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This is an introduction to the Foreverland trilogy, a mind-bending journey into the cyberspace of identity and greed.Thomas woke on an island. His arms and chest bleeding, legs exhausted, he hears his name called from the tropical jungle. They sound friendly. But a voice tells him to run. A voice inside his head. The old bastards were coming. The voice leads him to a hideout. In the days that follow, it shows him the dead body and the cells where they were keeping him. There are others like him. It’s not till the voice leads him to save one of the boys that the old bastards capture Thomas. That’s when he discovers what they’re really doing on the island and why he’s hearing a voice. And why he can't remember anything before waking up.
When kids awake on an island, they're told there was an accident. Before they can go home, they will visit Foreverland, an alternate reality that will heal their minds. Reed dreams of a girl that tells him to resist Foreverland. He doesn't remember her name, but knows he once loved her. He'll have to endure great suffering and trust his dream. And trust he's not insane. Danny Boy, the new arrival, meets Reed's dream girl inside Foreverland. She's stuck in the fantasy land that no kid can resist. Where every heart's desire is satisfied. Why should anyone care how Foreverland works?
A place where dreams come true and a nightmare to escape... The boys woke on a tropical island. The girls in the wilderness. They don't know where they are or how they got there. Remembering who they are is only the beginning. Reed will make great sacrifices to find a lost love. Danny Boy will refuse to let the old men win. Cyn will battle through madness. Their escape is through dreamlands of alternate reality, through deceit and temptation, warped memories and stolen identities. In the end, they'll discover the greed that powers Foreveralnd and what it wants in return for making dreams come true. Can they find their way?
Tyler Ballard was in prison when his son created a dreamworld called Foreverland, a place so boundless and spellbinding that no one ever wanted to leave. Or did. Now his son is dead, his wife is comatose and Tyler is still imprisoned. But he planned it that way. The final piece of his vision falls into place when Alessandra Diosa investigates the crimes of Foreverland. Tyler will use her to create a new dimension of reality beyond anything his son ever imagined—a Foreverland for the entire world. Danny, living outside of Spain since escaping the very first Foreverland, begins receiving mysterious clues that lead him to Cyn. They are both Foreverland survivors, but they have more in common than survival. They become pieces of another grand plan, one designed to stop Tyler Ballard. No one knows who is sending the clues, but some suspect Reed, another Foreverland survivor. Reed, however, is dead. Everyone will make one last trip back to Foreverland to find out who sent them. And why. INTERVIEW WITH THE AUTHOR HOW IMPORTANT ARE NAMES TO YOU IN THIS BOOK. DID YOU CHOOSE THEM BASED ON SOUND OR MEANING? Almost all of my books have names with special meaning, some foreshadowing a big twist. In The Annihilation of Foreverland, Reed’s name was symbolic of his ability to tolerate suffering, bending in the face of gale forces but never breaking. WHERE DOES YOUR TOMORROW SPRING FROM? IN OTHER WORDS, HOW DID YOU COME UP WITH THE CRAZY WORLD? Sometimes, I can’t remember how the story started by the time I get to the end. The Annihilation of Foreverland started with the premise of identity. I wanted to write it as a YA book in the science fiction dystopia genre in a way that slowly unfolded as well as questioned who we are and explore our fear of death, and what we’re willing to do to avoid it. Like all of my stories, it does have a romantic angle mixed into the action. Because it should. GIVE YOUR BOOK THE BECHDEL TEST. IT HAS TO HAVE AT LEAST TWO (NAMED) WOMEN IN IT WHO TALK TO EACH OTHER ABOUT SOMETHING BESIDES A MAN. I failed because there’s only one female in The Annihilation of Foreverland. However, the young adult sequel (Foreverland is Dead) passes with flying colors since its mostly female characters that rarely talk about men. WHAT SORT OF BODY COUNT ARE WE TALKING HERE? The bodies die, but not necessarily the characters. Chew on that a second. DO YOU WANT YOUR TOMORROW TO MAKE IT BIG, AS IN JK ROWLINGS-BIG? WHY OR WHY NOT? Believe it or not, no. Don’t get me wrong, I’d like to make enough cash to pay off this house and send my kids to college, but I’ll pass on fame and fortune. Anonymity is a blessing. YOU CAST YOUR CHARACTERS FOR A MOVIE. WHO MAKES IT? In The Annihilation of Foreverland, I only casted two characters in my head while I was writing it. The Director is Jeff Bridges and Mr. Jones is Anthony Hopkins. It was like watching a movie as I wrote. HAVE YOU WRITTEN IN ANY OTHER GENRES BESIDES YA DYSTOPIAN? WHAT DREW YOU TO YOU THIS GENRE? I’ve been fascinated by consciousness, identity and what this all means since I was young. I would read my grandfather’s science fiction books with elements of artificial intelligence and alternate realities and wonder what happened when they died? I suppose that’s why all of my writing deals with the big mysteries of life in one way or another. In a way, I write for my own exploration, in a sort of thought experiment approach, pulling apart our identities, exploring what makes us who we are. If I lost my memories, would I still be me? If I had my body parts replaced with synthetic replications, at what point would I not be me? Do I even need a body? What am I? A few years ago, I figured I’d write a romance novel. Since all of my books have a romantic element, I thought it would be fun. Halfway through the novel, I found myself thinking more and more about the next project—a dystopian idea. So 40,000 words in, I scrapped the romance novel and got back to what I love. Science fiction.
