swindle more palatable to the public.The Hatfield and McCoy feud is probably unique among all the events in history in that writers of feud-based fiction are more constrained than are writers of feud history. The good fiction writer is always careful to avoid writing something that is patently impossible. A fiction writer would never say that twelve hundred people regularly attended a church in an isolated mountain hollow that had only two dozen members. A "True Story" of the feud, can say that and still have reviewers from prestigious media organs laud its factual accuracy.As fiction can be made just as exciting as the screenwriter or author desires, the 2012 TV epic, "Hatfields & McCoys," and the recent fictional 'history'' books are great entertainment, but they are not history.Some of the books that followed the Kevin Costner movie contain an even greater ratio of fable to facts than did the movie. With a rare combination of facts and humor, this author calls them all to task.Tom E. Dotson, holder of a Cornell masters degree in labor history, and descended from both the Hatfields and McCoys, asks the question: "When only five Hatfields (along with three McCoys) were among the twenty men indicted for the vigilante slaying of the three McCoys in 1882, and only nine of the forty who rode with the Phillips posse in 1887-8 were McCoys, why is it called 'The Hatfield and McCoy feud'?" With solid research and a unique insight, Dotson answers that question.