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When mayhem descends on a tiny logging town, former sheriff Cork O’Connor is called upon to investigate a murder in this “wonderful page-turner” (The Denver Post) that “prolongs suspense to the very end” (Publishers Weekly) by Edgar Award-winning author William Kent Krueger. Not far from Aurora, Minnesota (population 3,752), lies an ancient expanse of great white pines, sacred to the Anishinaabe tribe. When an explosion kills the night watchman at wealthy industrialist Karl Lindstrom’s nearby lumber mill, it’s obvious where suspicion will fall. Former sheriff Cork O’Connor agrees to help investigate, but he has mixed feelings about the case. For one thing, he is part Anishinaabe. For another, his wife, a lawyer, represents the tribe. Meanwhile, near Lindstrom’s lakeside home, a reclusive shipwreck survivor and his sidekick are harboring their own resentment of the industrialist. And it soon becomes clear to Cork that danger, both at home and in Aurora, lurks around every corner…
During the Civil War, two young soldiers on opposite sides find themselves drawn together. One is a war-weary but scholarly Southerner who has seen too much bloodshed, especially the tortures inflicted upon the enemy by his vicious commanding officer, his uncle. The other is a Herculean Yankee captured by the rag-tag Confederate band and forced to become a martyr for all the sins of General Sheridan's fires. When these two find themselves admiring more than one another's spirit and demeanor, when passions erupt between captor and captive, will this new romance survive the arduous trek to Purgatory Mountain?
In Hamlet in Purgatory, renowned literary scholar Stephen Greenblatt delves into his longtime fascination with the ghost of Hamlet's father, and his daring and ultimately gratifying journey takes him through surprising intellectual territory. It yields an extraordinary account of the rise and fall of Purgatory as both a belief and a lucrative institution--as well as a capacious new reading of the power of Hamlet. In the mid-sixteenth century, English authorities abruptly changed the relationship between the living and dead. Declaring that Purgatory was a false "poem," they abolished the institutions and banned the practices that Christians relied on to ease the passage to Heaven for themselves and their dead loved ones. Greenblatt explores the fantastic adventure narratives, ghost stories, pilgrimages, and imagery by which a belief in a grisly "prison house of souls" had been shaped and reinforced in the Middle Ages. He probes the psychological benefits as well as the high costs of this belief and of its demolition. With the doctrine of Purgatory and the elaborate practices that grew up around it, the church had provided a powerful method of negotiating with the dead. The Protestant attack on Purgatory destroyed this method for most people in England, but it did not eradicate the longings and fears that Catholic doctrine had for centuries focused and exploited. In his strikingly original interpretation, Greenblatt argues that the human desires to commune with, assist, and be rid of the dead were transformed by Shakespeare--consummate conjurer that he was--into the substance of several of his plays, above all the weirdly powerful Hamlet. Thus, the space of Purgatory became the stage haunted by literature's most famous ghost. This book constitutes an extraordinary feat that could have been accomplished by only Stephen Greenblatt. It is at once a deeply satisfying reading of medieval religion, an innovative interpretation of the apparitions that trouble Shakespeare's tragic heroes, and an exploration of how a culture can be inhabited by its own spectral leftovers. This expanded Princeton Classics edition includes a new preface by the author.
Imagine Being Pulled Into the Hereafter. While You’re Still Alive. A disillusioned business executive whose life has hit a dead-end, Nick Seagrave has lost loved ones to tragedy and his family to neglect. Now, at a point of great crisis, he unbelievably and inexplicably finds himself transported to what appears to be another world. Suddenly he’s confronted with profoundly clear views of his own past and personality. At the same time, he’s enabled to see, hear, taste, and smell the realities of both heaven and hell–realities that force him to face dangers and trials far greater than any he’s known before. Pitted against flying beasts, a monstrous web that threatens to hold him captive, an evil, brooding intelligence, and undeniable evidence of a spiritual world, Nick must finally consider the God he claims not to believe in. Walking between two worlds, Nick Seagrave prepares to make decisions that will change his life forever, as he stands on the Edge of Eternity.
The hallways are empty, the school day long over, the din of lockers and youthful laughter have dissolved into silence. It's as if the very walls are waiting. And then through the intercom a song starts to crackle, the soundtrack of a forgotten life. And the band begins to sing - "Lovely Maggie falls for Johnny, a boy no one else can see. Heartthrob Johnny, 50s bad boy, trapped for eternity. Lonely boy and lonely girl, unsolved mystery. Maggie and Johnny, only highschool sweethearts, because Johnny can't ever leave. Do wop, Do wop....." In 1958, a rumble goes down outside the brand new high school in Honeyville, Texas. Chaos ensues, a life is lost, and Johnny Kinross disappears. But in 2010, someone finds him. Orphaned at the age of ten, 17-year-old Maggie O'Bannon finally finds a permanent home with her elderly aunt in a small Texas town. Working part-time as a school janitor, she becomes enmeshed in a fifty-year-old tragedy where nothing is as it seems and the boy of her dreams might vanish when the bell rings. This volatile and mismatched romance is doomed from its start, as Maggie struggles to hold on to yet another person she is destined to lose. Secret love and hushed affection are threatened by outside forces, resulting in a desperate race to keep a secret no one would understand. Deeply romantic, funny and tender, Slow Dance in Purgatory captures the heartache of a love story where a happy ending might be decades too late.
