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The commentary of Yefet ben Eli the Karaite (second half of the tenth century) on The Song of Songs is example of an exegetical work obeying two imperatives: The explanation of the divine message of Salvation mixed with the assiduous Karaite effort to prove wrong their adversaries, the Rabbanites, with the help of the Bible. In so doing Yefet ben Eli wrote a thoughtful and original commentary on the very symbolic Song of Songs. Indeed, according to Yefet ben Eli nothing in the Book should be taken realistically. The ability of Yefet to replace symbols by historical events is one of the many marks that show Yefet's mastery and the originality of his commentary.
This original commentary foregrounds at every turn the poetic genius of the Song of Songs, one of the most elusive texts of the Hebrew Bible. J. Cheryl Exum locates that genius in the way the Song not only tells but shows its readers that love is strong as death, thereby immortalizing love, as well as in the way the poet explores the nature of love by a mature sensitivity to how being in love is different for the woman and the man. Many long-standing conundrums in the interpretation of the book are offered persuasive solutions in Exum's verse by verse exegesis. The Old Testament Library provides fresh and authoritative treatments of important aspects of Old Testament study through commentaries and general surveys. The contributors are scholars of international standing.
This addition to the well-received Brazos Theological Commentary on the Bible offers theological exegesis of the Song of Songs.
This verse-by-verse commentary offers a fresh reading of an intriguing book of the Old Testament.
Next to Genesis, no book in the Hebrew Bible has had a stronger influence on Western literature than the Song of Songs. This attractive and exuberant edition helps to explain much of its power, while leaving its mystery intact. -- Alicia Ostriker, The New York Review of Books. Quite simply the best version in the English language. Its poetic voice, intimate, dignified, and informed by meticulous scholarship, carries us into the Eden of the original Hebrew text: a world in which the sexual awakening of two unmarried lovers is celebrated with a sensuality and a richness of music that are thrilling beyond words. -- Stephen Mitchell.
An accessible point of entry into the rich medieval religious landscape of Jewish biblical exegesis s Medieval Judeo-Arabic translations of the Hebrew Bible and their commentaries provide a rich source for understanding a formative period in the intellectual, literary, and cultural history and heritage of Jews in Islamic lands. The carefully selected texts in this volume offer intriguing insight into Arabic translations and commentaries by Rabbanite and Karaite Jewish exegetes from the tenth to the twelfth centuries CE, arranged according to the three divisions of the Torah, the Former and Latter Prophets, and the Writings. Each text is embedded within an essay discussing its exegetical context, reception, and contribution. Features: Focus on underrepresented medieval Jewish commentators of the Eastern world A list of additional resources, including major Judeo-Arabic commentators in the medieval period Previously unpublished texts from the Cairo Geniza
This latest volume in the popular Belief series considers two very different types of biblical writings and two very timely subjects—violence and sex within the context of Scripture. Well-known theologian Harvey Cox draws on a wide array of sources in his commentary on Lamentations— including poetry, novels, films, paintings, and photography—to offer a contemporary theological reading that is provocative and sure to stir numerous theological reflections and responses. The biblical book of Song of Songs has historically been seen as a book pointing to Christ's love for the church and has been interpreted in allegorical ways. Yet, it is unique in the canon for its use of erotic poetry, celebrating the human body and human love in graphic terms. Author Stephanie Paulsell suggests that the Song can still have profound meaning for us, teaching us "to love not only what we can see shining on the surface but also those depths of the other which are out of our reach."
A persuasive account, in brief compass, of the dramatic flow of the Song of Songs. Many sensitive observations on the imagery of the songs are presented in the form of a running commentary. The author offers his own original verse translation of the fourteen poems.
Respectful of traditional biblical scholarship, this collection of essays aims to move beyond it. It brings together two communities that have read their Bibles in isolation from one another, in ignorance of the richness of the other's traditions.