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Flemish ranks the most luxurious tapestry among and skillful textile traditions in the world. At the height of their popularity, these sumptuous decorative panels were in overwhelming demand from wealthy and royal patrons for whom the tapestries represented the height of luxury and prestige. This lush volume is the first to provide a comprehensive overview of Flemish tapestry history, spanning the 15th century to shortly before the French Revolution. Guy Delmarcel, a Belgian expert in Flemish textiles, covers every aspect of the design and production of these treasures. The wealth of illustrations includes famous and never-before-published tapestries and many close-up details, as well as a number of complete sets of tapestry panels. An impeccably researched reference work that will be of enormous value to tapestry collectors, dealers, and scholars, this gorgeous, volume will also provide hours upon hours of browsing pleasure for art lovers.
Excerpt from Catalogue of Old Flemish Tapestry and Objects of Art, the Property of the Late Duke of Norfolk, Earl Marshal, K. G., And Tapestry, Porcelain and Decorative Furniture From Various Sources: Which Will Be Sold by Auction by Messrs. Christie, Manson and Woods; Tuesday, June 24, 1919 A pair of Limoges enamel circular plaques, painted with equestrian portraits in grisaille and colours - 7 in. Diam. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Professor Dr Guy Delmarcel was Curator of Textiles at the Brussels Koninklijke Musea voor Kunst en Geschiedenis (1975-1990) and Professor of History of Art at the Catholic University of Leuven (1981-2002). He passionately devoted his career to the study of Flemish tapestry. His intensive research on the 'Mobile Frescoes of the North' resulted in numerous articles, books, lectures, and exhibitions, thereby unlocking tapestry to both scholars and the general public. Guy Delmarcel has now been given emeritus status. The Department of Archaeology, History of Art and Musicology decided to honour its former chairman by offering him a Festschrift entirely dedicated to his beloved field of research. Fourteen renowned tapestry scholars from all over the world willingly accepted the invitation to celebrate their esteemed colleague. Throughout the centuries Flemish tapestry has eagerly been collected. In the Middle Ages and Early Modern Times the European elite spent fortunes on these lavish works of art. A number of essays compiled in the present volume focus on the patronage and collections of European kings and noblemen. In the nineteenth and twentieth centuries European and American museums became important collectors of Flemish tapestry, as is demonstrated by some museological studies presented in Studies in Honour of Guy Delmarcel. This penetration by Flemish tapestry of the public realm has obviously necessitated iconographic and stylistic studies. A number of new analyses are gathered in the Festschrift.