The fourth novel in Peter Clines' bestselling Ex series. When he’s awake, George Bailey is just an ordinary man. Five days a week he coaxes his old Hyundai to life, curses the Los Angeles traffic, and clocks in at his job as a handyman at the local college. But when he sleeps, George dreams of something more. George dreams of flying. He dreams of fighting monsters. He dreams of a man made of pure lightning, an armored robot, a giant in an army uniform, a beautiful woman who moves like a ninja. Then one day as he’s walking from one fix-it job to the next, a pale girl in a wheelchair tells George of another world, one in which civilization fell to a plague that animates the dead…and in which George is no longer a glorified janitor, but one of humanity’s last heroes. Her tale sounds like madness, of course. But as George’s dreams and his waking life begin bleeding together, he starts to wonder—which is the real world, and which is just fantasy?
The dead are suffering Picking up immediately after the shocking climax of Haunted: Perron Manor, a paranormal research team is hired to help gather evidence and prove beyond a shadow of a doubt that Perron Manor is haunted. The owner of the house needs the Church to sanction an exorcism. It is the only way to free the souls of the dead who are trapped and suffering in eternal torment. But the Church will not act without proof. However, the team soon discover that they are ill-equipped to handle the notorious house, or what it really is. Truths emerge that impact not only their fight for survival, but the very world around them. Can the team survive long enough to free the dead from Perron Manor, or will their souls be forfeit as well? Buy now to find out how the story of Perron Manor finishes. However... this is not the end. More horror lies outside of those walls. Haunted: Purgatory is Book 3 in the Haunted series
A new translation of Dante's Purgatorio that celebrates the human elements of the second part of The Divine Comedy. This is a bilingual edition with an illuminating introduction from the translator. Winner of the American Literary Translators Association 2022 National Translation Award in Poetry. Purgatorio, the middle section of Dante’s great poem about losing, and subsequently finding, one’s way in the middle of one’s life is, unsurprisingly, the beating heart of The Divine Comedy, as this powerful and lucid new translation by the poet D. M. Black makes wonderfully clear. After days spent plumbing the depths of hell, the pilgrim staggers back to the clear light of day in a state of shock, the sense of pervasive dread and deep bewilderment with which he began his pilgrimage as intensified as it is alleviated by his terminal vision of evil. The slow and initially arduous climb up the mount of Purgatory that ensues, guided as always by Virgil, his poetic model and mentor, is simultaneously a reckoning with human limits and a rediscovery of human potential in the light of divine promise. Dante’s Purgatorio, which has been an inspiration to poets as varied as Shelley and T. S. Eliot, is a book full of human stories and philosophical inquiry; it is also a tale of individual reintegration and healing. Black, a distinguished psychoanalyst as well as a poet, provides an introduction and commentary to this masterpiece by Dante from a contemporary point of view in this bilingual edition.
This book examines the concept of Purgatory. However, in contradistinction to the many monographs and edited volumes published in the past 50 years devoted to historical, cultural, or theological treatments of Purgatory—especially in proportion to the voluminous output on Heaven and Hell—this collection features papers by philosophers and other scholars engaged specifically in philosophical argument, debate, and dialogue involving conceptions of Purgatory and related ideas. It exists to broaden the discussion beyond the prevailing trends in the academic literature and fills an important intellectual gap.
A 2017 Choice Outstanding Academic Title The mythic American West, with its perilous frontiers, big skies, and vast resources, is frequently perceived as unchanging and timeless. The work of many western-based historical archaeologists over the past decade, however, has revealed narratives that often sharply challenge that timelessness. Historical Archaeology Through a Western Lens reveals an archaeological past that is distinct to the region—but not in ways that popular imagination might suggest. Instead, this volume highlights a western past characterized by rapid and ever-changing interactions between diverse groups of people across a wide range of environmental and economic situations. The dynamic and unpredictable lives of western communities have prompted a constant challenging and reimagining of both individual identities and collective understandings of their position within a broader national experience. Indeed, the archaeological West is one clearly characterized by mobility rather than stasis. The archaeologies presented in this volume explore the impact of that pervasive human mobility on the West—a world of transience, impermanence, seasonal migration, and accelerated trade and technology at scales ranging from the local to the global. By documenting the challenges of both local community-building and global networking, they provide an archaeology of the West that is ultimately from the West.