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Cab Calloway (TM) Me, and Minnie the Moocher by George R. Coverdale Jr. His famous Zoot Suit. His vivid smile and stylish dressing style. His penchant for wearing White Tales. These unique characteristics can only be seen on the famous Cab Calloway, American jazz singer and bandleader. Share in author George R. Coverdale Jr.’s experiences with his uncle, a legend as well as a show-business star, during his career while he traveled with him for more than thirty-two years.
Winner of the 2022 Gustave O. Arlt Award in the Humanities, award by by the Council of Graduate Schools Explores the role of jazz celebrities like Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams as representatives of African American religion in the twentieth century Beginning in the 1920s, the Jazz Age propelled Black swing artists into national celebrity. Many took on the role of race representatives, and were able to leverage their popularity toward achieving social progress for other African Americans. In Lift Every Voice and Swing, Vaughn A. Booker argues that with the emergence of these popular jazz figures, who came from a culture shaped by Black Protestantism, religious authority for African Americans found a place and spokespeople outside of traditional Afro-Protestant institutions and religious life. Popular Black jazz professionals—such as Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams—inherited religious authority though they were not official religious leaders. Some of these artists put forward a religious culture in the mid-twentieth century by releasing religious recordings and putting on religious concerts, and their work came to be seen as integral to the Black religious ethos. Booker documents this transformative era in religious expression, in which jazz musicians embodied religious beliefs and practices that echoed and diverged from the predominant African American religious culture. He draws on the heretofore unexamined private religious writings of Duke Ellington and Mary Lou Williams, and showcases the careers of female jazz artists alongside those of men, expanding our understanding of African American religious expression and decentering the Black church as the sole concept for understanding Black Protestant religiosity. Featuring gorgeous prose and insightful research, Lift Every Voice and Swing will change the way we understand the connections between jazz music and faith.
With his catchphrase "Hi-de-ho" and his dramatic singing and dancing, Cab Calloway became the highest-earning African American bandleader of the 1930s. This book traces his remarkable career, his vocal innovations and his bandleading triumphs. It then follows his later career as a star of musical theater.
The weekly source of African American political and entertainment news.
This is a revealing look at the history of race relations in the United States during the first half of the twentieth century portrayed through the lives and times of the first two African-American heavyweight boxing champions, Jack Johnson and Joe Louis. Incorporating extensive research into the black press of the time, the author explores how the public careers and private lives of these two sports figures both define and explain vital national issues from the early 1900s to the late 1940s.
"This dynamic mixture of rock, calypso and ballads features a dozen singer-dancers in 20 numbers. In revue-style format, Don't Bother Me ... explores the African American experience through vibrant song and dance."--Publisher
"The Riot Inside Me finds the author at the bloody crossroads where art and politics, the personal and the political, and Southern California and the wider world meet and trade blows before resuming their separate paths. The twenty-five items gathered here - a "hopscotch" of essays, memoirs, interviews, journal entries, letters, and reports - are divided into four sections. One collects intimate autobiographical pieces, including a moving portrait of her late first husband, a moth drawn to the flames of the more extreme forms of '60s radicalism. Another is reserved for polemics, mainly issues of Black, White, Brown, and Yellow. A third reprints Coleman's infamous "bad" review of Maya Angelou's A Song Flung Up to Heaven - "the most controversial piece I've written" - and a caustically funny report on its fallout. The book concludes with a group of essays on racial violence, poetry and the post-9/11 mindset, topical pieces that are sardonic when it comes to politics and groups but, like all of Coleman's writing, tender and hopeful when it comes to individuals."--BOOK JACKET.
They Made Me An Addict They Made Me An Addict shows the journey of Moses, a young African American male who grows up fascinated by the street lifestyle and dismayed by its tragic results.. He decides to write a book about the streets from the inside out. The only way he knows how to do it is to hang with the thugs and do what they do and say what they say. He changes his church upbringing lifestyle to that of a hardcore juvenile delinquent. He says when he begins his quest, "I want the blood of the streets to flow through my veins so when I write about it, people can feel it." And we all feel it, as we follow Moses from birth to adult years through the streets of Newark, NJ and the dangerous world of drugs, cool, crime and violence, and his quest to make a difference.
The acclaimed narrative history of the American home front during WWII, from the attack on Pearl Harbor through 1942. For Americans on the home front, the twelve months following the Japanese attack on Pearl Harbor comprised the darkest year of World War Two. Despite government attempts to disguise the magnitude of American losses, it was clear that the nation had suffered a nearly unbroken string of military setbacks in the Pacific; by the autumn of 1942, government officials were openly acknowledging the possibility that the United States might lose the war. Appeals for unity and declarations of support for the war effort made it appear as though the class hostilities and partisan animosities that had beset the United States for decades had suddenly disappeared. Yet a deeply divided American society was splintering even further as conflicting interest groups sought to turn the wartime emergency to their own advantage. Meanwhile, blunders and repeated displays of incompetence by the Roosevelt administration added to the sense of anxiety and uncertainty that hung over the nation. The Darkest Year focuses on Americans’ state of mind not only through what they said, but in the day-to-day details of their behavior. William K. Klingaman delves into the social and cultural changes wrought by war, including shifts in family roles, race relations, economic pursuits, popular entertainment, education, and the arts.