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Edition and translation of prognostic guides and calendars, intended as an effort to foretell the future.
Old English Tradition contains eighteen new essays by leading scholars in the field of Old English literary studies. The collection is centered around five key areas of research--Old English poetics, Anglo-Saxon Christianity, Beowulf, codicology, and early Anglo-Saxon studies--on which the work of scholar J. R. Hall, the volume's honorand, has been influential over the course of his career. The volume's contents range from fresh insights on individual Old English poems such as The Wife's Lament and Beowulf; new studies in Old English metrics and linguistics; codicological examinations of individual manuscripts; fresh editions of understudied texts; and innovative examinations of the role of early antiquarians in shaping the field of Old English literary studies as we know it today.
Old English prose before the late tenth century is examined in this collection of hitherto unpublished essays. Using a variety of techniques, the authors explore well-known and lesser-known texts in search of a better understanding of why, how, and by whom the manuscripts were produced. Part I of the collection contains six studies of Alfredian prose--the Soliloquies, the Pastoral Care, and Consolation of Philosophy--all of which are translations traditionally associated with King Alfred. Part II contains nine essays on various prose works outside of the Alfredian milieu, including the Old English Dialogues, the Old English Bede, the Chronicle and Laws, and various religious works. The authors emphasize the importance of a fresh look at Latin backgrounds and sources and the need to return to manuscript evidence for new insights. As a group, they argue for sympathetic contextual analysis, urging scholars in the field to reexamine the prose of the earlier Old English period to find cultural and literary value and significance. A bibliographical appendix supplements the Greenfield-Robinson bibliography for the period ending in 1982. The contributions in this volume complement the eleven essays found in The Old English Homily and Its Background, edited by Paul E. Szarmach and Bernard F. Huppe, also published by SUNY Press.
Reading the Runes in Old English and Old Norse Poetry is the first book-length study to compare responses to runic heritage in the literature of Anglo-Saxon England and medieval Iceland. The Anglo-Saxon runic script had already become the preserve of antiquarians at the time the majority of Old English poetry was written down, and the Icelanders recording the mythology associated with the script were at some remove from the centres of runic practice in medieval Scandinavia. Both literary cultures thus inherited knowledge of the runic system and the traditions associated with it, but viewed this literate past from the vantage point of a developed manuscript culture. There has, as yet, been no comprehensive study of poetic responses to this scriptural heritage, which include episodes in such canonical texts as Beowulf, the Old English riddles and the poems of the Poetic Edda. By analysing the inflection of the script through shared literary traditions, this study enhances our understanding of the burgeoning of literary self-awareness in early medieval vernacular poetry and the construction of cultural memory, and furthers our understanding of the relationship between Anglo-Saxon and Norse textual cultures. The introduction sets out in detail the rationale for examining runes in poetry as a literary motif and surveys the relevant critical debates. The body of the volume is comprised of five linked case studies of runes in poetry, viewing these representations through the paradigm of scriptural reconstruction and the validation of contemporary literary, historical and religious sensibilities.
King Alfred. Everybody knows that he is called “the Great,” but few remember why. Forgetfulness is strange, for few men have led lives so full of physical, mental, and spiritual adventure, or influenced in so many ways the lives of people in every part of the globe. The Golden Dragon is his fascinating and moving story, told afresh with the aid of recent archaeological evidence and research in four languages. Alfred’s achievements have melted cynicism. Gibbon called him “the greatest of English kings”; Hume, “the greatest man in history.” Voltaire declared, “I know not whether there has ever been a man on earth worthier of posterity’s respect.” When his kingdom was reduced to thirty acres, he fought back with such courage and genius that he expelled the Viking invaders and made possible the saving of Western civilization. His list of accomplishments is amazing: transcendent diplomat, Europe’s greatest naval designer, notable architect, law giver, founder of the oldest literary tradition in the Occident, originator of a system of public education, and producer of translations that have endured a thousand years. The author’s research led him to the conclusion that the ninth-century English kin was the superior of Charlemagne in almost every respect, and indeed was one of the greatest geniuses Western civilization has ever produced. Alfred’s courage, faith, and temperance are enduring examples for modern men.
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Book accompanies 5 exhibitions. Includes bibliographical references (p. 249-255) and index.