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The Smithsonian Institution holds more than 142 million artifacts and specimens in its trust. This colorful guide to the museums and galleries on the National Mall, in the Washington metropolitan area, and in New York City presents an enormous amount of history and pertinent museum information, ensuring a rewarding visit. Each detailed section presents the history of the museums and offers a fully illustrated, gallery-by-gallery tour. All the practical information--location, hours, phone numbers, public transportation, services, tours, dining, gift shops, special attractions for children, web site addresses--is also included. With so much to see and do, this is the definitive source of all the information in one place.
The Smithsonian Institution holds more than 142 million artifacts and specimens in its trust. This colorful guide to the museums and galleries on the National Mall, in the Washington metropolitan area, and in New York City presents an enormous amount of history and pertinent museum information, ensuring a rewarding visit. Each detailed section presents the history of the museums and offers a fully illustrated, gallery-by-gallery tour. All the practical information--location, hours, phone numbers, public transportation, services, tours, dining, gift shops, special attractions for children, web site addresses--is also included. With so much to see and do, this is the definitive source of all the information in one place.
The go-to guide for visitors who want to maximize their experience at the Smithsonian’s 19 museums and National Zoo The Smithsonian holds more than 155 million artifacts and specimens in its trust. The Official Guide to the Smithsonian makes navigating the world’s largest museum complex more efficient and fulfilling. Featuring a huge amount of history, highlights, and pertinent museum information, the colorful guide is designed to enrich time spent in the Smithsonian’s incredible galleries and museums on the National Mall, the Washington metropolitan area, and New York City. The new 2021 edition features major updates for all the museums. This includes a full treatment of the National Museum of African American History and Culture, the most recent Smithsonian museum, as well as the Deep Time hall at the National Museum of Natural History, their new fossil hall that displays towering fossils of dinosaurs and other prehistoric creatures to explore the epic story of Earth. Each detailed section presents the history of the museum and offers a fully illustrated, gallery-by-gallery tour. It also includes all the practical information such as location, hours, phone numbers, public transportation, services, tours, dining, gift shops, special attractions for children, and website addresses. With so much to see and do across the vast Smithsonian collections, this is the definitive source of information in one place.
The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity—the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable—its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context—the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.
This set of 11 volumes, originally published between 1946 and 2001, amalgamates a wide breadth of research on Art and Culture in the Nineteenth Century, including studies on photography, theatre, opera, and music. This collection of books from some of the leading scholars in the field provides a comprehensive overview of the subject how it has evolved over time, and will be of particular interest to students of art and cultural history.
Held in Philadelphia from May 10 through October 10, the 1876 Centennial Exhibition celebrated the 100th anniversary of American independence. Philadelphia hosted 37 nations in five main buildings and 250 additional structures on 285 acres of land. The celebration looked backward to commemorate the progress made over the 100-year period, and it announced to the world that American invention and innovation was on a par with that of our foreign counterparts. Patriotism abounded, as did messages of industrial and commercial prowess that promised a brighter future for all. Over nine million people attended this awesome consumer spectacle, an event that set the tone for a long series of world's fairs yet to come.
The surprising history of how Americans have fought over the meaning and legacy of the Revolution for nearly two and a half centuries Americans agree that their nation's origins lie in the Revolution, but they have never agreed on what the Revolution meant. For nearly two hundred and fifty years, politicians, political parties, social movements, and a diverse array of ordinary Americans have constantly reimagined the Revolution to fit the times and suit their own agendas. In this sweeping take on American history, Michael D. Hattem reveals how conflicts over the meaning and legacy of the Revolution--including the Declaration of Independence and the Constitution--have influenced the most important events and tumultuous periods in the nation's history; how African Americans, women, and other oppressed groups have shaped the popular memory of the Revolution; and how much of our contemporary memory of the Revolution is a product of the Cold War. By exploring the Revolution's unique role in American history as a national origin myth, Hattem shows how the meaning of the Revolution has never been fixed, how remembering the nation's founding has often done far more to divide Americans than to unite them, and how revising the past is an important and long‑standing American political tradition.
By exploring New Zealand's centennial celebration in 1940, this volume paints a vivid picture of New Zealanders and how they perceived themselves and their relationships to the world at that time. Detailing the Centennial Exhibition, Wellington trade fair, and various other public commemorations, special publications of dictionaries and pictorial surveys, and cultural and art exhibits, this text fully examines how the country and citizens commemorated their history and recognized new opportunities in the changing world landscape.