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The story of Oliver Twist - orphaned, and set upon by evil and adversity from his first breath - shocked readers when it was published. After running away from the workhouse and pompous beadle Mr Bumble, Oliver finds himself lured into a den of thieves peopled by vivid and memorable characters - the Artful Dodger, vicious burglar Bill Sikes, his dog Bull's Eye, and prostitute Nancy, all watched over by cunning master-thief Fagin. Combining elements of Gothic Romance, the Newgate Novel and popular melodrama, Dickens created an entirely new kind of fiction, scathing in its indictment of a cruel society, and pervaded by an unforgettable sense of threat and mystery.
Mystery crime fiction written in the Golden Age of Murder "This offering in the British Library Crime Classics series is part of a popular subgenre of the time, called the 'railway murder mystery.' The train setting was ideal for encasing a wide variety of people in one place, giving them myriad chances for meetings and murder." —Booklist On a dark November evening, Sir Wilfred Saxonby is travelling alone in the 5 o'clock train from Cannon Street, in a locked compartment. The train slows and stops inside a tunnel; and by the time it emerges again minutes later, Sir Wilfred has been shot dead, his heart pierced by a single bullet. Suicide seems to be the answer, even though no reason can be found. Inspector Arnold of Scotland Yard thinks again when he learns that a mysterious red light in the tunnel caused the train to slow down. Finding himself stumped by the puzzle, Arnold consults his friend Desmond Merrion, a wealthy amateur expert in criminology. To Merrion it seems that the dead man fell victim to a complex conspiracy—but the investigators are puzzled about the conspirators' motives, as well as their identities. Can there be a connection with Sir Wilfred's seemingly untroubled family life, his highly successful business, or his high-handed and unforgiving personality? And what is the significance of the wallet found on the corpse, and the bank notes that it contained?
Example in this ebook CHAPTER XX. WHEREIN OLIVER IS DELIVERED OVER TO MR. WILLIAM SIKES. When Oliver awoke in the morning he was a good deal surprised to find that a new pair of shoes with strong thick soles had been placed at his bedside, and that his old ones had been removed. At first he was pleased with the discovery, hoping that it might be the forerunner of his release; but such thoughts were quickly dispelled on his sitting down to breakfast alone with the Jew, who told him, in a tone and manner which increased his alarm, that he was to be taken to the residence of Bill Sikes that night. “To—to—stop there, sir?” asked Oliver, anxiously. “No, no, my dear, not to stop there,” replied the Jew. “We shouldn’t like to lose you. Don’t be afraid, Oliver, you shall come back to us again. Ha! ha! ha! We wont be so cruel as to send you away, my dear. Oh no, no!” The old man, who was stooping over the fire toasting a piece of bread, looked round as he bantered Oliver thus, and chuckled as if to shew that he knew he would still be very glad to get away if he could. “I suppose,” said the Jew, fixing his eyes on Oliver, “you want to know what you’re going to Bill’s for—eh, my dear?” Oliver coloured involuntarily to find that the old thief had been reading his thoughts; but boldly said, “Yes, he did want to know.” “Why, do you think?” inquired Fagin, parrying the question. “Indeed I don’t know, sir,” replied Oliver. “Bah!” said the Jew, turning away with a disappointed countenance from a close perusal of the boy’s face. “Wait till Bill tells you, then.” The Jew seemed much vexed by Oliver’s not expressing any greater curiosity on the subject; but the truth is, that, although he felt very anxious, he was too much confused by the earnest cunning of Fagin’s looks, and his own speculations, to make any further inquiries just then. He had no other opportunity; for the Jew remained very surly and silent till night, when he prepared to go abroad. “You may burn a candle,” said the Jew, putting one upon the table; “and here’s a book for you to read till they come to fetch you. Good night!” “Good night, sir!” replied Oliver, softly. The Jew walked to the door, looking over his shoulder at the boy as he went, and, suddenly stopping, called him by his name. Oliver looked up; the Jew, pointing to the candle, motioned him to light it. He did so; and, as he placed the candlestick upon the table, saw that the Jew was gazing fixedly at him with lowering and contracted brows from the dark end of the room. “Take heed, Oliver! take heed!” said the old man, shaking his right hand before him in a warning manner. “He’s a rough man, and thinks nothing of blood when his own is up. Whatever falls out, say nothing, and do what he bids you. Mind!” Placing a strong emphasis on the last