This engaging text offers a brief, readable description of our common Western heritage as it began in the first human societies and developed in ancient Greece and Rome, then through the Middle Ages. Providing a tightly focused narrative and interpretive structure, Brian A. Pavlac covers the basic historical information that all educated adults should know. His joined terms "supremacies and diversities" develop major themes of conflict and creativity throughout history. The text is also informed by five other topical themes: technological innovation, migration and conquest, political and economic decision-making, church and state, and disputes about the meaning of life. Written with flair, this easily accessible yet deeply knowledgeable text provides all the essentials for a course on Western civilization.
Anthology of short stories revealing the untold tales of the Underworld War. The Heresy came to Calth without warning. In just a few hours of betrayal and bloodshed, the proud warriors of the XIIIth Legion – Guilliman’s own Ultramarines – were laid low by the treachery of their erstwhile brothers of the XVIIth. Now, as the planet is scoured by solar flares from the wounded Veridian star, the survivors must take the fight to the remaining Word Bearers and their foul allies, or face damnation in the gloomy arcology shelters beneath the planet’s surface. A collection of stories by authors including Dan Abnett, Aaron Demsbki-Bowden and Rob Sanders. The battle for Calth is far from over...
Who can you trust?In the summer of 1750, Eric Grayson discovers his wife of ten years is a faery spy, a member of a treacherous race the British--and the Grayson family in particular--have hunted and reviled for many years. As his dark family secrets unravel, will Eric ever break the cycle of death and madness that haunts him?Lady Theodora is caught in a desperate situation of her own. In order to fend off a monster from her past, she must completely destroy the man she loves.Who can you trust?Not Amalric, the deranged alchemist.Not Redthorne, the seductive faery assassin.Not Draven 'The Raven' Ketch, a mad pirate.And certainly not Meadowlark, Theodora's vengeful faery ex-lover.Lady Changeling offers a satisfying mix of high fantasy and gothic romance with a touch of Lovecraftian horror. Suggested for mature readers."A deftly crafted fantasy by a master of the genre, "Lady Changeling" showcases Altabef's genuine flair for originality and mature storytelling." -- Midwest Book Review
(Piano Solo Songbook). "I think there is a similarity between the infinite big and the infinite smallness of everything," says Yann Tiersen. "It's the same experiment looking through a microscope as it is a telescope." Named after a chapel in a small village on the island of Ushant, Kerber marks a new chapter in critically-acclaimed composer Yann Tiersen's career. A chapter still true to Tiersen's nuanced and subtle approach but one that sets out with his most overtly electronic material to date. Beautifully textured, highly immersive and thoughtfully constructed, Tiersen creates an electronic world, providing an environment in which the piano source exists. A sense of place has often been a central theme in Tiersen's work and here that is no different. Each track is tied to a place mapping out the immediate landscape that surrounds Tiersen's home, linking back to his thoughts on the possibilities of the infinite smallness. This official, exclusive folio is beautifully printed on high-quality, uncoated paper with striking graphic artwork. All seven pieces are presented for solo piano and follow an exclusive introduction to the project.
WINNER OF THE PEN/JACQUELINE BOGRAD WELD AWARD FOR BIOGRAPHY A NEW YORK TIMES BEST SELLER "This book is a must for everyone interested in illuminating the idea of unexplainable genius.” —QUESTLOVE Equal parts biography, musicology, and cultural history, Dilla Time chronicles the life and legacy of J Dilla, a musical genius who transformed the sound of popular music for the twenty-first century. He wasn’t known to mainstream audiences, even though he worked with renowned acts like D’Angelo and Erykah Badu and influenced the music of superstars like Michael Jackson and Janet Jackson. He died at the age of thirty-two, and in his lifetime he never had a pop hit. Yet since his death, J Dilla has become a demigod: revered by jazz musicians and rap icons from Robert Glasper to Kendrick Lamar; memorialized in symphonies and taught at universities. And at the core of this adulation is innovation: a new kind of musical time-feel that he created on a drum machine, but one that changed the way “traditional” musicians play. In Dilla Time, Dan Charnas chronicles the life of James DeWitt Yancey, from his gifted childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. He also rewinds the histories of American rhythms: from the birth of soul in Dilla’s own “Motown,” to funk, techno, and disco. Here, music is a story of Black culture in America and of what happens when human and machine times are synthesized into something new. Dilla Time is a different kind of book about music, a visual experience with graphics that build those concepts step by step for fans and novices alike, teaching us to “see” and feel rhythm in a unique and enjoyable way. Dilla’s beats, startling some people with their seeming “sloppiness,” were actually the work of a perfectionist almost spiritually devoted to his music. This is the story of the man and his machines, his family, friends, partners, and celebrity collaborators. Culled from more than 150 interviews about one of the most important and influential musical figures of the past hundred years, Dilla Time is a book as delightfully detail-oriented and unique as J Dilla’s music itself.
The first installment in the Last Tide series, as told by renown fantasy writer pirateaba, is the story of Solca Vis, a young woman transported into another world. Rather than landing near any nation or continent on earth, Solca finds herself at the end of the world. A [Fisher] by class and a fisherwoman by trade, Solca Vis will discover what classes, levels, monsters, and magic are at the place where even [Stormcaptains] and the bravest of adventurers fear to sail.