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Often imitated but never equalled, the Old Ireland in Colour books are beloved by Irish readers at home and abroad, and in this, the third book of the series, the authors have uncovered yet more photographic gems and breathed new life into them in glorious colour. All of Irish life is here – from evictions in Connemara to the mosgt elegant drawing rooms in Dublin. Famous faces from politics and the arts appear alongside humble labourers and farmers and impish children from all kinjds of backgrounds light up this book’s glorious pages. With endless surprising details to pore over in every picture, and captivating and illuminating text, Old Ireland in Colour 3 is a winning addition to this spectacular series of bestsellng books.
And so it was that when he met Aoife, a stranger to those parts, he was struck by her beauty and blind to her evil.
The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.
These evocative images of rural life form a narrative thread with the not-so-distant past. Fitzgerald's camera focuses on the back roads of the countryside, and records intimate moments of people in their cottages and farms. The dimly-lit rooms of Ireland prior to the arrival of electricity are eloquently remembered in his first-hand account of his childhood years; his early experiences observing light and shadow in a world illuminated by candlelight. The result is a unique album that is both compelling and graceful.
Island light is magical. And none more so than Ireland's. Ireland's light floods the landscape, luring the senses with a restless presence. The water surrounding and carving through the island reflects back to us the ever-changing movement of the wind-blown clouds and light. Stop for a minute and the settings change: what was straight is bent, light is dark, still is in motion. It is as though an unseen hand directs the wind, the clouds, and the light to harness our attention. Ireland: A Luminous Beauty is a collection of stunning full-color photographs by some of Ireland's finest landscape photographers with concise text blending history, myth, and a sense of place. Many of the photographs were taken in the early morning light or as the sun set. That hour after sunrise and before sunset, with the sun low in the sky, is known to photographers as the golden hour and favored for its soft, diffused light. We take a journey to one of the most beautiful places in the world. From the ancient stone monuments of the Boyne Valley to the treacherous stone steps of Skellig Michael; from the distinctive columns of the Giant's Causeway and the spectacularly sited Dunluce Castle ruins to lush, green countryside and fields of heather; from the limestone of the Burren (the rockiest part of Ireland) to exuberant stretches of flowers and gardens; from a moody sea and crashing surf to massive stone cliffs battered by the relentless pounding of the waves, and from steely rivers to tranquil lakes, it's all here. The Irish respond to this dramatic environment by transforming it into one that solidifies and enriches their own sense of place. We all have this instinct to create our own space, but the Irish have made an art of it. Through the ancient, natural, and cultivated landscapes, surrounded by history and legend, we discover and celebrate the spirit of Ireland and its luminous beauty.
From prehistoric times to the present day this comprehensive history presents the story of Ireland in bite-size chunks. With illustrations throughout this is an attractive and practical guide to Ireland's colorful history.