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In 1939, Columbia Pictures based a film on Clarence Kelland's book Arizona, set during the Civil War in Arizona Territory. To accurately portray the novel's landscape, Columbia selected a spot about 10 miles from what is now downtown Tucson in the middle of a large Pima County park for the filming. In 1959, Bob Shelton, a Kansas City developer, purchased the lot, determined to build an active movie studio and tourist attraction. His vision was successful, and Old Tucson Studios has set the stage for over 200 movies and television shows. As Western movies regain their popularity in the box office, the future looks bright for Old Tucson Studios to become a premier filming site in Arizona.
Having played host to more than 60 Hollywood productions--from the early years of cinema through the 1970s--Sedona, Arizona's impact on the film industry is revealed here for the first time. Detailing its role as a silent but stunning backdrop to all types of movies, this volume covers the silent films, B westerns, World War II propaganda, and film noirs filmed on location in Arizona. Lavishly illustrated, this reference tells the story behind an anti-American Nazi propaganda western; the true history of filmmaking in Monument Valley; the first-ever inclusive guide to the location filming of Stagecoach; and descriptions of each Arizona production from conception through reception by critics and audiences, with plot summaries and complete details of cast and crew.
Kilmer shares the stories behind his most beloved roles, reminisces about his star-studded career and love life, and reveals the truth behind his recent health struggles. Kilmer has played so many iconic roles over his nearly four-decade film career, but here he steps out of character and reveals his true self. While containing plenty of tantalizing celebrity anecdotes, the book is ultimately a deeply moving reflection on mortality and the mysteries of life. -- adapted from jacket
WB, not yet sixteen in 1873 when the West was young, crosses the MIssissippi leaving the far shore of civilization behind. With empty pockets, a spark for life, and a wild sense of freedom, he follows his heart in an inspiring adventure of discovery, strength, character and romance.
"Twenty past and present residents of Tucson's first permanent public housing institutions - La Reforma and Connie Chambers - speak about their lives in "the projects" through the medium of oral history interviews."--Page 4 of cover.
A coming-of-age story with true love at its core, Greetings from Tucson tells the story of four sisters' lives through the lens of handwritten letters. These long lost letters, found decades after they were penned, once formed a lifeline that held them together when their worlds were otherwise falling apart. In June of 1945, tragedy struck, and Cookie, Frankie, Dottie, and Connie were torn from everything they knew-their parents, their home, and, most importantly, each other. Forced to live thousands of miles apart, they feared their bond would be broken. The sisters began writing letters to each other to celebrate their milestones and mourn every heartbreak. Through those letters, they found a way to strengthen their sisterhood when the odds were so stacked against them. The letters were like prisms, reflecting their lives from childhood into adulthood, as they fell in love or fulfilled their lifelong dreams. That is, until one sister's secret from the past changed everything. Would she break the fragile bond they worked so hard to nurture after their fateful split so many years ago?
The celebrated Hollywood icon comes fully to life in this complex portrait by noted film historian and master biographer Scott Eyman. Exploring Wayne's early life with a difficult mother and a feckless father, "Eyman gets at the details that the bean-counters and myth-spinners miss ... Wayne's intimates have told things here that they've never told anyone else" (Los Angeles Times). Eyman makes startling connections to Wayne's later days as an anti-Communist conservative, his stormy marriages to Latina women, and his notorious--and surprisingly long-lived--passionate affair with Marlene Dietrich.
Lalo's autobiography takes readers on a musical rollercoaster, from his earliest enjoyment of Latino and black sounds in Tucson to his burgeoning career in Los Angeles singing with Los Carlistas, the quartet with which he began his recording career in 1938."--BOOK JACKET.
straight / 'strāt (adj.) . . . without curves . . . correct . . . honest . . . not deviating from the normal . . . conventional . . . Heterosexual Practically all mainstream cinema is "straight," and has been since its inception. In Straight, Wheeler Winston Dixon explores how heterosexual performativity has been constructed in film, from early cinema to the present day. In addition to discussing how cinematic visions of masculine and feminine desire have been commodified and sold to reinforce existing societal constructs, Dixon also documents the recent emergence of "hypermasculinity," a kinetic and exaggerated masculinity that has been created to counter the more gentle, thoughtful male portrayed in While You Were Sleeping, Sleepless in Seattle, and other films that seemingly threaten the established order of patriarchal cinematic discourse.