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An excerpt // the tree of a / thousand singing birds be- / side the sea
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An easy-to-use dictionary of over 80,000 rhyming words.
"Generous, irreplaceable. . . . It's an eye-opener and a who's-who of haiku today."—Providence Sunday Journal Originally a Japanese form that flourished in the seventeenth and eighteenth centuries, haiku has recently experienced tremendous growth in popularity in the English language. The Haiku Anthology, first published in 1974, is a landmark work in modern haiku, honoring a genre of poetry that celebrates simplicity, emotion, and imagery—in which only a few words convey worlds of mystery and meaning. This third edition, now completely revised and updated, comprises 850 haiku and senryu (a related genre, usually humorous and concerned with human nature) written in English by 89 poets, including the top haiku writers of the American past and present. A new foreword details developments since the publication of the last edition. "Each of these perfect little poems will come as a revelation to the uninitiated reader and will bring joy to the haiku enthusiast. . . . This is an exceptional selection of English-language haiku at its finest."—Library Booknotes
Step into a series of dazzling, funny, melancholy, and joyous moments with this collection of haiku masterworks. Beloved translator Peter Beilenson's goal was twofold: to craft a book of haiku accessible to anyone, and to render his best guess at what the poets would have written in English. His translations preserve the sublime spirit of each verse, conjuring vivid visual and emotional impressions in spare words.Haiku icon Basho is represented amply here, as are imagery-virtuoso Buson and wry, warm, painfully human Issa. The verses of Shiki, Joso, Kyorai, Kikaku, Chora, Gyodai, Kakei, Izen, and others also appear, all illuminated by lovely woodblock prints. Ranging from exquisite (In the sea surf edge/Mingling with the bright small shells.../Bush-clover petals -Basho) to bittersweet (Dead my fine hopes/And dry my dreaming, but still.../Iris, blue each spring -Shushiki) to silly (Dim the grey cow comes/Mooing, mooing, and mooing/Out of the morning mist -Issa), this collection will stir your senses and your heart.
Basho (1644-94) is perhaps the best known Japanese poet in both Japan and the West, and this book establishes the ground for badly needed critical discussion of this critical figure by placing the works of Basho and his disciples in the context of broader social change.
Defines sacred site and gives the history and myths associated with sites on the northern coast of New South Wales; deals with the Northern Tablelands, Tweed Valley and Nightcap Ranges, Lower Richmond River, Clarence River, Corindi to the Nambucca Valley, Macleay River Valley, Hastings and Manning River Valleys; ritual sites; mythological sites; material culture and subsistence, including fish traps, shell middens, grinding grooves, canoe trees and archaeological evidence; Aboriginal and Islander Cemetery at Fingal Head.
Essays on Japan is a compilation of Professor Michael F. Marra’s essays written in the past ten years on the topics of Japanese literature, Japanese aesthetics, and the space between the two subjects.
The Way of Haiku is a guide for learning to write the most popular form of Japanese poetry: haiku. But true to the inviting and personal style of its author, Naomi Beth Wakan, it is also a comprehensive examination of the form and an eye-opening view into the way that reading and writing haiku can change the way one looks at life. “Writing haiku helps you appreciate the wonder of ordinary things and ordinary days.” Wakan discusses the history of haiku’s development, its important literary elements, and the differences between haiku written in Japanese and those written in English. Numerous examples of haiku are provided, some written by Japanese haijin (haiku writers) and presented in translation, and some written by English-speaking writers. The rich explanation of the experience of writing haiku and the encouraging words of the author encourage readers to write their own haiku while remaining open to the possibilities it provides for personal growth.
Even readers with no particular interest in Japan - if such odd souls exist - may expect unexpected pleasure from this book if English metaphysical poetry, grooks, hyperlogical nonsense verse, outrageous epigrams, the (im)possibilities and process of translation between exotic tongues, the reason of puns and rhyme, outlandish metaphor, extreme hyperbole and whatnot tickle their fancy. Read together with The Woman Without a Hole, also by Robin D. Gill, the hitherto overlooked ulterior side of art poetry in Japan may now be thoroughly explored by monolinguals, though bilinguals and students of Japanese will be happy to know all the original Japanese is included.--amazon.com.