word, he suffered his features gradually to resolve themselves into a ghastly grin; and, nodding his head, left the room. Oliver leant his head upon his hand when the old man disappeared, and pondered with a trembling heart on the words he had just heard. The more he thought of the Jew’s admonition, the more he was at a loss to divine its real purpose and meaning. He could think of no bad object to be attained by sending him to Sikes which would not be equally well answered by his remaining with Fagin; and after meditating for a long time, concluded that he had been selected to perform some ordinary menial offices for the housebreaker, until another boy better suited for his purpose could be engaged. He was too well accustomed to suffering, and had suffered too much where he was, to bewail the prospect of a change very severely. He remained lost in thought for some minutes, and then with a heavy sigh snuffed the candle, and taking up the book which the Jew had left with him, began to read. To be continue in this ebook
Oliver Twist; or, the Parish Boy's Progress is Charles Dickens's second novel, and was published as a serial from 1837 to 1839 and released as a three-volume book in 1838, before the serialization ended. The story centres on orphan Oliver Twist, born in a workhouse and sold into apprenticeship with an undertaker. After escaping, Oliver travels to London, where he meets the "Artful Dodger", a member of a gang of juvenile pickpockets led by the elderly criminal Fagin. Oliver Twist is notable for its unromantic portrayal of criminals and their sordid lives, as well as for exposing the cruel treatment of the many orphans in London in the mid-19th century. The alternative title, The Parish Boy's Progress, alludes to Bunyan's The Pilgrim's Progress, as well as the 18th-century caricature series by William Hogarth, A Rake's Progress and A Harlot's Progress. In this early example of the social novel, Dickens satirises the hypocrisies of his time, including child labour, the recruitment of children as criminals, and the presence of street children. The novel may have been inspired by the story of Robert Blincoe, an orphan whose account of working as a child labourer in a cotton mill was widely read in the 1830s. It is likely that Dickens's own experiences as a youth contributed as well. Oliver Twist has been the subject of numerous adaptations for various media, including a highly successful musical play, Oliver!, and the multiple Academy Award-winning 1968 motion picture. Disney also put its spin on the novel with the animated film called Oliver & Company in 1988.
Olivia Twist is an innovative reimagining of Charles Dickens' classic tale Oliver Twist, in which Olivia was forced to live as a boy for her own safety until she was rescued from the streets. Now eighteen, Olivia finds herself at a crossroads: revealed secrets threaten to destroy the "proper" life she has built for herself, while newfound feelings for an arrogant young man she shouldn't like could derail her carefully laid plans for the future. Olivia Brownlow is no damsel in distress. Born in a workhouse and raised as a boy among thieving London street gangs, she is as tough and cunning as they come. When she is taken in by her uncle after a caper gone wrong, her life goes from fighting and stealing on the streets to lavish dinners and soirees as a debutante in high society. But she can’t seem to escape her past … or forget the teeming slums where children just like her still scrabble to survive. Jack MacCarron rose from his place in London's East End to become the adopted "nephew" of a society matron. Little does society know that MacCarron is a false name for a boy once known among London gangs as the Artful Dodger, and that he and his “aunt” are robbing them blind every chance they get. When Jack encounters Olivia Brownlow in places he least expects, his curiosity is piqued. Why is a society girl helping a bunch of homeless orphan thieves? Even more intriguing, why does she remind him so much of someone he once knew? Jack finds himself wondering if going legit and risking it all might be worth it for love.
In 19th century London, the trusting orphan Oliver escapes factory work, only to fall in with a gang of nefarious thieves.
Containing extensive introductory comment on the contexts, critical history and interpretations of Oliver Twist, this comprehensive guide explores the wealth of contextual and critical material that surrounds Dickens' text.
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Charles Dickens social novel comes to Classics Illustrated Deluxe in an extra-sized volume that features more comics pages than previous volumes. Dickens surrounds the serious themes of his novel with sarcasm and dark humor, making the quirky yet powerful art of Olivier Deloye a great fit for this adaptation of one of the greatest literary works of the past 200 years.