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Ohio in Photographs is a collection of stunning images that capture the texture of life in the Buckeye State. Two of the region's's leading landscape photographers, Ian Adams and Randall Lee Schieber, present a rich array of places and people from each of Ohio's eighty-eight counties. Divided into five regional chapters, the book includes scenes from urban and rural environments, from natural areas, historical sites, public gardens, cultural and sporting events, workplaces, and more. With chapter introductions by author John Fleischman, Ohio in Photographs is a can't-miss for any Ohioan at home or away.
This retrospective of The Ohio State University showcases its earliest years and the prominent land-grant institution it is today.
Two collectors of 19th-century photographia and a professor of photography, theater, and cinema (Ohio State U.) explore the uniquely American form of photography also known as melainotype and the ferrotype. Developed in Ohio, it flourished between 1861 and 1863 and was faster, cheaper, and more durable than the daguerreotype. It involved reproducing the photographic image on thin sheets of iron instead of glass. A century later they reveal details of hairstyles, clothing, and surroundings and a degree of relaxation that are lost from the more formal daguerreotypes of the time. Annotation copyrighted by Book News, Inc., Portland, OR
Explore the Buckeye State in Farcountry Press' newest release Ohio: A Photographic Journey. Featuring the beautiful photography of Cleveland native Laura Watilo Blake, the book's images reveal a true passion for all things Ohio. Jam-packed with 110 full-color photographs and informative text, this tour showcases some of Ohio's most exceptional places.

Collected in a soft cover, Ohio: A Photographic Journey highlights the state's cities, attractions, and natural scenery in vibrant color photography. Ohio: A Photographic Journey features elegant shots from Cedar Point, Ohio Stadium, The Toledo Zoo and Aquarium, and beautiful natural settings such as the Ohio River Valley, Amish Country, and the Mohican Valley.

Ohio State students, faculty and staff were photographed by artist and professor Ann Hamilton through a semi-transparent membrane that registersin focus only what immediately touches its surface while rendering more softly the gesture or outline of the body. In these images, touch-something we feel more than we see-is visible. In them, we feel the glance of cloth's fall, the weight of a hand, the press of a cheek, the possibility of recognition in portraits haunted by contact.Standing behind the semi-opaque film, one can hear but can not see, hidden until stepping toward the surface, guided by my voice. Each press of the object, the face, a hand, or cloth touching the membrane is revealed in focus, the shallow depth of field a consequence of the membrane's optical qualities. The images made in this exchange-between a subject that offers self or object and a voice that stands in for the visually absent camera-record an interiority that is perhaps more private, more vulnerable than the self we offer up in the world of a constantly present camera. Following and trusting the voice while having a sense of being hidden makes a space for this vulnerability. Each image is a tactile register of an exchange.
Historical family photos are cherished heirlooms that offer a glimpse into the lives of our ancestors. But the images, and the stories behind them, often fade away as decades pass--the who, when, where, and why behind the photos are lost. In this book, photo identification expert and genealogist Maureen A. Taylor shows you how to study the clues in your old family photos to put names to faces and recapture their lost stories.