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"The Old World and Its Ways" by William Jennings Bryan. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Reprint of the original, first published in 1868.
In Old World Witchcraft, noted author Raven Grimassi covers totally new territory--in his work and in the world of popular witchcraft books published in the last few decades. This book is actually about “an enchanted worldview,” one that has not necessarily been inherited from the beliefs and practices of any particular region and one which is available to us today. The “Old World” in the title is actually about a magical view of the Plant Kingdom and the spirits attached to it. While Grimassi’s previous books discuss the cultural expressions and commonality of witchcraft beliefs and practices in general, this book penetrates much deeper. Old World Witchdraft reveals rarely discussed topics such as the concept of Shadow as the organic memory of the earth. Readers will learn rooted techniques that possess power because these ways have always been connected to it. They will learn methods of interfacing with the ancestral current and with the organic memory of the earth. Through these they can connect with the timeless arts and learn methods of empowerment directly from the ancient source. Totally new information about familiar tools is presented. For example, the mortar and pestle is a tool for spell casting, a device that creates interfacing with plant spirits and with shadow, and a focal point for veneration of the Plant Kingdom. Grimassi also presents the art of using plant ashes for magical sigil work. This book is for people who have had their fill of books that say the same things over and over, who want to take the next step, and who are eager for the more rooted ways that have remained largely hidden.
"Daybreak" by using James Cowan emerges as a literary masterpiece, seamlessly mixing spirituality and cultural exploration. Cowan, a gifted storyteller, weaves a tapestry of profound insights that transcend genres. The book serves as a bridge, connecting readers to the essence of spirituality and fostering a deeper expertise of numerous cultures. In this exceptional paintings, Cowan's creativity and passion shine thru, guiding readers on trips via numerous landscapes and emotions. The narrative unfolds with elegance and ease, making complex non secular standards accessible to a huge target audience. "Daybreak" is greater than a tale; it is a catalyst for empathy, encouraging readers to have interaction with shared human stories and cultural richness. Cowan's writing acts as a conduit for connection, inviting readers to appreciate the beauty of different traditions while spotting the interconnectedness of the human experience. With an unwavering commitment to constructing bridges among individuals and cultures, "Daybreak" stands as a testomony to Cowan's potential to make profound topics approachable. Through this paintings, James Cowan leaves an indelible mark, offering readers a transformative journey that transcends the limits of traditional storytelling and enriches the soul with the know-how of spirituality and cultural variety.
Introduces the philosophy and practices of old world witchcraft, which relies on plant magic and the use of shadow, dispelling the myths about witches and presenting the tradition's tools, charms, spells, rituals, and correspondences.
This work, a companion to the author's Broadway Sheet Music: A Comprehensive Listing of Published Music from Broadway and Other Stage Shows, 1918 through 1993 (McFarland 1996), provides information about all sheet music published (1843-1918) from all Broadway productions--plus music from local shows, minstrel shows, night club acts, vaudeville acts, touring companies, and shows on the road that never made it to Broadway--and all the major musicals from Chicago.