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The impact of the first-born daughter's childhood position on her adult life, siblings and spouse shared by more than 100 family members of diverse ethnicities. Results from an online survey of several hundred random participants. The author's own experiences. A contributing psychologist's suggestions for personal transformation.
"What do Angela Merkel, Hillary Rodham Clinton, Christine Lagarde, Oprah Winfrey, Sheryl Sandberg, JK Rowling and Beyoncé have in common?" was the headline in the English newspaper The Observer in 2014. "Other than riding high in Forbes list of the world’s most powerful women," journalist Tracy McVeigh wrote in answer to her own question, "they are also all firstborn children in their families. Firstborn children really do excel." So what does it mean to be an eldest daughter? Firstborns Lisette Schuitemaker and Wies Enthoven set out to discover the big five qualities that characterize all eldest daughters to some degree. Eldest daughters are responsible, dutiful, thoughtful, expeditious and caring. Firstborns are more intelligent than their siblings, more proficient verbally and more motivated to perform. Yet at the same time they seriously doubt that they are good enough. Being an eldest daughter can have certain advantages, but the overbearing sense of responsibility often gets in the way. Parents may worry about their ‘difficult’ eldest girl who wants to be perfect in everything she does whilst her siblings may not always understand her. "The Eldest Daughter Effect" shows how firstborn girls become who they are and offers insights that can give them more freedom to move. And parents will gain a better understanding of their firstborn children and can support them more fully on their way.
In Eldest Daughter, Ava Leavell Haymon displays her mastery of the craft and engages us with the poetic gifts we have come to expect from her. As in previous collections, she combines the sensory and the spiritual in wild verbal fireworks. Concrete descriptions of a woman's life in the mid-twentieth-century American South mix with wider concerns about family lies and truths, and a culture that supports or forbids clear speech. In a passage from "The Holy Ghost Attends Vacation Bible School," the physical world of children interplays with the divine: The least likely place the Holy Ghost ever descended was in east Mississippi. Red clay hills and church politics soured on years of inbreeding. Every deacon drove a pickup. At Bible School, the kids played red rover and rolled down the sharp slope behind the Baptist church. He recognized the dizziness at the bottom and the fear of having your name called, but the grass stains, the torn blouses and sprained wrists—these were beyond Him. Haymon's poems encourage us to revel in the natural world and enjoy its delights, as well as to confront the difficult realities that keep us from doing so.
Explores the lives of colonial women, particularly during the Revolutionary War years, arguing that eighteenth-century Americans had very clear notions of appropriate behavior for females and the functions they were expected to perform, and that most women suffered from low self-esteem, believing themselves inferior to men.
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As one of the most difficult periods of the twentieth century, the Great Depression left few Canadians untouched. Using more than eighty interviews with women who lived and worked in Toronto in the 1930s, Breadwinning Daughters examines the consequences of these years for women in their homes and workplaces, and in the city's court rooms and dance halls. In this insightful account, Katrina Srigley argues that young women were central to the labour market and family economies of Depression-era Toronto. Oral histories give voice to women from a range of cultural and economic backgrounds, and challenge readers to consider how factors such as race, gender, class, and marital status shaped women's lives and influenced their job options, family arrangements, and leisure activities. Breadwinning Daughters brings to light previously forgotten and unstudied experiences and illustrates how women found various ways to negotiate the burdens and joys of the 1930s.
In the dying years of the 18th century, the corridors of Windsor echoed to the footsteps of six princesses. They were Charlotte, Augusta, Elizabeth, Mary, Sophia, and Amelia, the daughters of King George III and Queen Charlotte of Mecklenburg-Strelitz. Though more than fifteen years divided the births of the eldest sister from the youngest, these princesses all shared a longing for escape. Faced with their father’s illness and their mother’s dominance, for all but one a life away from the seclusion of the royal household seemed like an unobtainable dream. The six daughters of George III were raised to be young ladies and each in her time was one of the most eligible women in the world. Tutored in the arts of royal womanhood, they were trained from infancy in the skills vial to a regal wife but as the king’s illness ravaged him, husbands and opportunities slipped away. Yet even in isolation, the lives of the princesses were filled with incident. From secret romances to dashing equerries, rumors of pregnancy, clandestine marriage and even a run-in with Napoleon, each princess was the leading lady in her own story, whether tragic or inspirational. In The Royal Nunnery: Daughters of George III, take a wander through the hallways of the royal palaces, where the king’s endless ravings echo deep into the night and his daughters strive to be recognized not just as princesses, but as women too.
The story of five women who shared one of the most extraordinary and privileged sisterhoods of all time. Vicky, Alice, Helena, and Beatrice were historically unique sisters, born to a sovereign who ruled over a quarter of the earth's people and who gave her name to an era: Queen Victoria. Two of these princesses would themselves produce children of immense consequence. All five would curiously come to share many of the social restrictions and familial machinations borne by nineteenth-century women of less-exulted class. Victoria and Albert's precocious firstborn child, Vicky, wed a Prussian prince in a political match her high-minded father hoped would bring about a more liberal Anglo-German order. That vision met with disaster when Vicky's son Wilhelm-- to be known as Kaiser Wilhelm-- turned against both England and his mother, keeping her out of the public eye for the rest of her life. Gentle, quiet Alice had a happier marriage, one that produced Alexandra, later to become Tsarina of Russia, and yet another Victoria, whose union with a Battenberg prince was to found the present Mountbatten clan. However, she suffered from melancholia and died at age thirty-five of what appears to have been a deliberate, grief-fueled exposure to the diphtheria germs that had carried away her youngest daughter. Middle child Helena struggled against obesity and drug addition but was to have lasting effect as Albert's literary executor. By contrast, her glittering and at times scandalous sister Louise, the most beautiful of the five siblings, escaped the claustrophobic stodginess of the European royal courts by marrying a handsome Scottish commoner, who became governor general of Canada, and eventually settled into artistic salon life as a respected sculptor. And as the baby of the royal brood of nine, rebelling only briefly to forge a short-lived marriage, Beatrice lived under the thumb of her mother as a kind of personal secretary until the queen's death. Principally researched at the houses and palaces of its five subjects in London, Scotland, Berlin, Darmstadt, and Ottawa-- and entertainingly written by an experienced biographer whose last book concerned Victoria's final days-- Victoria's Daughters closely examines a generation of royal women who were dominated by their mother, married off as much for political advantage as for love, and finally passed over entirely with the accession of their n0 brother Bertie to the throne. Packard provides valuable insights into their complex, oft-tragic lives as daughters of their time.